George miller directs Tom Hardy, Charlize Theron and Nicholas Hoult in Mad Max: Fury Road. Reinventing the series he first directed over 30 years ago with Mel Gibson as the titular Max Rokatansky, Miller turns up the adrenaline to maximum as Hardy and Theron battle for their lives and their belief in this post-apocalyptic wasteland.
Fury Road is less about Max and more about Theron’s Imperator Furiosa and her escape from the clutches of the evil Immortan Joe who lords over Citadel, a Cliffside community (for the lack of better words). Max who we are introduced to in the opening scene gives us the necessary backstory to those new to the series (like me) and you are led on a crazy chase across what appears to be a cross between the Saharan desert and the bottom of the Grand Canyon. He is captured and brought to citadel where is used as a blood bank for the pale skinned war-boys, Immortan Joe’s army. Here we are introduced to Nicholas Hoult as Nux who is so wrapped up in the mythology as concocted by Immortan Joe that he believes that he is destined for paradise when he crosses the gates of Valhalla when he martyrs himself for Joe. Other notable mentions from the cast include Rosie Hutington Whiteley and Riley Keough whose introduction is quite memorable to say the least. I could elaborate on who they are and what part they play in the story but that would be giving away way too much. Suffice to say that they are the key to the whole story.
This movie is intensely insane – in a good way. For instance when Immortan Joe commandeers his army to go on a chase after Furiosa they do so armed with a marching band of sort! But since this is mad max this is no ordinary marching band – there are 4 tribal drummers and a masked hanging flame-throwing guitarist. The effect is simultaneously ridiculous and awesome. Most apocalyptic movies tend to drain the color out of the scenery to imply the inhospitable conditions but Miller and DoP John Seale turn each frame of the vast wasteland into a work of art. The high contrast high octane morning chase sequences are a burnished orange and the night sequences an eerie blue. The shots of Theron and Hardy in close up reveal not only the hardship that life in this hellish-earth entails but also reflects the inner light that burns bright in these two brave souls. Several wide-panning shots had me gasp involuntarily marveling at their stark beauty. Every frame is memorable and the visuals are second to none.
The production design and the design of the vehicles is a work of mad genius. The makeup and costume is one of the most impactful, especially the work that must have gone into making Hugh Keays-Byrne into Immortan Joe, the few times his visage is visible straight on it has such an impact that the feeling is a mix of awe and disgust. The practical effects that went into all the action sequences are mind blowing and can walk circles around any of the CGI Bayhem or any from the avenger’s multiverse.
While this is an out and out adrenaline fest this movie has an underlying structural narrative which takes on themes varying from cult-worship to feminism. This is a movie that gave me a buzz that I can last recall having felt in the opening sequences of TDKR and Gravity but both those buzzes faded out after the opening sequences were over, here the opening sequence as crazy as it is , is tame as compared to what comes later on. This may not be the movie for everyone but anyone willing to watch or unsure whether to see it or not make sure you rush to the biggest screen there is to soak in the madness. Consider me a convert! I cannot wait for what Max encounters next.
Baz Luhrmann returns to familiar territory of star-crossed lovers and this time the landscape shifts to 1920s New York. Reuniting with his Romeo Leonardo as The Great Gatsby Baz Luhrmann tries to breathe fresh life into this great american novel which I unfortunately have never read. The movie stars Carey Mulligan as Daisy, Tobey Maguire as Nick, Joel Edgerton as Tom, Elizabeth Debicki as Jordan Baker and an almost unrecognizable Isla Fisher as Myrtle.
Not being familiar with F Scott Fitzgerald’s novel I went in knowing only that it was set in the 1920s era of debauchery, that it was about two star crossed lovers and that it was in the voice of Nick Caraway and in this case Tobey Maguire (and that thought made me squeamish because I am not the biggest Maguire fan). But I happen to love Leonardo DiCaprio’s choice in movies and Carey Mulligan in my opinion is one of the best underrated actresses working today.
There are a lot of era-specific references with the Wall Street boom, the end of the prohibition, loose morals, the plight of the working class and the excesses of the rich. Fitzgerald’s story seems to have influenced many writers and stories to have come afterwards and since this was the first time I was seeing Gatsby I immediately thought of Don Draper when Gatsby’s roots are revealed.
Luhrmann is known for his over-the-top style when it comes to set decorations, choice of music and even the camera angles he chooses, these choices render some of the story elements coming across as jerky and incoherent. The first party which Tom whisks Nick away to is a fine example of the Luhrmann excess. Garish red interiors to a saxophone player on the fire escape to signature zooming in of the camera. The point of the scene was lost on me until the point when Maguire starts’ mouthing what I assume is the prose from the novel verbatim. While I marveled at the beauty of the prose and am compelled to pick up the novel for a read I have to dock a point from Luhrmann as it is a clear sign of weakness that he has to rely on the exact prose to convey the story.
The movie takes off after the second party with the introduction to Gatsby, with the fireworks in the background and a grand symphony to herald the on-screen reveal of DiCaprio as Gatsby. DiCaprio is an actor who doesn’t cease to surprise, he could just as easily have caved into what is Luhrmann’s over the top style and played Gatsby as the self-assured suave nouveau riche gentleman but what DiCaprio does is infuse a sense of earnestness and honesty to the character that is absolutely endearing. You see the cracks beneath the veneer and you see Gatsby second guessing and enquiring in the most earnest way if the party is to everyone’s liking but then again you are left second guessing yourself if this is a man who is so sure in his ways that this candor and modesty is an act to make the guest feel welcome. DiCaprio’s performance is enough to convey the eternal hopefulness that he lives by dreaming that Daisy will be his , it is not required for Maguire to tell us that “he is the most hopeful man I’ve ever come across”. I could sit here and extoll what a wonderful job DiCaprio does here and how he is reason enough to see the movie but then that would take up a lot more words than I intend to write for the review. Just take my word for it- he is the warmth of Jack (titanic), the paranoia of Howard(aviator) and the slightly unhinged Teddy (Shutter Island) all rolled into one fine package and he looks better than ever in a finely cut suit. And that scene at Nick’s place where Gatsby comes over for tea with Daisy is so awkward and charismatic that you are instantly on team-gatsby and willing for him to win daisy over.
Of the other cast Carey Mulligan is sufficiently coquettish and breathes life into the character of daisy which could have just as easily become a despicable character given her ambiguous overtures towards Gatsby and the eventual fateful climax. Tobey Maguire is annoying but not for all the usualy reasons I find him annoying – he is annoying because of Luhmann’s incompetencies he makes Tobey the medium through which major passages from the novel are spoon fed to the audience. Outside of that he is alright. Joel Edgerton has a caricature of a character to portray and he does so well but isn’t given a lot of room to grow. Elizabeth Debicki surprised me the most in the short amount of time she is allowed on screen as Jordan baker. Not only is she a statuesque beauty who commands screen presence like the leading ladies of the yesteryears but her almost wry confidence is very intriguing and she was the one character I wanted to know more about . Amitabh Bachchan makes a Hollywood debut that should have happened sooner considering his talent, here as the oily creepy jewish mobster Meyer Wolfsheim is effective in the very brief screen time, but sufficient to prove that he has a better accent than his daughter in law. I wish he gets a meatier role courtesy of The Great Gatsby.
With Gatsby Lurhmann’s tried to recreate the 1920s via the production design and the costumes and most of it checks all the boxes. Catherine martin is sure to be one of the names at the top of the list come award season for her work on both the costumes and production design. With Shawn Carter a.k.a. Jay Z acting as producer and also musical contributor introduces one hell of an OST that will also feature a few contenders. In my opinion the top three songs are Lana Del Ray’s “Young and beautiful”, Jack White’s “Love is blindness” and Florence Welsh’s “Over the love” . I could and have listened to LDR’s young and beautiful on a loop.
While not perfect The Great Gatsby is perfectly satisfying because of the hopeful earnestness of Leonardo DiCaprio. He is the hero you cheer for till the very end , when he looks up from the swimming pool as the phone rings hoping that it is daisy calling. Watch this great american novel come to life courtsey one of the greatest working actor today watch The Great Gatsby for Leonardo DiCaprio.