2014 A year in review

Aren’t you bored of the multitude of all the insipid “It’s been a great year thanks for being a part of it” video montages on Facebook already? Was 2014 really that great a year? Is it really worth looking back with nostalgia? For me, personally, it was a defining year – from getting married to moving to a different country but movie-wise it was one of the most lackluster years in history of the blog lifein70mm). When a Christopher Nolan movie doesn’t automatically make its way to the top of my year end list, then it is telling of what sort of a year it has been! But looking back does have its benefits – it can surprise even the most jaded of individuals of that glimmer of happiness that released early on in the year and still sits in a special place in your heart glowing with tiny but incessant warmth. Thanks for staying with lifein70mm and thanks for letting me know that you like my reviews more than some of the most celebrated critics who write for the leading newspapers. It makes me want to see more, and write more and that is all I can ask of you!

Top 10(ish) of 2014 (in alphabetical order)

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Boyhood: Richard Linklater defies the boundaries of imagination. Just think about the commitment it would be required to shoot each year over 12 years to document the life of a boy and to tell the simplest of stories of growing up, the dysfunctional American family, and the bonds that tie us together. A movie so unique, that it can only be classified as the space that exists between a coming-of-age tale and a documentary. I have loved Linklater Before series and it is two of my favorite writing, I was really looking forward to reviewing Boyhood and even after watching it twice I am unable to pen down my thoughts on it. To say I loved it would be a gross understatement.

Finding Vivian Maier: I love documentaries and the ones that are done well are most often better than fictional stories because you don’t need to imagine that it can happen but marvel that these things did indeed happen. A writer stumbles upon a cache of old photographs from a lot that he bought on a whim at an auction, the photographs are of such high quality and tell such a vivid story of the life in the 60s that the writer is pulled into the intrigue of the artist who took these photographs and he documents his search in this documentary. One of the most beautiful and poignant documentaries I have ever seen and images that will stay with you a lot longer than the duration of the film. Vivian Maier’s rise to posthumous fame is incredible. She even gets a mention in the opening credit of this year’s best comedy on television Selfie alongside Freda Kahlo and her self-portrait.

Gone Girl: Nobody does dirty sick and twisted quite like David Fincher. To take what was essentially airport fiction and to turn it into a catharsis of a marriage is laudable feat. This movie features the best use of voiceover I have ever had the pleasure of watching and when done in the breathy voice of the enchanting Rosamund Pike it takes creepy to a whole new level. An enormously enjoyable and infinitely rewatchable movie with one of the best soundtrack this year.

Haider: Vishal Bharadwaj, Shahid Kapur and Shakespeare’s Hamlet are a potent combination. Setting the movie in Kashmir should have been a staggering achievement in storytelling, but by wavering on taking a stand, Bharadwaj ends up with a technically beautiful and intensely acted movie which stumbles a little with its plot. This could have easily ended up as a disappointment for me had it not been for Shahid Kapur and Tabu. I accord this movie half a spot on the top 10 to be shared with a movie down the list.

Kick: I know there will be many of you who will be shaking your head in dismay at the inclusion of this movie in this list. But this was the only 100 Cr movies this year that had any modicum of entertainment value. It takes the histrionics of Salman to make nonsensical an art form. With the gorgeous Jacqueline Fernandez by his side the king khan takes us on an adrenaline rush that was unmatched this year.

Mardaani : I dislike Rani Mukherjee with a passion that is only matched by my dislike of Aamir Khan but in Pradeep Sirkar’s able hands Rani turns in what is one of the best performances of her life. A skillfully crafter thriller with a very unusual and non-stereotypical antagonist, a movie with a message which it delivers masterfully without hammering it on your head; this was the perfect example of a movie which India needs. If ever there was a need for sequels then this is a movie that richly deserves it.

Nightcrawler: The Renaissance of Jake Gyllenhaal continues unabated. After last year’s top-10 lister Prisoners Gyllenhaal returns in this dark comedy about a man with a drive to succeed and an absolute lack of moral inhibitions. Taking the world of 24-hr breaking news cycle and making a social commentary on what drives the people who blur the lines of journalistic ethics to feed the public greed for sensationalized news or perhaps even the paparazzi fueled celeb-obsessed culture of ours.

Pride: A quiet and unassuming British movie about the coming together of two opposing factions of the society to achieve a common goal. With the playbill stacked with the who’s who of the British cinema this is a complete treat to watch. Sensitively handling the subject of labor strike and the rise of the gay rights movement and the eventual pride parade, this movie has many high points and many standout stars. This reminded me of the underappreciated The Boat that Rocked/Pirate Radio or maybe that was just because Bill Nighy was in both and I love Bill Nighy!

Queen: I know at the outset I said the list was in alphabetical order just so that I don’t have to rank all the movies. But if I were to rank them I am more than certain that Queen would be my 2014 topper. I have not seen a more honest attempt at story telling than this story of a simple girl from Rajauri who gets dumped just before her wedding day and decides to go on her honeymoon by herself, on a  journey of discovery and revelations which up to this point were the tightly held domain of male dominated road-trip movies. Kangana Ranaut is spectacular as Rani – the eponymous Queen and with Amit Trivedi’s brilliant music this movie is an instant classic. I cannot wait for what Vikas Bahl has to offer next and I hope he continue to be this honest about his story telling, because the results are fantastic.

The Imitation Game: as mentioned earlier it was hard to choose between Haider and this one as both movies had their merits (stand out performances by the leads) and its pitfalls. But when a story this important is being told, it almost doesn’t matter if there are a few minor glitches. Benedict Cumberbatch as Alan Turing is incredible and does well to show the vulnerable side of his (and Turing’s) genius. In that final scene towards the end after undergoing chemical castration, Cumberbatch’s performance breaks my heart and you feel for Turing who suffered such indignation at the hands of the society he gave so much to.

X-Men : Days of Future Past:  Of all the multi-super hero universes out there ( the avengers, the justice league and the X-men) the X-men feel the most organic, they don’t feel like a money grab where you throw a wide variety of superheroes together in an all-you-can-eat style buffet. With the foundation that was laid with a very strong X-men First Class the return of Bryan Singer at the helm righted the wrong of X-men: The Last Stand by essentially rewriting the timeline and setting it up for future adventures. Having perhaps the best assemblage of young Hollywood talent in form of McAvoy, Fassbender, Lawrence, Hoult I have tremendous faith that the Superhero franchise is far from dead. Bring on the apocalypse I cannot wait!

The Bottom 3 (In alphabetical order)

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Bang Bang: to take two of the most beautiful human beings ever created and to turn them into absolutely unwatchable crap is the claim to fame for Bang Bang. An official adaptation of Knight and Day, this vapid movie should have never been made. Its stupidity was a new low for Bollywood.

Singham Returns: I stayed away from Singham despite people claiming how it was a good-masala-movie with very good acting. But being married to a Kareena-aficionado has its pitfalls. After a surprisingly good Kick my faith in the ability of 100cr movie to be bearable was renewed. But it was dealt a deathly blow with this loud brash and crass attempt at storytelling.  Rohit Shetty is the Michael Bay of Bollywood and I am staying as far away from his exploding cars as possible.

The Amazing Spider-man 2: I loved Marc Webb’s directorial debut 500 days of summer and I loved the Andrew Garfield as the amazing Spiderman. If you bring these two together and throw in Emma Stone I am bound to be excited. But alas that excitement was misplaced and I no longer look forward to any more spidey adventures.

The biggest Disappointment of 2014 was hands down Interstellar. It is not that Interstellar was a particularly bad movie; it’s just that I have come to expect a certain level of intelligence from Nolan and the choice of Matthew McConaughey thoroughly baffled me. While the science in the movie was fascinating and accessible at the same time, the stoner drawl of McConaughey and Hans Zimmer’s obnoxious soundtrack were entirely off-putting.  Hopefully, this is only law of averages and Nolan can get back to doing what he does best this will just be something he will look back and laugh while scratching his head thinking what the hell was I smoking when I offered this role to McCoughMyName.

There you have it! 2014 all wrapped up with a bow on top. Here’s to 2015 and a wonderful year at the movies. Do write to me and let me know what you think of my assessment of the year 2014 at the movies, if you agree or disagree or have a suggestion for me to watch. I will be back very early on in 2015 with a review of a much-anticipated Birdman and many more exciting movies to come. Happy New Year!

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Bang Bang – A Review

Siddharth Anand directs Hrithik Roshan and Katrina Kaif in Bang Bang the official remake of Tom Cruise and Cameron Diaz starrer Knight and Day. Bang Bang also serves as a reminder that two phenomenally beautiful people in stunning locations do not an interesting movie make.

Siddharth Anand director of such cinematic gems as Ta Ra Rum Pum and Salam Namaste proves yet again that he is the master of the art of insipidity. The movie jerk starts with a scene straight out of Karma where Dr Michael Dang is captured and put in a jail cell and a righteous police inspector comes in and lands a tight one on the left cheek. I almost expected Danny Denzogpa to mouth “is thappad ki goonj ki goonj…”

Katrina (who must really have killed off her stylist’s cat for her to hate her so much) plays Harleen Sahani a Bank receptionist who has the ability to take and transfer calls on a retro phone, who sits and types while staring at a screensaver of Santorini and who either talks to herself or to a grandmother who has no sense of personal space. She gets swept away by international criminal Rajveer played by the brand ambassador for Mustard Oil Hrithik Roshan.

Harleen and Rajveer are under attack from goons of Danny and Javed Jaffery and the agents of ISS officers Pawan Malhotra and Vikram Gokhale. Where do I even begin with ISS – they are supposed to be India’s CIA/MI6 and they can’t even issue legitimate looking badges. And Sujoy Ghosh, who scripted Kahaani – in my opinion India’s best thriller, makes the most obvious of blunders. The whole plot and premise of the extradition treaty is willy nilly forgotten and everyone just goes about shooting everyone while Katrina sleeps.

Of the actors there is really no saving grace for any of them. Katrina who usually carries off the ditzy blonde roles off with élan is unbearable and thanks to her stylist is almost unbearable to look at as well except in a few shots in meherbaan. Hrithik with his charm offensive criminal with a heart of gold isn’t half bad but is saddled with a script that has him playing more kanaiya than krrish. Pawan Malhotra tries to pull a Nawazuddin Siddiqui and end s up looking more like ACP pradyuman.  Deepti Naval proves that the bills won’t pay themselves and that even legends like her have to play the grieving mother. Danny Denzogpa and Javed Jaffery play the bad guys from what appears to be a bad parody of every bad guy ever depicted in Bollywood.

Plotholes aside it would have at least been bearable if there was enough adrenaline pumping action to keep one entertained. There is so much talking going on and most of it courtesy Katrina Kaif and her confusion at being caught up in all this mess that I did pray that Hrithik has more of those tranquilizer shots to sedate her. And whatever little action there is is ruined by the overpowering music which can only be described as the illegitimate child of Hans Zimmer’s score for the dark knight and Martin Garrix electronic dance music. Vishal and Shekhar who are able to turn in at least one memorable track per outing seem to struggle massively with an entirely forgettable soundtrack.  The camera work is also shoddy with the action sequences being shot in a way that you don’t see any real action being captured and some of the tracking shots actually lacking in focus which results in hazy pan shots. The big reveal? its actually quite obvious 20 minutes into the movie and you need to be as dimwitted as Harleen to have to sit through the entire movie to be amazed by it. It is trademark Sujoy Ghosh if you know what I mean.

As if it weren’t enough that we are stuck with uninspired writing, directing and acting that we are given the wonderful gift of blatant product placement. I counted 10 – Johnson Tiles, Hokey Pokey, Samsung, Philips, Pizza Hut, Ray Ban, The Q Shop, Volvo, Mountain Dew & Macroman.

The intensity of Bang Bang’s stupidity is only matched by the vigorousness of its insipidity. Stay as far away from this movie as possible and watch any old Tom Cruise movie instead if action is what you crave and don’t mind a bit of plot thrown in for good measure.