M.S. Dhoni – an untold Story : A Review

Image result for ms dhoni the untold story posterNeeraj Pandey directs Sushant Singh Rajput and Anupam Kher in M.S.Dhoni the biopic on India’s most successful cricket captain. A man of few words, Mahendra Singh Dhoni has lived an incredible life, it is the classic underdog story where the underdog is an outright over achiever only limited by his circumstances.

 

Neeraj Pandey directed one of the finest movies to have come out in the last decade A Wednesday. Ever since he has been one of the most anticipated film makers, Special 26 while adored by many was a disappointment for me as were his other collaborations as a producer. I was left shocked when the credits rolled that this was directed by Neeraj Pandey. Where A Wednesday was a fast scoring high adrenaline T-20 match between India and Pakistan this was a laborious 5 day test match on a flat pitch.

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The story starts with Dhoni’s childhood a football goalkeeper Dhoni reluctantly agrees to keep wickets for the school team. There is a charming moment when a precocious Dhoni responds to his teacher stating very firmly that his reluctance to play cricket has nothing to do with the fear of the hard ball. There seem to be hints of his reluctance towards the game and his father’s job as the pump operator for the local cricket ground, but it is left unexplored. It moves to a teenaged Dhoni played by a poorly CGI-ed Sushant Singh Rajput made to look unnaturally young. Through the many ups and downs we journey with Dhoni to when he is selected to play for the east zone team but cannot make it for the flight on time and misses out on his big break. The movie seems keener on ticking off the milestone moments on Dhoni’s journey to the India team than focusing on a coherent story. And when it comes to milestones it misses out on the defining ones like when he is selected to lead the T-20 team, when he takes on the ODI captainship, his vice-captainship before that.

 

Sushant Singh Rajput does a fine job portraying the very essence of Mahendra Singh Dhoni, Mahi to his millions of adoring fans. Mahi is a man of few words and his actions speak for him, Rajput does that job brilliantly, underplaying the character with subtle nods to Mahi’s mannerisms. Disha Patni as Dhoni’s doomed lover Priyanka is spectacular in a brief time she spends on screen. I just wish the director hadn’t over done the whole “we have enough time right?” bit. Once was enough to allude to the upcoming tragic end. The introduction to Kiara Advani as Sakshi is about as cute as it gets. Anupam Kher transforms before our eyes without the need for CGI. The actor who plays Mahi’s mother and Rajesh Sharma who plays Dhoni’s coach Deval Sahay deserve special mention for the realism they brought to the roles they played.

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For a story as spectacular as Dhoni’s journey, this biopic seems like a disservice. Abysmal camera work where you get dizzy every time the camera zooms in or pans out too quickly. I also seriously question the editorial choices that were made. One look at the imdb page and you see names like Ram Charan and Fawad Khan being credited for playing Suresh Raina and Virat Kohli respectively and they are nowhere to be seen in the movie at the same time an insane amount of time is spent in tenis tournaments, the Railways cricket audition and tennis ball tournament. Also as a director Neeraj Pandey missed a massive opportunity to use real footage of Mahendra Singh Dhoni, rather than try and digitally try and fit Sushant Singh Rajput into those frames. Look at Narcos, or biopics like Frost Vs Nixon and you can see the gravitas the actual footages lend to the overall story.

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The final scene however does bring back happy memories! That six to clinch the 2011 world cup the eruption of the wankhede stadium that was echoed across India by its billion strong cricket lovers and the architect of it all – Mahendra Singh Dhoni. I just wish the film was half as unconventional as its subject matter then maybe it could have done justice to this fantastic character of game who changed the face of the gentleman’s game.

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Kubo and the two strings – A Review

Image result for kubo and the two strings posterFirst time director Travis Knight directs the vocal talents of Charlize Theron, Matthew McConaughey and Art Parkinson in the animated feature film Kubo and the two strings. A young boys adventure to find the mythical armour that would protect him from his grandfather the moon king who killed the boy’s father and left his mother a mere shadow of her former self.

 

This is an animated movie but by no means a children’s tale. The opening line “Blink now if you must” gives us a precursor of the dark things to come. We are introduced to Kubo a precocious little boy who takes care of his mother who suffers from memory lapse ever since she smashed her head while trying to escape her sisters and her father the moon king. During the day he goes into the market of a village near by and earns a living by telling fantastical tales of a legendary warrior Hanzo. The tales he tells come alive with the origami creatures he creates and the music of his Shamisen. But Kubo must return to his mother in the cave they live in before sundown, one day Kubo stays out beyond his curfew and that’s when all hell breaks loose. His evil twin aunts voiced by Rooney Mara attack Kubo and his mother comes to his rescue and tell him to go find the mythical magical armour to protect him from his aunts and his grandfather.  On this quest Kubo is joined by a Monkey voiced by Charlize Theron and a Samurai Warrior trapped in the body of a beetle voiced by Matthew McConaughey. What follows is a journey interspersed with action and humour.

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The action is dark and violent and probably not suitable for the little ones and the humour is crisp, dry and perfectly timed and again more suited for a more mature audience. There was a particular joke which after it landed took me a second to get it and had be laughing for a solid few minutes after it. The writing is seriously brilliant. The myths and legends of Japanese folklore are woven into the narrative seamlessly. The animation is spectacular especially the origami bits. The evil twins are truly terrifying with their porcelain masks. The one aspect where the movie suffers is the pacing. In parts the story seems to drag slowly and in others it seems to be in a rush to conclusion. For instance the scene with the giant skeleton seems overlong and the final scene seems rushed to conveniently conclude the story. But it is offset by the brilliant reveal of the true identities of the monkey and the beetle and how wonderfully that plot point is handled.

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This year hasn’t necessarily been the most spectacular for animated features. With the exception of Pixar’s Finding Dory the genre has been mostly lacking. Dreamworks is developing silly Trolls script to fuel a toy franchise. Laika studios has thankfully stepped up to the plate and delivered a compelling and adult focused animated feature length film. If for nothing else watch it for the spectacular origami magic sequences and stay for Regina Spektor’s rendition of Beatle’s  classic “While my guitar gently weeps” as the end credits roll.

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