Aaron Sorkin directs Jessica Chastain and Idris Elba in Molly’s Game. For his first directorial venture, Sorkin choses the explosive story of ex-Olympic class skier Molly Bloom and her high stakes poker game which brought everyone from Hollywood’s who’s to the billionaire wall street players around the table..
Jessica Chastain plays Molly Bloom and the story follows her near fatal fall while skiing to when she moves to Los Angeles to take an off year before law-school. Alternating between waitressing and temping at a real-estate developer in LA Molly is invited to play hostess at an exclusive poker game. This whets her appetite for the life of high stakes poker. What follows is the meteoric rise and the subsequent dramatic fall of the “Poker Princess”. Jessica Chastain is fantastic as Molly. She seems to be the embodiment of all of Sorkin women. She is equal parts emotionally fragile and stoic, at once resentful of all the people around her and at the same time acting as a sympathetic pit-boss when her players lose big or profess love to her. There are moments when you see glimpses of Maya from Zero Dark Thirty and that is a good thing. This movie is essentially a one woman show and Jessica Chastain carries the entire movie on her lithe shoulders.
Idris Elba plays Charlie Jaffey, Molly’s lawyer. Elba is a hot-shot newyork lawyer and a former prosecutor who reluctantly agrees to take Molly’s case. Elba while possessing a great screen presence seems to struggle while enunciating his dialogues. Elba’s delivery is not best suited for the rat-a-tat-tat dialogues of a Sorkin screenplay also known as Sorkin-isms. Unfortunately Elba makes a real mess of his screen time and is nearly unbearable.
Sorkin is a phenomenal writer and has turned in some of my favourite screenplays both on television and cinema. The West Wing, The Newsroom, The Social Network, Moneyball and Steve Jobs. But none of these were directed by Sorkin, and that is where I think Sorkin needs to up his game. The script and screenplay seem to become overbearing with Chastain’s Molly essentially doing a voice-over for almost the entirety of the movie. While Chastain is a phenomenal actress, her voice over skills make the proceedings feel like a real drag. With a Sorkin script the build-up is lengthy and very wordy but the pay-offs are huge and eternally satisfying, here there is so much build up about the high stakes poker and the players involved but the payoff feels like a let-down
The big ticket item is the who’s who of Hollywood who came to play at bloom’s games and here it is an afterthought. The juiciest bits are left off the screen and the burden of carrying the story forward falls on Chastain entirely.
Mildly entertaining due to the fantastic Jessica Chastain but almost excruciating due to Idris Elba and his inability to speak clearly Molly’s Game is a Bad Beat- a subjective term for a hand in which a player with what appear to be strong cards nevertheless loses. I expected more from Sorkin’s directorial debut.
Danny Boyle directs Michael Fassbender in and as Steve Jobs. Supported by an ensemble cast of Kate Winslet, Jeff Daniels, Seth Rogen and Michael Stuhlberg in a script by Aaron Sorkin this is the definitive Steve Jobs movie that we have been waiting for. By no means is this a flattering biopic at one of the 21st century’s most fascinating figures from the world of Technology. Equal parts genius and tyrant Jobs was an enigmatic figure who many credit to having revolutionalised the personal computing world.
Michael Fassbender is fast becoming the modern day Daniel Day Lewis with his chameleon like ability to transform into any character he is given. The physical resemblance to Steve Jobs towards the later part of his life is uncanny. Besides the physical similarities his mannerisms lend an uneasy energy to the scene, you are permanently waiting for him to lash out at something or someone. Kate Winslet as Joanna Hoffman, Jobs’ work wife does an amazing job playing the emotional anchor of the movie. She plays the understanding yet exasperated partner to Jobs. Winslet is assured a nomination as supporting actor and at this stage I am willing to bet that she takes home the gold. She is that good. Jeff Daniels as John Scully the Pepsi Co CEO who joins Apple and is eventually responsible for the firing of Steve Jobs is understatedly brilliant. Seth Rogen as the lovable Steve Wozniak puts in a power packed performance as well.
But the real star of the movie is Script writer Aaron Sorkin. For anyone familiar with Sorkin’s work this movie is jam packed with Sorkinisms. To the uninitiated Sorkinisms is when a bunch of characters talk over one another in seemingly unrelated subjects yet everything seems to sound so profound. Yes many have disliked this very aspect of Sorkin’s writing but I couldn’t care less about them. I love it. It makes for an edge of seat drama where you hang on to every word being said lest you miss some pearls of wisdom. Sorkin has written this movie in 3 acts. The first one at the launch of the Macintosh in 1984 where we see Jobs ranting about how he was left off the cover of times magazine and how he fights the paternity law suit and how he does not want to acknowledge Apple 2 a machine he deems unworthy of his time and something that was a thing of the past. His relationship with Scully though has shades of a father-son dynamic where Jobs looks up to Scully. Act 2 is after jobs has been fired from apple after the spectacular failure of the Macintosh and has set up his own company and is launching the aesthetically pleasing Cube. We see him closer to his daughter but his relationship with his wife is still strained. He still patronizes Woz while still there is that sense of friendship that goes back many years. The relationship with Scully though has changed and we see both their points of views about what happened when Scully pushed out Jobs from apple. This is 1988. Cut to the final act where Steve Jobs is launching the iMac. The same set of people around him, Joanna still trying to reign in Jobs, the reporter from GQ still wandering about t. Finally we see the tensions between Jobs and Woz come to a boil over Apple 2 again and this time Woz has the last word it is a scene that one would have never expected Rogen of Superbad to ever be able to deliver with a straight face. That scene is electric.Sorkin and Boyle infuse a lot of subtlety into the story telling that is usually missing from a biopic. Trying to capture the eccentricities of Steve Jobs they masterfully weave the fact that he was vegan into the narrative when Jobs and Scully are meeting for the first time when Jobs wants Scully to come on board as CEO. The story behind the apple logo and how it may have been inspired Alan Turing is dealt with in such a matter of fact manner. And the final scene where Jobs is trying to connect with his daughter and promises her how he will put a thousand songs in her pocket someday so that she doesn’t have to carry around a brick shaped cassette player aka the genesis of the IPod. I am certain that this is a movie that will only get better with repeat viewing.
Daniel Pemberton’s understated soundtrack infuses each of the scenes with an electric energy. He deals mostly in silence and single strings but it has a profound effect on the overall viewing. There are no jarring orchestra pieces but subtle and complementary tones that never once seem to overpower the scenery. Alwin H Kuchler as the DOP brings the same sense of energy that he did to Hanna. It feels hurried and frenetic at the same time as it a chilling sense of calm. The opening shot is reminiscent of the Emmanuel Lubezki’s work on The Birdman where the camera follows jobs through the various corridors and rooms as Jobs meets with and talks to the different characters.I have read a few reviews where people are complaining how this movie does not live up to the image of Steve Jobs the Tech Messiah but rather paints a picture of a brilliant yet arrogant and a mostly flawed individual. I think that is the best way to portray a man who was exactly that. Unless of course it was Steve Jobs who was making a movie about himself then he would present that in a slick packaging with millions would be foaming at the mouth to get a piece of. This is exceptional film making and a story telling that is second to none.
Sorkin Fassbender take a bow, you have delivered one of the best biopics of all time. I cannot wait to go back and watch this again.