Black Panther – A Review

Image result for black pantherRyan Coogler directs Chadwick Boseman, Lupita Nyong’o, Danai Gurira and Michael B Jordan in Black Panther. Black Panther first made appearance in Marvel Cineverse with the Civil Wars and sees him return to the mythical African country of Wakanda to take to the throne after the death of its king T’Chaka.


Ryan Coogler has made quite an impact with his first two movies, Fruitvale Station and Creed, both movies pushing the boundaries with furthering the African-American representation in mainstream movies. Here again he teams up with his favoured actor Michael B Jordan. In Jordan, Coogler fleshes out Erik Killmonger in such a way that despite his villainous turn, the audience ends up being invested in him. Teaming with Black actors Coogler pulls off quite a stunning feat. The movie is lush and textured, it proudly embraces the African roots of T’Challa. The myths and motifs of African culture are in every scene. The battle scenes are choreographed to the tune of war drums, the subjects of Wakanda wear the most colourful garb and tribal jewellery. All actors wear their hair natural. The importance of this cannot be overstated. What Wonder Women did to represent the women as super hero, Black Panther does that for people of colour. There are only two white actors, Andy Serkis and Martin Freeman and for once they are relegated to unimportant roles.

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Chadwick Boseman as King T’Challa is regal, lithe and ferocious all qualities befitting the Black Panther. Lupita Nyong’o as Nakia, the daughter of the tribe leader and T’Challa’s love interest is determined, industrious and benevolent all qualities that make a perfect queen of Wakanda. Danai Gurira as Okoye the general of the Milaje – the all women royal guard, is the stand out star of the movie for me. She is fierce in every possible way. She is a fierce warrior and she is Sasha Fierce, she flits like a butterfly and stings like a bee. Her spear handling is just as deadly as her deadpan humour. If only we can get a spin-off series for Okoye all will be well with this world. Angela Bassett as Queen mother is phenomenal and Letitia Wright as the whiz-kid princess Shuri, T’Challa’s sister is to Black Panther what Q is to James Bond and then some. Michael B Jordan is the perfect Erik Killmonger. He has a heart-breaking back story and he manages to balance that with sheer evil. The scenes between him and Boseman evoke the sense of Lion King-esque déjà vu

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I went in hoping to be blown away by the music, the trailer promised that it would have a very urban contemporary, rap, hip-hop feel to it but the overall soundtrack pales in comparison to that used for the trailer. In parts the story loses steam, especially when setting up the origin story and there are elements that feel a bit repetitive, the multiple visits to ancestral land, the ritual combat sequences, the final combat between T’Challa and Killmonger. Also Forrest Whitaker is as over the top as you would expect him to be. But it is easily overcome with the battle over ground with Rhinos involved and Okoye kicking serious ass! The CGI, especially around the Black Panther suit is phenomenal.

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While not quite on the same story telling scale as Nolan’s Batman Trilogy Black Panther does manage to lend a sense of mythical epic in the marvel universe. The humour which is the hallmark of Marvel takes a back seat to a story with a heart, a heart that throbs to the drumbeats and tribal calls of Africa. A new king has indeed risen and his name is Ryan Coogler! Wakanda Forever!

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Padman – A Review

Related imageBalki directs Akshay Kumar, Radhika Apte and Sonam Kapoor in Padman, the story based on Padma Shri awardee Arunachalam Muruganantham, the innovator of low-cost sanitary pads.


Balki and Swanand Kirkire base the story on the short story written by Twinkle Khanna the wife of Akshay Kumar and also the producer of the movie. Akshay Kumar plays Lakshmikant Chauhan the eponymous Padman. Lakshmi is newly married and besotted with his wife Gayatri played by Radhika Apte. When she experiences her periods for the first time at her married home, he tries to talk her out of using a dirty rag and get her to use a store bought sanitary pad. She balks at price of it and tries to talk him out of it due to the high price. Lakshmi then embarks upon a quest to prototype his low-cost sanitary pad. The journey that Lakshmi undertakes all the way from being shamed out of his village to delivering a rousing “Linglish” speech at the united nation is fascinating.

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Akshay Kumar is fantastic as Lakshmi and brings a level of earnestness that lifts every scene he is in. The opening sequence song “Aaj se Teri” sets up Akshay’s character arc where he earnestly tries alleviate every single one of her problems, building a wooden seat for her to sit on his bicycle, a monkey toy onion chopper. He might be lacking in the formal education department but he makes up for that in his inquisitiveness. Radhika Apte plays Gayatri and she couldn’t be more of a contrast to Akshay Kumar. She is one note, whiny and overplays the ever silently suffering wife. For almost every scene she is in she is either crying her eyes out or passive aggressively berating Lakshmi for trying to help her. The whole “shame is worse than disease” cudgel she keeps beating over Lakshmi and the audience’s head gets really tiresome. Sonam Kapoor who makes an entry in the second half of the movie moves breezily from one scene to another. She is entirely believable as the college student who sees potential in Lakshmi’s reinvention of the Pad making machine and immensely likable – no small fete considering her previous work. Amitabh Bachchan who is a permanent fixture in every Balki movie chews up the scenery in the 2 minutes he is on screen. His screen presence is unparalleled and his baritone a calming balm on the frayed nerves after Apte’s annoying performance.

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The first half is hugely problematic with its pacing and overly regressive storyline. The whole premise of women using unhygienic rags is setup so tactlessly that it becomes impossible to feel anything for either the women who are suffering this plight or the one man who is trying his best to change the status quo. It is only when Lakshmi is left to his own devices that the movie really picks up steam in the second half. The writing is abysmal and the epiphanies that Lakshmi experiences when his boss at the garage spouts pearls of wisdoms is too on the nose. If not for Sonam Kapoor and Akshay Kumar the movie would have fallen in the same unfulfilled promise category as Balki’s previous Ki and Kaa. The music is catchy and does well to buttress the flailing script and the camera work is fantastic. Every scene is alive and vibrant. The locales of Madhya Pradesh lend a wonderful aesthetic backdrop to the rural setting lifting it out of poverty porn.

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A fascinating story, a decent second half and a strong acting turn from Akshay Kumar and Sonam makes this bearable outing. Balki ought to take directing lessons from his wife Gauri Shinde who knows how to let story translate on screen organically. Also I wish Balki took a page out of Oliver Stone’s book and got the real Padman deliver a final speech.