Udta Punjab – A Review

Abhishek Chaubey directs Shahid Kapur, Alia Bhatt, Kareena Kapoor Khan and Diljit Dosanjh in Udta Punjab a story set in Punjab and the crippling effects of drugs and the complicated narco-politics. Udta Punjab hogged the headlines for a better part of the two weeks leading up to its release with its run-ins with the chief of the Censor board in India.

Udta Punjab is a story of two halves, the privileged – a Rockstar and a doctor and the under privileged a migrant labourer and cop trying to find his conscience. A half that is putting up a valiant fight in the war on drugs and the other that is responsible for perpetuating the drug menace.

Shahid Kapur plays Tommy a Rockstar whose songs promote drug abuse and the only way he can seem to perform is by getting high. Daljit plays Sartaj a Cop who turns a blind eye to the drug trafficking and accepting bribes. Kareena plays doctor Preet who runs a rehab project and treats patients of overdose. Preet is also a campaigner for the war on drugs. Alia plays an unnamed Bihari migrant worker who falls victim to drug addiction when she is kidnapped and kept locked up as a sex slave. She fights the addiction and tries to find ways to escape her predicament.

Udta Punjab is a story of halves, in that the first half tries to establish the backstory for each of its four protagonists and the second halve sees their story to its conclusion. The second half is gritty and grim with a couple of elements of slapstick which bring a welcome relief to the tragic drama unfolding. The first half suffers in comparison with the over the top antics of Tommy which add nothing to the movie. Also because the epiphany that he feels in the second half cannot somehow be reconciled with how his character has grown. The first half grates and the second half has pacing issues. Also Kareena is less Doctor and more investigative journalist. It honestly would have worked better had she played a journalist who is the sister of a doctor who runs the rehab clinic – the story would have seemed more plausible.

The actors all put in strong performances ranking them in ascending order of merit we start with Kareena who puts in a restrained performance that is a rarity from her. Diljit shuffles between a bumbling do-gooder cop and a hot headed corrupt cop but with the amount of time he gets on screen he is immensely watchable and a welcome authentic regional casting choice as a Punjabi cop. Shahid Kapur is fantastic the opening Chitta ve number is reminiscent of Vishal Bhardwaj’s Kaminey’s Dhan Te Nan vibe. He gives himself completely to the role and the only reason why he is the top performer in this movie is because his character is not fully developed. They try to make him into a good guy towards the end and the transition is sudden, abrupt and a bit disingenuous. The best of the lot is Alia Bhatt. She as the unnamed Bihari migrant farm worker who ends up suffering the most is the only character that you are invested in from the beginning. Her vulnerability and inner resolve make you root for her from the very get go. Alia has mastered emotional outburst – she showed glimpses of brilliance in Highway but here she goes ballistic when she recounts her tale and the misery she has gone through in the second half. When Shahid suggest suicide to end this misery, she throws a shoe at him for putting such thoughts in her head. You know her strength. You know she won’t give up. Alia is a beautiful privileged star child who was launched into Bollywood with a dream launch but the path she has carved out for herself with the acting choices is worthy of appreciation. She is the stand out star of this movie despite a role that isn’t that big.

The music isn’t that great. The story telling is chaotic. The dialogues are either too run of the mill or make no sense. Especially the Jameen Banjar Aulad Kanjar makes no sense because Punjab’s land is one of the most fertile and its sons form a majority of the forces protecting our borders. Abhishek Chaubey’s direction isn’t distinctive enough but Rajeev Ravi’s work behind the camera is stunning.

The controversy that preceded the movie and the PR by its makers would lead one to believe that this was a movie that would make ground shattering statement that would hold up a mirror to the society. This movie does that in parts but it essentially bungles up a fantastic opportunity. It is neither Requiem for a Dream which shows the devastating effects of drugs nor is it Sicario which focuses on the war on drugs. But thanks to Alia Bhatt’s riveting performance this rises above the mundane.

The Wolf of Wall Street – A Review

Martin Scorsese directs Leonardo DiCaprio in The Wolf of Wall street a story about the penny stock broker from New York who was dubbed the moniker that lends itself to the title of the file by the Forbes magazine after he got rich quick and was a subject of the FBI investigation.
The movie while winning rave reviews for Di Caprio’s brave performance of Jordan Belfort it is also generating a lot of discussion about and dividing the critics on either side of the debate whether Scorsese glorifies the debauchery and the excess and the life that Belfort led. While the argument does merit a discussion but anyone who looks at Di Caprio’s depiction of Belfort and thinks to himself I want a life like that is wrong in the head from the get go.


The story kicks off with a midget-throwing competition in the offices of Jordan Belfort and it cuts back to his origins where we are introduced to Hannah played by McConaughey who takes Jordan under his wings and shares the secrets of how to make money on the Wall Street and introduces the then greenhorn Belfort to the world of cocaine and circle jerks.
What follows from there on is the rags to riches story that seems pretty incredible and therein lies the attraction to the aspirational attributes of Belfort’s life. A penthouse suite at the trump towers, a huge yacht with its own helicopter, a white Ferrari like that from Miami Vice and the other pleasures that riches bring. Belfort is not shy to flaunt his excesses either and that is where it crosses the line over to the morally corrupt, vapid, believing his own bullshit territory.

Belfort delivers many a motivational speeches to his army of stock brokers and you see the madness to make more money than he can spend in his eyes and DiCaprio is brilliant when delivering those speeches, making you really question his sanity but while still admiring his ability to inspire those around him.


DiCaprio is assisted by Jonah Hill who plays Donnie Azoff a guy who walks up to Belfort in a diner and says show me your paycheck and I will quit my job and come work for you. It goes from there to drug addled insanity after insanity which gets Belfort tied up on an airplane to rendering him nearly dead after he over doses and wrecks his car while driving back home. His blonde trophy wife is played by Margot Robbie who is just as vapid if not more but still manages to evoke some sympathies because Belfort manages to be a bigger Ass. Kyle Chandler plays the FBI agent out to get Belfort and I wish he had been given more material to sink his teeth into.

Therein lies the problem with the movie – the pacing is a bit off – there are scenes that don’t feel honest –like the conversation Jordan has with his father after a blow out over the expenses. It feels forced and just something that the script writer Terrence Winter put in because it was there in the book written by Jordan Belfort. Some scenes feel over long and not entirely necessary – like the board meeting that Jordan is having with his friends over the choice of midgets – it goes on and on and on and serves no real purpose – we have by then already established they are all horrible human beings. There are also scenes that you wish had more time given to them like the one where Denim the FBI agent played by Chandler goes to meet Jordan on his boat.

Also another problem with the script is the lack of any explanation of what exactly was Jordan Belfort accused of. Peddling penny stock is hardly a crime, insider trading is a crime and the shenanigans that Belfort pulls on the Steve Madden deal are worthy of a SEC investigation but where he gets all the cash from is not clear. There is no explanation provided for the cash that Belfort has lying around and that he wishes to put away in the Swiss bank.

When Martin Scorsese and DiCaprio collaborate it is cinematic gold – The Aviator, The Departed, Shutter Island. The Wolf of Wall Street is not in the same league though. While Scorsese tries to stay as close to the story as possible the fact that Belfort is such a despicable human being who rapes and slaps his own wife is not a character you can connect with on any real level. Despite this the movie is immensely entertaining. The one reason why a lot of people are so divided over the movie could be because Belfort does not get justifiably punished for all his crimes and ends up with a resort like jail sentence and a post-jail career in motivational speaking.

This is not a perfect movie in any regards technically or story telling wise but it is finds its wings when Leonardo DiCaprio is in his element, that one scene where he is caught in a dilemma about whether or not to accept the FBI deal is a brilliant piece of acting . Watch it for Martin Scorsese tries something different yet again and does not seem to be bound any particular genre. Watch it because Leonardo DiCaprio is one of the – if not THE best actors working today.