Wazir – A Review

Bejoy Nambiar directs Farhan Akhtar, Amitabh Bachchan and Aditi Rao Haidari in chess inspired revenge thriller Wazir in a story written by Vidhu Vinod Chopra.

 

The story starts with an introduction into Farhan’s idyllic family life where he plays Daanish Ali a Delhi Cop, has a kathak dancer wife Ruhana played by the beautiful Aditi Rao Haidari and an adorable toothless daughter noorie. Disaster strikes when defying all logic he chases down a known terrorist with his daughter in the backseat as his wife is getting her ghunghroo repaired. And this is not the most absurd plot line in the movie.

Farhan amped up on sleeping pills goes on a rampage and kills the said terrorist while the Police are running a parallel operation trying to nab the terrorist alive to get information on the politician-terrorist nexus. Spiralling out of control Farhan tries to kill himself at his daughter’s grave and is stopped from doing that by Amitabh Bachchan. Amitabh Bachchan teaches Farhan Chess and helps him get his life on track and enlists him in his fight to nail the perpetrators behind his daughter’s death.

There is John Abraham playing a Kashmir Cop and Neil Nitin Mukesh playing the eponymous Wazir and while these actors are not exactly brimming with talent, their limited talents are also wasted with a half-baked  plot lines.For what is a short movie it feels overlong and poorly paced. The editing or the lack thereof is really what sinks the ship. For what could have been an intelligent thriller is rendered boring and insipid with its watered down plot and dumbed down narrative. The problem with Bollywood is that it has never owned a Wren and Martin or never attended figures of speech class. While going for Metaphors it ends up doing Simile. While trying to make the narrative complex and interesting using Chess moves as metaphors for calculated moves Daanish must make to help nail the culprits Amitabh ends up speaking out loud everything just in case Farhan doesn’t get it. And the final climax which you can see coming from a mile away is made even more obvious when a Child is asked to lay out the plot in sobbing bursts of storytelling while Farhan holds a gun over the head of a fearsome terrorist. Coincidence is a mark of lazy storytelling and it is on glorious display here.

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While watching a director’s round table with a popular film critic one director made a very important point of how the Indian movies are made with the interval in mind and how that breaks the flow of the story – while that director was speaking of it in defence of intervals and how it helps with long stories here it couldn’t be more unnecessary. For a movie with a total running length of 80 minutes the interval is entirely unnecessary and it manages to deflate whatever little energy the movie manages to build leading up to the said interval. And the other Achilles heel of Bollywood? Pointless songs! The whole movie can be broken down into 2 parts – the one part where nothing really happens in normal speed and with no background score and the other where nothing happens in slow motion with one monotonous song playing in the background regardless of the situation at hand. I almost gasped when at the end they had a song sung by Amitabh playing as the credits rolled and not the overused “Tu Mere Pass”

What could have been slick almost psychological thriller is watered down and made so bland I can’t believe how excited I was when the trailer first released months ago. Amitabh is good as is Farhan but the story is overly simplistic and the non-existent editing and over direction is what kills this story. Want a well written, competently directed and marvellously edited thriller? You’d be better served by rewatching Kahani instead and not waste your time with this tepid mess.

Bhag Milkha Bhag – A Review

Rakeysh Omprakash Mehra directs a chiseled Farhan Akhtar in Bhag Milkha Bhag a biopic on one of India’s very few renowned athlete “The Flying Sikh” Milkha Singh. Based on a script and screenplay written by the ad-man turned writer Prasoon Joshi, Mehra tries to cover absolutely every aspect of Milkha Singh’s life ranging from his motivation to joining the armed forces to the reason why he joins the athletics to his childhood traumas.

Farhan Akhtar a normally fit actor has undergone an epic transformation in terms of embodying the physicality of a premiere athlete. Outside of the physical transformation there isn’t much to applaud Akhtar for as he is saddled with a directionless script and a sagging storyline that aimlessly wanders between flashbacks. Akhtar manages to turn on the charm in the few moments he is allowed by the scripts where he is allowed room to breathe. Sonam Kapoor who plays Akhtar’s love interest is competent in the minuscule role that barely has 3 spoken lines. Prakash Raj plays the Army captain in-charge of the unit where Milkha Singh joins and in continues the tradition of Bollywood movie using Raj for comedic purpose only. The two supporting cast members who shine are Pawan Malhotra who plays Singh’s coach and Divya Dutta who plays Singh’s sister. These two carry the heart of the movie on their shoulder and are responsible for some of the tenderest moments of the movie.

The biggest problem for me is the story, as a biopic in its earnestness it tries to cover all aspects of Milkha Singh’s life and seems like a series of made-for-tv episodes. It never pulled me in and made me concerned about the fate of Milkha Singh and that for a biopic is detrimental. The direction relies all too heavily on traditional story tropes of the underdog story and the predictability of it after a while begins to take its toll on you.

Mehra entrusts Binod Pradhan with cinematography and it is a success from a purely visual standpoint. The scenes of Milkha Singh training in Leh while of no significance to the story are shot beautifully framing the stark landscape in all its natural glory.

Music by Shankar Ehsaan Loy fails to deliver a single memorable track while still manages to be a successful background score especially with the folksy songs voiced by Daler Mehandi .

The lack of any editing and a directionless story telling cripples what could have been a fantastic portrait of a deserving national hero to one that is riddled with clichéd plot points.

Another gripe I have is with the Indian audiences, we are so easily swayed by the India-Pakistan rivalry that no matter what form of sports it be the moment India bests Pakistan all the sins are forgiven and the same is true here. In what is the seminal moment in Milkha Singh’s life is reduced to whistles and hoots as he crosses the finishing line. Or perhaps the problem lies with me and I don’t know how to enjoy a movie.

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Watch this movie if you want to spend 3 hours counting every pulsating muscle and bulging vein in Farhan Akhtar’s body , but if you want to enjoy a well-made cleverly written biopic about an Indian athlete watch Paan Singh Tomar instead.

Clearly the movie is a critics darling at this point with most giving it a 5 star rating. I would love to hear your thoughts on the movie and what you liked about the movie!