Inside Out – A Reivew

Pete Docter directs the vocal talents of Amy Poehler, Phyllis Smith, Bill Hader, Mindy Kaling and Lewis Black as Joy, Sadness, Fear, Disgust and Anger in Inside Out. The newest animated feature from Pixar takes us inside the mind of 12 year old Riley who moves from Minnesota to San Francisco.

It is baffling how a studio like Disney can, on one hand create bland mess like the marvel multi-universe of superhero movies and then created animated features like Up, Wall-e and Ratatouille with so much heart and innovation. Inside Out sounds a bit outlandish and like an idea that will not translate as well on screen as it does on paper. Can you imagine the difficulty of writing the screenplay where you are constantly cutting back and forth between the actions of riley and the emotions at play inside her head? It could have easily ended up being a voice-over mess with every action and the intention behind it spelled out. But what story writing duo Pete Docter and Ronaldo Del Carmen and the Screenplay team of Meg Lefauve, Josh Cooley and Docter himself come up with is perfection.

We are introduced to Joy as the first emotion when Riley is born and opens her eyes for the first time. And the how over the years other emotions start shaping up. Each moment in her life forms a memory which through jetson-like mechanics of suction tubes is transferred to long-term memory bank. There are major events in her life which form core memories. The core memories create personality islands which define who Riley is. The move from Minnesota to San Francisco throws things in the headquarters off for a spin and Joy who so far has been the primary emotion fuelling Riley is baffled at why Sadness is quickly becoming the dominant emotion. As Joy and Sadness try to work their way back from the long term memory bank we meet Bing Bong Riley’s imaginary friend, visit imagination-land, abstract thought generator, Dream land production, there is train of thoughts and also the memory dump where old memories go to fade and die.

The world inside the head of a 12 year old is  not the only place we visit, there is a sequence where we get a glimpse inside the heads of Mum and Dad and its hilarious. Anger is by far the most hilarious of the lot. Also towards the end we get an Inside Out view into the minds of a teenage boy, a dog, a cat, an emo/goth cool girl and the teacher.

The beauty with which the story deals with the complexities of mixed emotions, growing up, how along with Riley the dominant emotion Joy also grows up and realises the importance of sadness and do I detect a sense of growing partnership called melancholy in the offering? With Puberty and teen-age kicking I am guessing Fear, Anger and Disgust will form a partnership as well. This is what I loved the most about the movie it makes you think of where the story will go once the credits roll. Not necessarily a sequel but just something to think about when you walk out the theatre with a grin on your face.

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3 thoughts on “Inside Out – A Reivew

  1. Was hoping you would review this one and was close enough to ask you of it. But there I see it and immediately read.
    I was a little bored in the beginning with the pace of the movie, but then had my ‘Train of Thoughts’ moving well through the second half.

    A good movie, a good review 

    • I have heard differing opinion from a few who felt bored with the movie… But i loved it from the moment riley opened her eyes ! I generally think pixar is overrated but with wall-e up and now this they keep surprising me!

  2. Pingback: 2015 A Year in Review | lifein70mm

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