Wonder – A Review

Wonder Movie PosterStephen Chbosky directs Julia Roberts, Owen Wilson, Jacob Tremblay and Izabela Vidovic in Chbosky’s second adaptation of a NewYork Times best seller in Wonder. Previously Chbosky directed his own novel “Perks of being a wallflower”.  Wonder is a novel by R.J Palacio.

 

The story of Wonder focuses on August “Auggie” Pullman, a 10-year old who’s been home-schooled by his mother Isabel played by Julia Roberts. Auggie is not like other 10-year olds he has facial deformities which cause people to stare at him and make cruel jokes. The story focuses on the first year at middle school where Auggie, where he crushes the science tests and makes new friends. Julia Roberts is wonderfully restrained as Isabel and Owen Wilson as Auggie’s father Nate is perfectly complementary as he brings a lightness to the proceedings. Izabela Vidovic as Auggie’s sister is also brilliant in her supporting role. Jacob Tremblay who blew the audiences away in 2016’s Room is beyond brilliant in this movie. You feel every emotion Auggie feels. You feel your eyes well up when the other kids are mean to Auggie and he retreats to his room and puts on his Astronaut helmet and you feel a catch in your throat when Auggie makes friends and experiences things that any normal 10-year old should. The other stand out for me is Noah Jupe who plays Jack Wills Auggie’s best friend – this kid is destined for stardom there is a natural ease about him and he lights up every scene he is in.

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The thing that stood out for me with Chbosky’s Perks was the sensitivity with which he treated all his characters. Given that he was adapting his own novel you’d expect him to do a fantastic job. But it is testament to Chbosky’s commitment to telling organic authentic stories that he incorporates the small details that make the movie stand out. The moment Jack Will’s mom tells Jack about why it is important for him to take Auggie on the tour of the school is why R.J.Palacio wrote the novel in the first place. The story telling from the different points of views, the focus on kids more than the A-list adults and the natural ease with which the kids seem to come alive on screen is a rare gift. Most talented directs have a maxim – never work with kids and dogs. Chbosky is the exception he seems to extract the best out of the kids and also Daisy the dog. Every single scene delivers an emotional punch without being manipulative.

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In an almost faultless movie the Miranda story seems a bit of a throw-away. It is a wonderful story arc no doubt – but what might have been greatly fleshed out in the novel itself seems a bit contrived and rushed on screen. But even this minor misstep is overcome by the conversation Miranda has with Auggie.

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Do not miss this for anything in the world! In a world full of bad news this is 113 minutes of pure unadulterated joy and innocence. We all deserve a good cry once in a while, especially when they are tears of happiness.

Fantastic Beasts and Where to Find Them – A Review

Image result for fantastic beasts and where to find them movie posterDavid Yates directs Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol and Colin Farrell in Fantastic Beasts and Where to Find Them. In an original story by J K Rowling taking us back to world of witchcraft and wizardry that she created when she introduced us to the boy who lived. The story of Newt Scamander was a mere footnote in the story of Harry Potter and his 7 years of education at Hogwarts. Fantastic Beasts and Where to Find Them was the title of one of the textbooks Harry, Ron and Hermione studied. With this movie Rowling takes the world of wizardry outside of the confines of Hogwarts, there have been tantalising glimpses in the 7 novels but with Pottermore and now this 5 movie franchise the possibilities are potentially endless. Was that a book called “Casandra and her Cat Gustavo” that Kowalski was reading? Wasn’t Casandra the name of the Divination teacher Trelawney’s great-great-grandmother? Surely nothing in Ms Rowling’s world is coincidence.

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The story starts with our hero Newt landing in New York in the 1920s with a suitcase full of magical creatures. The creatures are let lose in the city and with the help of No-Maj (muggle to us potterheads) baker Kowalski, ex-aurorer Tina and her leglimense sister Queenie, Newt tries to capture them before they get in harm’s way.  There are mentions of dark wizard Grindlewald terrorising Europe, growing tensions between the magical and non-magical folks of America and a mysterious dark force causing mayhem on the streets of New York. As with all her stories Rowling skilfully creates entire worlds in the most unusual of ways. There is a veritable forest filled with magical creatures inside Newt’s suitcase, a ministry of magic with a very Gatsby-esque aesthetic, every character is intricately layered.

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Eddie Redmayne is quite the chameleon actor; he is shy and retiring like Einar from The Danish Girl when talking to his fellow humans and comes alive and is intelligent and compassionate in equal measure like Stephen Hawking from Theory of Everything when it comes to talking to his Beasts. Katherine Waterston is her father’s daughter and brings a Sam Waterston familiarity to her character she is earnest and likeable yet a bit skittish and jumpy. Alison Sudol brings the 1920s-glamorous oomph. Dan Fogler is fantastic as the No-Maj wannabe baker who ends up in the enchanting magical world and instead of being freaked out like most adults would do, he is wide eyed and precocious like a child. Ezra Miller brings back the creepy, devil child freakishness that he first burst onto the screens with, in We need to talk about Kevin. Samantha Morton plays Mary Lou a Umbridge like character who hates magic and Witches and Wizards and recruits the orphans in her care to keep an eye out on the suspicious magical activities in New York. Collin Farrell is fantastic, however  I think he  is potentially miscast as Director of Magical Security. I don’t want to reveal more secrets but I wish Farrell was cast in the Big Reveal character instead given that the subsequent films are going to feature that character prominently and an actor of Farrell’s age, and physical disposition is more suited to that character than the direction Yates went in.

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Rowling and Yates use Fantastic Beasts and Where to Find Them to setup the magical universe and in the process, take their time setting up things like giggle water, the blind pig speakeasy and the obscurius but by no means is the story any less impressive as a result. Like the very first time we hear Hagrid say “You’re a wizard Harry” the viewer, a Harry Potter devout (yours truly) or a newbie Redmayne enthusiast (the wife) walks away sufficiently mesmerized and entertained excited about the possibilities with the stories to be told. This however is not a children’s movie; this is decidedly dark and future stories will tell tales of malice the likes of which Dumbledore has locked away in his pensieve.

The camera work by Philippe Rousselot is lush with sepia toned Newyork of the 1920s. Coleen Atwood’s costumes and the Production design and Sets are rich and layered and the next best thing to actually reading Ms Rowling’s writing. James Newton Howard provides an excellent accompanying soundtrack but I find the lack of a distinctive signature sound, like he did with Harry Potter which sounded like the wings of the snitch unfolding, a bit of a bummer.

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Ms Rowling is often credited with reviving the publishing industry when she brought the world of Hogwarts and Harry Potter to pages. With Fantastic Beasts, she may very well be responsible for saving Warner Bros studios that has gone in a terrible direction with Justice League with Snyder at the helm of that franchise. With her west-end play Harry Potter and the Cursed Child and now with this spin-off, she proves that there is a lot more magic still left in her to share with the world. She is the queen of storytelling and long may she reign!

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Whether a Potterhead or not this is a fantastic movie only a precursor of things to come. There is loads to like here and with his present lucky streak Eddie Redmayne can do no wrong. Do not miss Fantastic Beasts and Where to Find Them

Batman V Superman : Dawn of Justice – A Review

Zack Snyder directs Henry Cavill, Ben Affleck, Amy Adams, Gal Gadot and Jesse Eisenberg in Batman v Superman: Dawn of Justice the DC-Warner tent pole which sets up the Justice League. I haven’t been shy of my dislike of Zack Snyder as a director and with the multitude of bad reviews I didn’t have great expectations going in.

 

We are given a quick flashback into Bruce Wayne’s past. And a quick second into the funeral of Bruce’s parents Snyder commits hara-kiri that will have fanboys frothing at the mouth. Bruce is swarmed by the bats as he falls into a hole in the ground and the bats seemingly lift him up and that is how he assumes the identity of Batman. Ben Afflect is the middle aged Batman based on Frank Miller’s Dark Knight and he is a weary, tired middle-aged Bat very different from the Batman played by Christian Bale in Christopher Nolan’s trilogy. Affleck is quickly thrust into the destruction of Metropolis as General Zod and Superman engage in a death match. All through the movie that is something off about the scale of things, Metropolis and Gotham towers over everything and dwarfs both Superman and Batman. Even the car Ben Affleck is driving through metropolis seems to be mis-proportioned – it seems too small compared to the surroundings. I don’t know if other viewers experienced this but it just made the “Heroes” look puny.

Superman is deified as a god after he saved Earth from General Zod and his alien army. When he is not saving children from burning building or stranded women from tops of flooded towns Superman spends his time rescuing his girlfriend Lois Lane, either while she is being held hostage in the African Desert or while she is pushed from atop LexCorp. The film’s villainous mastermind is played by Jesse Eisenberg. Reprising his Mark Zuckerberg performance Eisenberg plays Lex Luthor, an evil genius with enormous wealth at his disposal. His sociopathic behaviour verges on psychotic. He pits Batman against Superman but like General Zod in Man of Steel here too his motivation is unresolved and his hatred of both the superheroes seems misplaced. He also tries to convince the senate to give him permission to bring the Kryptonite found in the indian ocean into the US so that he can weaponize it. Snyder, Chris Terrio and David S Goyer seem to be juggling too many balls with the story telling and each of them more unresolved than the other. In anticipation of the forthcoming Justice League movie we are introduced to The Flash, Aquaman and Wonder Woman. The latter plays a bigger part in the movie than Lois Lane does.

There are many flaws in this movie and they primarily concern Snyder’s lack of ability as a director. He makes poor choices both story wise and visually. Story wise there is no coherent reason for Batman to so pissed with Superman. The Superman’s misplaced sense of justice when he accuses Batman of abuse of power is akin to a pot calling a kettle black. The DC warner universe setup the batman character nicely at the end of Nolan’s trilogy. There were a few canons set which seem to not matter to Snyder. The Nolan Batman specifically said “No Guns” but Snyder’s batman is more violent than the criminals he seems to be rounding up. Basing this on Miller’s dark knight where batman comes out of retirement more brutal and more unstable there seems to be no explanation given to the retirement part. Also Jeremy Irons as Alfred is a hard sell. He seems to be Alfred and Lucius Fox both rolled into one and I prefer the grandfatherly Michael Caine over Irons.  Visually Snyder focuses on the wrong points of interest. He is more keen on product placement than a coherent story telling. How else would you explain the Olay Shampoo bottle that gets a zoom in when Lois is taking a bath after being rescued from the African ambush? Eisenberg’s whiney lunatic approach to playing Lex Luthor is a poor decision from both the actor and the director. All his manipulations of events that bring Batman and Superman face to face seem a bit too farfetched. Also the final face off between Batman and Superman and Batman’s bulky suit seem to be a pretty odd choice. It makes an already bulky Affleck look even chunkier also we are never really in the clear if his suit is actually kryptonite infused or not. Also the conclusion of the Batman Vs Superman fight to finish had me snorting – like seriously that is why they stop fighting? Because both their moms are called Martha!

But then there are some bright spots in the movie too. Gal Gadot as Diana Prince is smoking hot. In the hands of a good director the Wonder Woman origin story should be interesting. Henry Cavill as Clark Kent/Superman is perfection. The man maketh the suit look good. The knightmare scene while confusing and ultimately insignificant in the course of this movie shows promise of what the Justice League multiverse holds. Hans Zimmer’s music is great in spots and jarring and overbearing in others. He seems to not be able to find the fine balance that he did with Nolan.

Overall it is not as bad as people are making it out to be. Yes it is overlong and entirely unresolved in terms of its main villain’s motivation. Ben Affleck needs to work on his Batman persona but isn’t entirely horrible. Gal Gadot is exciting as Wonder Woman and I cannot wait to see Jason Momoa as Aquaman but I would have preferred TV’s Grant Gustin as Flash than Ezra Miller because as much as I like Miller as an actor I don’t want a moody broody millennial Barry Allen. But in my humble opinion Snyder is the wrong horse to bet on to take on Disney and Marvel’s Avenger Multiverse. Give Nolan all the money he wants and the creative freedom he needs and green light his Howard Hughes biopic and let him take on the Justice League. Snyder will keep getting in the way of the story and the franchise will suffer unless you want to place Olay Shampoo in the Aquaman origins story.