David Fincher – the dark master of modern cinema directs Ben Affleck and Rosamund Pike in Gone Girl, a story about a beautiful and talented wife who goes missing on the day of her fifth anniversary. David Fincher has one of the most impressive filmography in Hollywood today and among those are stand outs like the Oscar darlings, The Social Network and The Curious Case of Benjamin Button and also there are dark messed up masterpieces such as Zodiac and Se7en. File Gone Girl under the Dark messed up masterpieces because what Fincher has achieved in this film based on a screenplay written by the novelist Gillian Flynn, adapted from her own original novel is nothing short of mind-bending madness.
The story kicks off with a forlorn looking Ben Affleck’s Nick Dunne driving into a bar he co-owns with his sister to crib over the disintegration of his marriage when he gets a phone call from a neighbor about his cat straying outside the home. Nick drives back home to what appears to be a crime scene with his wife Amy Dunne played by the enchanting Rosamund Pike nowhere to be found. What unfolds is a meticulous crime drama that very few are adept at dealing with as Fincher does. With the same restraint he showed with Zodiac, Fincher creates an atmosphere of eerie silence and awkward moments that has you drawn in from the minute Affleck picks up that cat and brings it home. I wish I could discuss more of the plot of the movie but that would be a massive disservice to those who are yet to see the movie. Suffice to say you will not be prepared for this if you are only going in on Fincher’s credentials and just the trailers. Speaking of trailers, Fincher is not only the master of crafting a beautiful film he is also the master of suspense and the art of smoke and daggers. The trailers only serve to enhance the experience of the movie and the sense of unease that unfolds over the course of its entire length.
Rosamund Pike as the fragile and scared wife and more is brilliant and unnerving, Ben Affleck as the loving husband is just as convincing as he grinning awkwardly in front of his missing wife’s poster. I have always regarded Affleck as a better director than actor but with Gone Girl he proves he is one fine actor as well. Tyler Perry who claims never to have heard of David Fincher is also cast perfectly as Tanner Bolt – the patron saint of the wife killers. Carrie Coon as Affleck’s twin Margo and Neil Patrick Harris as Amy’s obsessive ex-boyfriend Dessie Collins are also brilliant in their roles. Special mention to Kim Dickens who as the southern Detective Rhonda Boney with sass provides the movie’s lighter moments.
Trent Raznor and Atticus Rose once again score Fincher’s Gone Girl after their successful collaboration on the social Network and The Girl with the Dragon Tattoo. There is something special about this partnership as Raznor and Rose are somehow able to create an atmospheric sound track that perfectly complements Fincher’s quiet and meticulous story telling. There are no booming sounds or soaring sonatas but just the subtlest of undertones of sound to draw you in even more as Fincher’s characters slowly mumble their way through the story. The experience is all encompassing.
This is a movie that will stay with you for long after you have left the cinema hall, it will still play on your mind even after you feel you have unburdened it by dropping several hundred F-bombs while marveling at what a twisted genius Fincher really is. There will be awkward laughs that will escape you but at the same time it will make you question yourself. This is a movie that will not let you be comfortable – neither while you are watching it nor after the end credits roll. From the opening scene to the scene that closes the movie with the same dialogue the journey that you will be on will be one that you are unlikely to experience again this year or for several years to come. Fincher has the unique ability to mess with his audiences’ minds and get under their skin, he draws you in and toys with your emotions and as if some cliché of a Stockholm syndrome you do not want him to stop doing it to you. This is a master class in how to do a thriller right.