Sujoy Ghosh and Vidya Balan team up for a follow up to 2012’s thriller Kahaani in Kahaani 2. Kahaani to me is a landmark movie and possibly the best thriller to come out of Bollywood in since forever. With the trailer whetting the appetite I was suitably excited despite the lackluster title name. Does the Balan Ghosh combo work again or will the curse of Arjun Rampal strike again?
The story starts sinisterly enough, we see a desperate Vidya Sinha looking for her paraplegic, wheelchair bound daughter who has gone missing. While running to find her daughter Vidya is hit by an oncoming car and slips into coma. Inspector Inderjeet played by Arjun Rampal with his wooden acting intact shares a secret he cannot let slip but which somehow plays his driving force through the entirety of the film. Vidya Balan plays Vidya Sinha, a single mother raising a paraplegic daughter but just like Kahaani here too there might be a case of mistaken identity or perhaps something more sinister going on. A majority of the story unfolds as Inderjeet reads through Vidya’s diary which he finds taped to the back of a drawer in her house. There are so many things wrong with how each puzzle piece connects that it is unbelievable that the same team was responsible for the watertight Kahaani. Everything just seems to be taking its inspiration from Rampal’s acting “Meh! Let’s just go with this”.
My biggest problem is with how when Inderjeet reads the diary there is a voice over in Vidya’s voice and then we are taken into another storyline and even in that storyline everything that Vidya Balan is thinking is voiced out loud. It’s annoying and insulting at the same time when you expect so little from your audience. There are intriguing plot points which could have made for an explosive narrative but are dealt with in such a shambolic way that it all seems to be coming off at the seams. The second half of the film seems to drag on forever and the element of surprise is massively lacking. At this point it is essentially paint by numbers and the acting also fails to lift it beyond the mundane. I remember re-watching Kahaani a little while ago and noticing only for the first time when Vidya Balan is pushed in front of the train she reaches out for something in her hair and having seen the climax once before it all ties in so well. Here there is no such nuance. The central plot surrounding child abuse also seems to half baked, there is so much more that could be done with it and how it becomes the driving force for Vidya Balan. And while from Kahaani the character of Bob Biswas was endearing and terrorizing in equal measure here the main assassin is essentially someone doing a bad parody of a north-easterner with a weird affectation to their speech. Oh and a special mention to the actress who plays Arjun Rampal’s wife – what the actual f*#k! Why so much nagging and that voice! Uggh I would rather listen to nails on a chalkboard.
Stay at home and rewatch Kahaani instead and don’t waste your time and energy on this underdeveloped, poorly acted and a story that lacks any thrill or common sense. It is a complete contrast to what made Kahaani so special. Vidya Balan’s acting is sub-par, the supporting characters are used as mere props, the cinematography which gloriously captured the crumbling Kolkotta is underwhelming here.