The Revenant – A Review

Alejandro G Iñárritu directs Leonardo Dicaprio and Tom Hardy in the gruesome survival tale The Revenant based partly on Michael Punke’s novel by the same name. Set in the 1820s in Montana and South Dakota’s harsh winter wilderness it is the story of Dicaprio’s Hugh Glass as he leads an expedition of Fur trappers which is attacked by the Arikara tribe of Native Americans who are out to avenge a kidnapped tribeswoman.

 

Leonardo Dicaprio plays Hugh Glass an experienced hunter with knowledge of the terrain, Tom Hardy plays hot-headed hunter John Fitzgerald, Domhall Gleeson plays captain Andrew Henry and Will Poulter plays Bridger one of the two young boys on the expedition the other being Glass’s Native American son Hawk.

When the hunting party is attacked by Arikara tribesman they make a hasty retreat back to their boat with their fur pelts and escape downriver. This drives a wedge between Glass and Fitzgerald who both have different ideas on how to get to safety. The crew trust Glass especially since Captain Henry seems to trust Glass implicitly. Fitzgerald is a poisoned presence from the very beginning and his nagging and antagonising of Glass only increases after the crew abandon the boat and hide the fur pelts to travel light and come back with armed reinforcements. Fitzgerald however agrees to stay back with Bridger and Hawk to care for Glass after he is mauled by a Grizzly Bear. What follows after is a harrowing tale of how Fitzgerald’s greed compels him to kill Hawk, leave Glass for the dead and lie to Bridger about approaching Arikara tribe and beat a hasty retreat to the barrack outpost to collect the money promised to him by Captain Henry if they stayed and gave Glass a proper funeral. What follows is Glass’s incredible journey from being left for dead to returning to avenge his son’s death. Along the way he encounters obstacles that are impossible to even imagine and seeing how this is partly based on true events it just makes it even more astonishing.

Emanuel Lubezki is gunning for a hat-trick after winning in 2013 for Gravity and in 2014 for Birdman and this year with Revenant his claim couldn’t be stronger. Gravity had that 7 ½ minute opening shot where not a word was uttered and you were given the full extent of the vastness of the space, Birdman had that continuous shot winding down the different nooks and crannies of a New York theatre and The Revenant has this stunning opening sequence of Glass and company being attacked by Arikara tribesmen it is as beautiful as it is brutal and unlike Gravity and Birdman there is fast and furious action here which while adrenaline charged still does not feel fuzzy or rushed, you can almost hear the whoosh of an arrow shooting past you. Lubezki has lit the entire movie with ambient light sources like campfire and candles and using natural lighting and the effect is eerie and haunting. He has shot the unforgiving landscape in a beautiful way, the breaking of the dawn has the full spectrum of colours as your eyes traverse the screen from left to right.  Ryuichi Sakamoto who did the music for Iñárritu’s confounding Babel does the music for The Revenant along with Carsten Nicolai and they underscore Lubezki’s beautiful images with a poignant and restrained original score. At times angry and at times quiet and subtle. The only problem for me is the seemingly choppy editing at the outset where the movie stutters to a start but then the editing becomes more seamless as the story progresses. Iñárritu tries to reach for something more than what the story should be about. At its heart The Revenant is a western revenge epic but by tying in Native American elements Iñárritu tries to elevate the story and in some places he manages to by showing how the native inhabitants of North America were brutalised by British and French who tried to “civilise” them, but then at other places it just becomes a babbling mess with floating dead wives and a pyramid of cattle skulls.

Leonardo and his epic journey towards an Oscar win is perhaps the stuff of urban legends and with this one he has landed another nomination and with a relatively weak field Leo might take one home finally and it is not undeserved. With most of the movie without the ability to speak Leo’s eyes and face do most of the work. He is brilliant here but somehow not as engaging as Tom Hardy is as John Fitzgerald. There are no two ways about it Fitzgerald is a man you hate from the very beginning to the very bitter end but what Tom Hardy brings to this character is so nuanced and almost nauseating is his ability to be the worst person in every scene he is in. if Hardy doesn’t win for Best supporting actor then it will be a bigger crime than Dicaprio being denied another one (in my books Dicaprio should have won for both Blood Diamond and The Departed.)

This is a movie that requires a certain amount of patience to sit through all the harrowing experiences Glass goes through and that is primarily a fault of the editing but there are plenty of rewards to be reaped as Lubezki reaches Deakins’ level of greatness with being able to capture the American wilderness and Dicaprio and Hardy put in terrific performances. Best of the year? Probably not I would take the other Hardy pic of one man’s epic survival against all odds in Mad Max Fury Road but this is still an incredible and important cinematic experience.

 

Advertisements

Interstellar – A Spoiler free Review

A Christopher Nolan movie is an event movie – it deserves tonnes of press and an even greater amount of hype and excitement as Nolan rarely disappoints. The man who single handedly revived the super-hero genre, the one who dabbled in magic and memory loss and dared peer inside our dreams is revered among cinephiles and for good reason. And when this man sets off on an inter-galactic voyage you simply strap in and join him for the ride on the biggest screen possible. To say I am a Nolan devotee would be a gross understatement. I have devoured every tidbit of information that came out while Nolan worked away on his space sojourn and Interstellar was the number 1 most anticipated movie for me for this year. I was back in 2010 when I was waiting with bated breath for Inception to unfold and for it to silence all Nolan critics and it did in spectacular fashion. Would Interstellar be able to continue Nolan’s winning streak or will the law of averages finally catch up with this auteur. Read on to find out more – there are no spoilers in this review

The story starts in the near future where science is all but forgotten, the school teach students that the Moon landing was a hoax perpetrated to bankrupt the Soviet Union and trained astronauts are left to plough the field for crop. This is the caretaker generation, struggling through dust clouds and crop blights to survive while staring extinction in the face. Through curiously encoded messages Cooper played by Matthew McConaughey and Murph played by Mackenzie Foy end up at NORAD a clandestine NASA mission run by the Nolan-regular Michael Caine playing Professor Brand. He asks Cooper – the best pilot they ever had- to join the mission along with his daughter Amelia played by Anne Hathaway, Romily played by David Gyassi and Doyle played by Wes Bentley. The mission is to follow 3 of the 12 previous astronauts who left our galaxy to travel through a mysterious wormhole to look for other planets which could be used to sustain human life.  No more story-wise, lest I risk the spoiling of the surprises that are in-store.

Nolan is a master of visuals. His association with Wally Pfisher was what elevated his movies to the next level. With Hoyte Van Hoytema donning the cinematographer’s hat I had a feeling we won’t be let down because he filmed the wonderful Her last year and made the future very accessible and believable. The visuals Van Hoytema creates of the inter-galactic voyage are stunning in their grandeur but as one wired article evidences they are also based on a very real scientific equations which Kip Thorne the theoretical physicist from Caltech collaborated on with the team behind interstellar. The wormhole, the blackhole, and the Endurance spacecraft passing alongside Saturn are all stunning in their detail and scale. Where the visuals however are let down are with the background score. Hans Zimmer who has provided very complementary scores for previous Nolan movies plays it too heavy handedly this time around. The loud klaxon based soundtrack takes away from the scene and makes it almost unbearable. A Clint Mansel or Alexandre Desplat score would have served Nolan better giving it the Kubrickian feel of using the classical compositions. With the thunderous riffs and booming drums of Zimmer the crescendos come quick and fast but there is no payoff visually or story wise .

Nolan had me scratching my head when he announced that Matthew McConaughey would be the lead actor in Interstellar and my worst fears have come to fruition. Every time Cooper opens his mouth to speak out comes the stoner cowboy drawl that will dull anyone to sleep. Half the time his words are illegible and the other half just unbearable. He is unbelievable as someone who understands and can hold a conversation about quantum physics and he puts in no efforts to the contrary either.  Anne Hathaway is still stuck being Fantine from Les Miserables and cannot seem to turn the tears out. If we had a whiny bio-physicist and a stoned out southerner to rely on to save the fate of humanity our chances look grim. Thats where the grown up Murph, Jessica Chastain comes in – she is the only one that manages to come across as someone with a sane mind but her interaction with her brother played by Casey Affleck make little sense. But my biggest grief is with David Gyassi who plays fellow astronaut Romily who waits on board Endurance when Coop, Amelia and Doyle go to the planet of the Tsunami waves. He ages 22 years when they get back on the spacecraft and I for one instance thought he was just hamming it to tease Coop and Amelia on the passage of time but he wasn’t and he had really aged and he acts really weird too, walks with a slouch and sounds defeated. The whole effect is jarring and not entirely believable.

For a movie that is nearly 3 hours long there are key scenes which feel rushed and unresolved. The initiation of Cooper into the Save-the-humanity program, the travel to the different planets to find the data, the climax which holds the key to the human survival seem hurried and rough. If more time was spent on these, more technical aspects of what is essentially a sci-fi adventure it would have felt like the Nolan movie I have come to expect. Instead we spend an inordinately long time setting up the doomsday scenario in the first half with the dustbowl and the father daughter bond that will be Cooper’s driving force. Also once onboard the time spent whining about personal issues is almost juvenile and for Nolan standards unpardonable. Instead of Cooper and Amelia talking I would much prefer a lively chat between TRAS and CASE the two robots who are nods to HAL9000 from 2001 : A Space Odyssey.

There is little doubt that this movie is not all that it could have been. A majority of the responsibility falls on the shoulders of Matthew McConaughey who I hope Nolan never collaborates with ever again. But this is still a Nolan movie it is big on Ideas and huge on visual impact. For a director who dares to take such huge risks and break away from the formulaic big-budget franchise movies it deserves a watch. It won’t redefine the sci-fi genre in the way that 2001 did. But like Inception it is an idea that needs to be explored and discussed and it makes the most complicated science easily accessible and it makes you think. And I want Nolan to break the bank on this one so he can get back to the long-gestating Howard Hughes biopic.

Oscar 2014 Predictions!

Roll out the red carpet and put on your best ball gown the little golden man is rolling into the nokia center this Sunday night.Another year rolls by and the 86th annual academy awards are upon us. While there is more mindless franchise trash than the previous year, there are also several leaps made in terms of meaningful cinema with artistic and technical prowess on full display. A casual glance at the best movie category validates this assessment where we have a futuristic love story competing against a love story and a story of human triumph set against the dark days of black slavery, we have a story of personal greed and depravity set to square off against a space adventure which tests the limits of human resilience. And plus when there is Ellen DeGeneres hosting it is bound to be a party. Plus P!nk is going to perform her aerial acrobatics so you cannot miss this Oscars night (early Monday morning YAWN!!!) .

This year’s Oscar race is a little more curious than most years – there is a clear cinematic landmark in the shape of 12 years a slave but it is a movie that most people are finding hard to watch and there is a possibility that this might hurt the film’s chances at a major win. The best actresses race which is usually the most fiercely competitive field seems to have the most talented actresses this year too with Blanchet, Dench, Adams, Bullock and Streep competing and with such stellar performances it should be a more closely fought race – but it seems to not be the case and the one with the lobbying power of the Weinstein’s will win. The best actor’s race which is generally a lone horse race seems to be the one that is too close to call with a 3 way fight between DiCaprio ( long overdue), McConaughey( on a comeback) and Ejiofor ( the most demanding role of them all).
Each year I try and come up with a list of who I think should win and will win and in most cases it matches but in some it doesn’t. This year too I will take you through the categories and draw up my list of winners and on the morning of 3rd March you will either hear me fist-pumping and cheering as my favorites win or hear me hurl abuses or laugh out loud (if the undeserved ones trip on their way up to the podium – I am looking at you Lawrence)

Actress in a Supporting Role
Sally Hawkins in “Blue Jasmine”
Jennifer Lawrence in “American Hustle”
Lupita Nyong’o in “12 Years a Slave”
Julia Roberts in “August: Osage County”
June Squibb in “Nebraska”

This is one of my favorite category as usually in an ensemble cast the supporting actor’s role can easily be swapped with that of the leading actor’s and that is what makes this a very prestigious award indeed.
Who Should Win : Roberts for August: Osage County – any actor who can say “Eat Fish B*tch” to Meryl and lives to tell the tale should win the award. But jokes aside, she delivers a phenomenal performance the likes of which were only seen from her in Erin Brokovich.
Who Will Win: This is a tough one – Nyong’o or Lawrence . I don’t think Lawrence should firstly because she walked away with the leading trophy last year and also because her role in American Hustle isn’t that substantial. Nyong’o certainly was the reason why we felt as bad as we did for Solomon. Tough call indeed but I would be happy if it was either Roberts or Nyong’o

Actor in a Supporting Role

Barkhad Abdi in “Captain Phillips”
Bradley Cooper in “American Hustle”
Michael Fassbender in “12 Years a Slave”
Jonah Hill in “The Wolf of Wall Street”
Jared Leto in “Dallas Buyers Club”

Who Should/Will Win: Jared Leto if you physically transform yourself to a point where you are unrecognizable and you deliver a smashing performance you should start practicing your acceptance speech from the minute the production wraps up.

Animated Feature Film

“The Croods” Chris Sanders, Kirk DeMicco and Kristine Belson
“Despicable Me 2” Chris Renaud, Pierre Coffin and Chris Meledandri
“Ernest & Celestine” Benjamin Renner and Didier Brunner
“Frozen” Chris Buck, Jennifer Lee and Peter Del Vecho
“The Wind Rises” Hayao Miyazaki and Toshio Suzuki

This is one category that almost always baffles me with the inclusion of a French animated movie – do the laws of foreign language film not apply to this category? anywho!

Who Should/Will Win : Frozen it has everything that is the hallmark of a Disney classic – a princess, a dashing prince, talking inanimate object and a brilliant song “Let It Be”.

Cinematography

“The Grandmaster” Philippe Le Sourd
“Gravity” Emmanuel Lubezki
“Inside Llewyn Davis” Bruno Delbonnel
“Nebraska” Phedon Papamichael
“Prisoners” Roger A. Deakins

This is one aspect of filmmaking that more often than not finds a mention in my reviews because to be this is one of the most important components that makes or breaks the movie. The director’s vision is only as good as the DoP being able to translate it to the big screen. I loved Deakin’s work in prisoners and am so glad he found a nomination here but…

Who Should/Will Win : Emmanuel Lubezki the man who took us to space and tossed us around like a lone sock in a tumble dry washing machine! Gravity is a visual phenomenon and makes perfect use of every inch of the IMAX screen space.

Visual Effects

“Gravity” Tim Webber, Chris Lawrence, David Shirk and Neil Corbould
“The Hobbit: The Desolation of Smaug” Joe Letteri, Eric Saindon, David Clayton and Eric Reynolds
“Iron Man 3” Christopher Townsend, Guy Williams, Erik Nash and Dan Sudick
“The Lone Ranger” Tim Alexander, Gary Brozenich, Edson Williams and John Frazier
“Star Trek Into Darkness” Roger Guyett, Patrick Tubach, Ben Grossmann and Burt Dalton

Who Should/Will Win : Gravity to me the beauty of the visual effect is in it being so inseparable from the main visuals that it does not feel unnatural and jarring and that was achieved by the team behind Gravity who transformed a giant sink tank into the unending blackness of the space.

Documentary Feature

“The Act of Killing”Joshua Oppenheimer and Signe Byrge Sørensen
“Cutie and the Boxer” Zachary Heinzerling and Lydia Dean Pilcher
“Dirty Wars” Richard Rowley and Jeremy Scahill
“The Square” Jehane Noujaim and Karim Amer
“20 Feet from Stardom” Morgan Neville, Gil Friesen and Caitrin Rogers

Another fantastic genre in movie making that turns in some of the most amazing films – the Act of Killing is a disturbing look into the psyche of the khmer rogue leaders who perpetrated some of the most heinous crimes against humanity. 20 feet from stardom is a fantastic feature about the background singers which had me experiences many bouts of goosebumps with some of the most amazing voices ever heard but hardly recognized.

Who Should Win : Act of Killing
Who Will Win : 20 Feet from Stardom

Foreign Language Film

“The Broken Circle Breakdown” Belgium
“The Great Beauty” Italy
“The Hunt” Denmark
“The Missing Picture” Cambodia
“Omar” Palestine

The category that many a times reflects the political affiliations of the members of the academy more than the technical merit of the winner .

Who Should Win : The Hunt
Who Will Win : The Great Beauty

Sound Editing

“All Is Lost” Steve Boeddeker and Richard Hymns
“Captain Phillips” Oliver Tarney
“Gravity” Glenn Freemantle
“The Hobbit: The Desolation of Smaug” Brent Burge and Chris Ward
“Lone Survivor” Wylie Stateman

Sound Mixing

“Captain Phillips” Chris Burdon, Mark Taylor, Mike Prestwood Smith and Chris Munro
“Gravity” Skip Lievsay, Niv Adiri, Christopher Benstead and Chris Munro
“The Hobbit: The Desolation of Smaug” Christopher Boyes, Michael Hedges, Michael Semanick and Tony Johnson
“Inside Llewyn Davis” Skip Lievsay, Greg Orloff and Peter F. Kurland
“Lone Survivor” Andy Koyama, Beau Borders and David Brownlow

The two categories that make the least amount of sense to me but still turned out to be the biggest shocker last year with tie. I think the sound editing and mixing is probably going to go to the one that sweeps the most technical awards and in that case Gravity seems like a natural choice

Who Should/Will Win : Gravity

Music (Original Score)

“The Book Thief” John Williams
“Gravity” Steven Price
“Her” William Butler and Owen Pallett
“Philomena” Alexandre Desplat
“Saving Mr. Banks” Thomas Newman

The category that has me wondering always why the academy hates Hans Zimmer – he either gets shut out of the nominations entirely or gets nominated and doesn’t win even though he deserves it. Here too he got shut out of 12 Years a Slave. However with the wonderful music by Arcade Fire I am hopeful that I will not be too disappointed.

Who Should Win : Her
Who Will Win: Gravity

Music (Original Song)

“Happy” from “Despicable Me 2”
Music and Lyric by Pharrell Williams
“Let It Go” from “Frozen”
Music and Lyric by Kristen Anderson-Lopez and Robert Lopez
“The Moon Song” from “Her”
Music by Karen O; Lyric by Karen O and Spike Jonze
“Ordinary Love” from “Mandela: Long Walk to Freedom”
Music by Paul Hewson, Dave Evans, Adam Clayton and Larry Mullen; Lyric by Paul Hewson

Idna menzel performing at the Oscars – after Adele performed last year – it’s like my dreams are coming true! Her performance of Let It Go would have to win the gold! If only she can switch into the witches outfit with green makeup and do an encore of defying gravity – now that would be PERFECT!

Who Should/Will Win : Let It Go

Film Editing

“American Hustle” Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Captain Phillips” Christopher Rouse
“Dallas Buyers Club” John Mac McMurphy and Martin Pensa
“Gravity” Alfonso Cuarón and Mark Sanger
“12 Years a Slave” Joe Walker

This has got to be Gravity – a film so tightly cut that not one moment feels bloated or unnecessary

Who Should/Will Win: Gravity

Writing (Adapted Screenplay)

“Before Midnight” Written by Richard Linklater, Julie Delpy, Ethan Hawke
“Captain Phillips” Screenplay by Billy Ray
“Philomena” Screenplay by Steve Coogan and Jeff Pope
“12 Years a Slave” Screenplay by John Ridley
“The Wolf of Wall Street” Screenplay by Terence Winter

Who Should Win : Before Midnight show some love to the troika of Linklater, Delpy and Hawke who have worked for 18 years to come up with a trilogy that is essentially a personal journey in the lives of two amazingly written characters.
Who Will Win : 12 Years A Slave

Writing (Original Screenplay)

“American Hustle” Written by Eric Warren Singer and David O. Russell
“Blue Jasmine” Written by Woody Allen
“Dallas Buyers Club” Written by Craig Borten & Melisa Wallack
“Her” Written by Spike Jonze
“Nebraska” Written by Bob Nelson

This has got to be Her – it cannot be anything else – a story so original yet so beautifully written that it feels almost commonplace , the future does not feel completely alien and love gets a whole new meaning.
Who Should/Will Win : Her

Now come the big guns!

Directing

“American Hustle” David O. Russell
“Gravity” Alfonso Cuarón
“Nebraska” Alexander Payne
“12 Years a Slave” Steve McQueen
“The Wolf of Wall Street” Martin Scorsese

It is a crying shame that Russell and Payne find a place here and Jonze is shut out of a nomination. In a perfect world Russell and Payne would get replaced by Frears and Jonze or even a Linklater for his phenomenal third movie in the Before/After series.
Who Should Win : McQueen/Cuarón
Who Will Win : Cuaron

Actress in a Leading Role

Amy Adams in “American Hustle”
Cate Blanchett in “Blue Jasmine”
Sandra Bullock in “Gravity”
Judi Dench in “Philomena”
Meryl Streep in “August: Osage County”

A 5-time nominated actress, 2 previous winners, A Dame and a goddess with 18 nominations and 3 wins – this one heck of a category to choose from. With each of the actresses turning in a stellar performance it becomes a question of who wants it the most and who has the ability to campaign the most, And more importantly than not who has the weight of the Weinsteins behind her. If anyone has seen Meryl’s performance as Violet Weston and thinks she does not deserve to win this award then that person is delusional.

Who Should Win: Meryl Streep
Who Will Win: Cate Blanchet ( I love you Cate but watch out for the steps girl)

Actor in a Leading Role

Christian Bale in “American Hustle”
Bruce Dern in “Nebraska”
Leonardo DiCaprio in “The Wolf of Wall Street”
Chiwetel Ejiofor in “12 Years a Slave”
Matthew McConaughey in “Dallas Buyers Club”

Replace Dern with Robert Redford for “All is lost” and even though I love Bale but replace him with Joaquin Phoenix for “Her” we would have the most perfect leading man’s nominee club in a long long time. But be that as it may of the 5 nominated here it is a 2 horse race between McConaughey and Ejiofor with the possibility of DiCaprio pulling an upset ( seems unlikely )

Who Should Win : Chiwetel Ejiofor – Physical transformation may be hard but getting into the psyche of Solomon Northup would’ve been harder.
Who Will Win: I am going to stick my neck out on this one and say that Ejiofor takes home the gold.

Best Picture

“American Hustle” Charles Roven, Richard Suckle, Megan Ellison and Jonathan Gordon, Producers
“Captain Phillips” Scott Rudin, Dana Brunetti and Michael De Luca, Producers
“Dallas Buyers Club” Robbie Brenner and Rachel Winter, Producers
“Gravity” Alfonso Cuarón and David Heyman, Producers
“Her” Megan Ellison, Spike Jonze and Vincent Landay, Producers
“Nebraska” Albert Berger and Ron Yerxa, Producers
“Philomena” Gabrielle Tana, Steve Coogan and Tracey Seaward, Producers
“12 Years a Slave” Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen and Anthony Katagas, Producers
“The Wolf of Wall Street” Martin Scorsese, Leonardo DiCaprio, Joey McFarland and Emma Tillinger Koskoff, Producers

My top 5
12 Years a Slave
Dallas Buyers Club
Gravity
Her
The Wolf of Wall Street

There is an interesting article out in the blogosphere about how many academy members are unable to bring themselves to see 12 Years a Slave because of the unrelenting nature of McQueen’s portrayal of slavery and how this might ruin its chances of winning the best picture and how Gravity might take it home instead. While I loved Gravity I do not think it is worthy of a best picture win, it is a landmark for cinema no doubt but I find it hard to believe that it can take home the big prize but then its got Clooney so stranger things have happened.

Who Should Win : 12 Years A Slave
Who Will Win: like with Ejiofor I have faith that 12 Years A Slave will win the big prize and McQueen will be vindicated for Hunger and Shame.

So there you have it! My predictions for the 86th annual academy awards

Category Should Win Will Win
Best Picture 12 Years a Slave 12 Years a Slave
Best Director McQueen/Cuaron Cuaron
Best Actor Chiwetel Ejiofor Chiwetel Ejiofor
Best Actress Meryl Streep Cate Blanchet
Best Supporting Actor Jared Leto Jared Leto
Best Supporting Actress Julia Roberts Lupita Nyong’o
Best Writing – Original Screenplay Spike Jonze Spike Jonze
Best Writing – Adapted Screenplay Before Midnight -Delpy/Linklater/Hawke 12 Years a Slave – Joe Walker
Best Animated Feature Film Frozen Frozen
Best Foreign Language Film The Hunt The Great Beauty
Best Documentary – Feature Act Of Killing 20 Feet from Stardom
Best Documentary – Short Subject (havent seen any and the will win is based on buzz) The Lady in Number 6
Best Live Action Short Film (havent seen any and the will win is based on buzz) Avant Que De Tout Perdre (Just Before Losing Everything).
Best Animated Short Film Get A Horse Mr Hublot
Best Original Score Arcade Fire – Her Steven Price Gravity
Best Original Song Let it Go – Frozen Let it Go – Frozen
Best Sound Editing Gravity Gravity
Best Sound Mixing Gravity Gravity
Best Production Design The Great Gatsby The Great Gatsby
Best Cinematography Emannuel Lubezki – Gravity Emannuel Lubezki – Gravity
Best Makeup and Hairstyling Dallas Buyers Club Dallas Buyers Club
Best Costume Design The Great Gatsby 12 Years a Slave
Best Film Editing Gravity Gravity
Best Visual Effects Gravity Gravity

I will be for the first time attempting to live tweet the event so come follow me on twitter and join in on the madness! Don’t forget to let me know what you think in the comments below!

Gravity – A Review

Alonso Cuarón directs George Clooney and Sandra Bullock in the space adventure Gravity. Set at 200 km above the surface of the earth Gravity tells the harrowing tale of a crew of spaceship out on a regular mission that gets hit with the debris from a Russian satellite and the horrors that ensue in Zero Gravity.

Gravity has been hailed as the visual masterpiece and the movie event of the year – believe the hype.  From the opening shot till the final closing one not one frame lets you take your eye off the screen. The scenes of the vast open blackness of space interspersed with  stars and other celestial bodies make you realize how tiny we are in the grand scheme of things and at the same time the minute you are on terra-firma the tracking shot shows us what a giant we are when it comes to our existence on earth.

The story is simple – George Clooney plays Matt Kowalski a veteran astronaut on his final mission is joined by the first timer Ryan Stone played by Sandra Bullock. While trying to place the scientific experiment that Dr Stone has been working on in to an orbiting satellite they get news that there is debris from a destroyed satellite headed their way. While they try to abandon their mission and return to safety they get hit by the debris and are set adrift with no communication back to the command center or the international space station. Left with only each other they try to survive in space with depleting oxygen and try and get to a escape pod to return to earth.  Without going into too much details the story is simple as they try against staggering odds to return to earth they get hit by one problem after another and the single shot camerawork draws you into their plight as you stop breathing while they are trying to reach out and grab hold on to a space craft and heave a sigh of relief when they do while getting increasingly frustrated as another crisis looms right ahead.

Sandra bullock in my opinion has never been better. As the harrowed first timer in space who kept crashing her simulator you feel for her and want to her to make safe passage to earth as it begins to appear that the chances are fast diminishing.  George Clooney has a small role to play but he does it like no one else does. There is a certain ease with which he plays every character on screen that no matter what the stakes you are sure he will make it out smiling that smug smile.

But this is a movie that is so much bigger than the big name stars involved. This is a movie which is dead certain to bring Emmanuel Lubezki his first Oscar for his magnificent work behind the camera. Lubezki has been credited with one of the most remarkable scenes ever filmed- the creation of life scene from The Tree of Life for Terrence Mallick. Here he essentially takes the viewer into outer space and spins you around like a sock in a tumble dry washing machine while still allowing you to marvel at the beauty of our planet as viewed from outer space. There are beautiful solitaire sunrises and pulsating Aurelia Borealis. A majority of the visuals are computer generated yet never once do you feel like you are not seeing the real thing. Also essential to the visual experience is the surprisingly effective music by a relative no-namer Stephen Price – however the use of silence is just as effective as is some of the other soaring soundtrack by Price.

There are those who are questioning the veracity of science involved in the making of Gravity and while doing so are missing the point that there are elements that have been exaggerated for dramatic appeal. What lies underneath is the essential human instinct for survival, survival against the greatest odds, odds that sometimes are the demons inside our own mind. Not giving up when there is nothing left to live for and trying with all your might to live to tell your story.

Don’t miss Gravity as it is a masterpiece of why we watch movies – it is to go where few men have ever gone before to be able to experience it for yourself without having to leave the comfort of your plush push-back chairs. Seek out the biggest screen possible and watch it in 3D but put the pop-corn away because when you are not looking there is satellite debris coming your way and you better watch out.