Fantastic Beasts and Where to Find Them – A Review

Image result for fantastic beasts and where to find them movie posterDavid Yates directs Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol and Colin Farrell in Fantastic Beasts and Where to Find Them. In an original story by J K Rowling taking us back to world of witchcraft and wizardry that she created when she introduced us to the boy who lived. The story of Newt Scamander was a mere footnote in the story of Harry Potter and his 7 years of education at Hogwarts. Fantastic Beasts and Where to Find Them was the title of one of the textbooks Harry, Ron and Hermione studied. With this movie Rowling takes the world of wizardry outside of the confines of Hogwarts, there have been tantalising glimpses in the 7 novels but with Pottermore and now this 5 movie franchise the possibilities are potentially endless. Was that a book called “Casandra and her Cat Gustavo” that Kowalski was reading? Wasn’t Casandra the name of the Divination teacher Trelawney’s great-great-grandmother? Surely nothing in Ms Rowling’s world is coincidence.

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The story starts with our hero Newt landing in New York in the 1920s with a suitcase full of magical creatures. The creatures are let lose in the city and with the help of No-Maj (muggle to us potterheads) baker Kowalski, ex-aurorer Tina and her leglimense sister Queenie, Newt tries to capture them before they get in harm’s way.  There are mentions of dark wizard Grindlewald terrorising Europe, growing tensions between the magical and non-magical folks of America and a mysterious dark force causing mayhem on the streets of New York. As with all her stories Rowling skilfully creates entire worlds in the most unusual of ways. There is a veritable forest filled with magical creatures inside Newt’s suitcase, a ministry of magic with a very Gatsby-esque aesthetic, every character is intricately layered.

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Eddie Redmayne is quite the chameleon actor; he is shy and retiring like Einar from The Danish Girl when talking to his fellow humans and comes alive and is intelligent and compassionate in equal measure like Stephen Hawking from Theory of Everything when it comes to talking to his Beasts. Katherine Waterston is her father’s daughter and brings a Sam Waterston familiarity to her character she is earnest and likeable yet a bit skittish and jumpy. Alison Sudol brings the 1920s-glamorous oomph. Dan Fogler is fantastic as the No-Maj wannabe baker who ends up in the enchanting magical world and instead of being freaked out like most adults would do, he is wide eyed and precocious like a child. Ezra Miller brings back the creepy, devil child freakishness that he first burst onto the screens with, in We need to talk about Kevin. Samantha Morton plays Mary Lou a Umbridge like character who hates magic and Witches and Wizards and recruits the orphans in her care to keep an eye out on the suspicious magical activities in New York. Collin Farrell is fantastic, however  I think he  is potentially miscast as Director of Magical Security. I don’t want to reveal more secrets but I wish Farrell was cast in the Big Reveal character instead given that the subsequent films are going to feature that character prominently and an actor of Farrell’s age, and physical disposition is more suited to that character than the direction Yates went in.

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Rowling and Yates use Fantastic Beasts and Where to Find Them to setup the magical universe and in the process, take their time setting up things like giggle water, the blind pig speakeasy and the obscurius but by no means is the story any less impressive as a result. Like the very first time we hear Hagrid say “You’re a wizard Harry” the viewer, a Harry Potter devout (yours truly) or a newbie Redmayne enthusiast (the wife) walks away sufficiently mesmerized and entertained excited about the possibilities with the stories to be told. This however is not a children’s movie; this is decidedly dark and future stories will tell tales of malice the likes of which Dumbledore has locked away in his pensieve.

The camera work by Philippe Rousselot is lush with sepia toned Newyork of the 1920s. Coleen Atwood’s costumes and the Production design and Sets are rich and layered and the next best thing to actually reading Ms Rowling’s writing. James Newton Howard provides an excellent accompanying soundtrack but I find the lack of a distinctive signature sound, like he did with Harry Potter which sounded like the wings of the snitch unfolding, a bit of a bummer.

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Ms Rowling is often credited with reviving the publishing industry when she brought the world of Hogwarts and Harry Potter to pages. With Fantastic Beasts, she may very well be responsible for saving Warner Bros studios that has gone in a terrible direction with Justice League with Snyder at the helm of that franchise. With her west-end play Harry Potter and the Cursed Child and now with this spin-off, she proves that there is a lot more magic still left in her to share with the world. She is the queen of storytelling and long may she reign!

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Whether a Potterhead or not this is a fantastic movie only a precursor of things to come. There is loads to like here and with his present lucky streak Eddie Redmayne can do no wrong. Do not miss Fantastic Beasts and Where to Find Them

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Pride – A Review

Matthew Warchus directs Imelda Staunton, Bill Nighy, Andrew Scott, Dominic Cooper amongst others in Pride. With a playbill that is packed to the rafters with character actors from various british TV shows the fact that this movie was going to be brilliantly acted was a given. But in this based on real events story about the coming together of the Gay Rights movement and the Union strike,  Warchus and writer Stephen Beresford have created a beautifully crafted drama with a healthy dose of humor.

The story starts with the charismatic Mark played by Ben Schnetzer drumming up support amongst his gay friends to start collecting funds for the striking miners. While arguments can be made in favor or against the legitimacy of the strike the movie chooses to present the issues from the point of view of the miners alone. After collecting the money and trying to get any mining union to accept their support the LGBT group happens to reach out to a welsh mining community who through misunderstanding over the phone agree to send a representative to meet with the LGSM ( Lesbians and Gays Support the Miners) in London.  And what follows hence is a heart-warming tale of two victimized fractions of the society coming together and learning to accept one another albeit grudgingly.

For 2/4th of the movie the screenplay is tight and the story progresses along briskly with the entire ensemble chipping in with memorable performances. The Acapella singing of the song in the union hall in Dulais, Wales is particularly stirring. Of the acting chops Andrew Scott impressed me the most. After his chilling turn as Moriarty on TV’s Sherlock here he plays out his role as Gethin with such vulnerability that it is fascinating to bear witness to his range as an actor. Imelda Staunton is also brilliant but then that statement is redundant as she almost always is. Jessica Gunning as Sian James plays the firebrand to perfection as she goes from being the shy volunteer to essentially the firepower behind the coalition of the Miners and the LGSM groups.  Another standout is Paddy Considine as the Mining union’s spokesperson Dai. From the first speech he delivers at the Gay club where he is just barely getting to grips with public speaking to the final speech he delivers at the Pits and Perverts concert at the electric ballroom in Camden shows the journey his character has gone through.

It is in the 3/4th of the movie where it loses steam and the pace begins to drag as the director chooses to bring various other stories to fruition, that of a closet gay being outed by his sister, Gethin being attacked. What rankles the most is the change in attitude of Mark and it throws the audience off for a loop. It takes considerable effort but the director manages to provide for a satisfactory climax. I also am disappointed in the director’s handling of the AIDS crisis and how insensitively it is used to further a plot point.

What is most amazing is the journey of discovery that the characters go on as the two groups cross path. The village granny is all inquisitive about the lesbian-lifestyle with their vegetarian/vegan diets, the hot headed miner is the first one to soften up to the LGSM and wants to take dance lessons so that he is better able to woo the barmaid, the pub-crawl through the London gay scene is also delightful as Imelda Staunton ends up giggling like a naughty school girl when she comes upon “treasures” in the LGSM’s accommodations. Also acting as a counterpoint is the hesitation that the two groups feel while supporting the other’s struggle. While Dai is welcomed when he makes the first speech Mark is faced by hostile silence at the union hall. The dissenters in both the groups throw a wrench in the machinery due to their on ill-conceived prejudices.

Milk this isn’t but it is a fantastic telling of the struggle for equality both of the miners and that of the LGBT community and the eventual coming together in show of solidarity despite the odds being stacked against them.  Do not miss Pride for it manages to strike that fine balance of humor and the humanity of the drama that unfolds.