Siddharth Anand directs Hrithik Roshan and Katrina Kaif in Bang Bang the official remake of Tom Cruise and Cameron Diaz starrer Knight and Day. Bang Bang also serves as a reminder that two phenomenally beautiful people in stunning locations do not an interesting movie make.
Siddharth Anand director of such cinematic gems as Ta Ra Rum Pum and Salam Namaste proves yet again that he is the master of the art of insipidity. The movie jerk starts with a scene straight out of Karma where Dr Michael Dang is captured and put in a jail cell and a righteous police inspector comes in and lands a tight one on the left cheek. I almost expected Danny Denzogpa to mouth “is thappad ki goonj ki goonj…”
Katrina (who must really have killed off her stylist’s cat for her to hate her so much) plays Harleen Sahani a Bank receptionist who has the ability to take and transfer calls on a retro phone, who sits and types while staring at a screensaver of Santorini and who either talks to herself or to a grandmother who has no sense of personal space. She gets swept away by international criminal Rajveer played by the brand ambassador for Mustard Oil Hrithik Roshan.
Harleen and Rajveer are under attack from goons of Danny and Javed Jaffery and the agents of ISS officers Pawan Malhotra and Vikram Gokhale. Where do I even begin with ISS – they are supposed to be India’s CIA/MI6 and they can’t even issue legitimate looking badges. And Sujoy Ghosh, who scripted Kahaani – in my opinion India’s best thriller, makes the most obvious of blunders. The whole plot and premise of the extradition treaty is willy nilly forgotten and everyone just goes about shooting everyone while Katrina sleeps.
Of the actors there is really no saving grace for any of them. Katrina who usually carries off the ditzy blonde roles off with élan is unbearable and thanks to her stylist is almost unbearable to look at as well except in a few shots in meherbaan. Hrithik with his charm offensive criminal with a heart of gold isn’t half bad but is saddled with a script that has him playing more kanaiya than krrish. Pawan Malhotra tries to pull a Nawazuddin Siddiqui and end s up looking more like ACP pradyuman. Deepti Naval proves that the bills won’t pay themselves and that even legends like her have to play the grieving mother. Danny Denzogpa and Javed Jaffery play the bad guys from what appears to be a bad parody of every bad guy ever depicted in Bollywood.
Plotholes aside it would have at least been bearable if there was enough adrenaline pumping action to keep one entertained. There is so much talking going on and most of it courtesy Katrina Kaif and her confusion at being caught up in all this mess that I did pray that Hrithik has more of those tranquilizer shots to sedate her. And whatever little action there is is ruined by the overpowering music which can only be described as the illegitimate child of Hans Zimmer’s score for the dark knight and Martin Garrix electronic dance music. Vishal and Shekhar who are able to turn in at least one memorable track per outing seem to struggle massively with an entirely forgettable soundtrack. The camera work is also shoddy with the action sequences being shot in a way that you don’t see any real action being captured and some of the tracking shots actually lacking in focus which results in hazy pan shots. The big reveal? its actually quite obvious 20 minutes into the movie and you need to be as dimwitted as Harleen to have to sit through the entire movie to be amazed by it. It is trademark Sujoy Ghosh if you know what I mean.
As if it weren’t enough that we are stuck with uninspired writing, directing and acting that we are given the wonderful gift of blatant product placement. I counted 10 – Johnson Tiles, Hokey Pokey, Samsung, Philips, Pizza Hut, Ray Ban, The Q Shop, Volvo, Mountain Dew & Macroman.
The intensity of Bang Bang’s stupidity is only matched by the vigorousness of its insipidity. Stay as far away from this movie as possible and watch any old Tom Cruise movie instead if action is what you crave and don’t mind a bit of plot thrown in for good measure.