2014 A year in review

Aren’t you bored of the multitude of all the insipid “It’s been a great year thanks for being a part of it” video montages on Facebook already? Was 2014 really that great a year? Is it really worth looking back with nostalgia? For me, personally, it was a defining year – from getting married to moving to a different country but movie-wise it was one of the most lackluster years in history of the blog lifein70mm). When a Christopher Nolan movie doesn’t automatically make its way to the top of my year end list, then it is telling of what sort of a year it has been! But looking back does have its benefits – it can surprise even the most jaded of individuals of that glimmer of happiness that released early on in the year and still sits in a special place in your heart glowing with tiny but incessant warmth. Thanks for staying with lifein70mm and thanks for letting me know that you like my reviews more than some of the most celebrated critics who write for the leading newspapers. It makes me want to see more, and write more and that is all I can ask of you!

Top 10(ish) of 2014 (in alphabetical order)

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Boyhood: Richard Linklater defies the boundaries of imagination. Just think about the commitment it would be required to shoot each year over 12 years to document the life of a boy and to tell the simplest of stories of growing up, the dysfunctional American family, and the bonds that tie us together. A movie so unique, that it can only be classified as the space that exists between a coming-of-age tale and a documentary. I have loved Linklater Before series and it is two of my favorite writing, I was really looking forward to reviewing Boyhood and even after watching it twice I am unable to pen down my thoughts on it. To say I loved it would be a gross understatement.

Finding Vivian Maier: I love documentaries and the ones that are done well are most often better than fictional stories because you don’t need to imagine that it can happen but marvel that these things did indeed happen. A writer stumbles upon a cache of old photographs from a lot that he bought on a whim at an auction, the photographs are of such high quality and tell such a vivid story of the life in the 60s that the writer is pulled into the intrigue of the artist who took these photographs and he documents his search in this documentary. One of the most beautiful and poignant documentaries I have ever seen and images that will stay with you a lot longer than the duration of the film. Vivian Maier’s rise to posthumous fame is incredible. She even gets a mention in the opening credit of this year’s best comedy on television Selfie alongside Freda Kahlo and her self-portrait.

Gone Girl: Nobody does dirty sick and twisted quite like David Fincher. To take what was essentially airport fiction and to turn it into a catharsis of a marriage is laudable feat. This movie features the best use of voiceover I have ever had the pleasure of watching and when done in the breathy voice of the enchanting Rosamund Pike it takes creepy to a whole new level. An enormously enjoyable and infinitely rewatchable movie with one of the best soundtrack this year.

Haider: Vishal Bharadwaj, Shahid Kapur and Shakespeare’s Hamlet are a potent combination. Setting the movie in Kashmir should have been a staggering achievement in storytelling, but by wavering on taking a stand, Bharadwaj ends up with a technically beautiful and intensely acted movie which stumbles a little with its plot. This could have easily ended up as a disappointment for me had it not been for Shahid Kapur and Tabu. I accord this movie half a spot on the top 10 to be shared with a movie down the list.

Kick: I know there will be many of you who will be shaking your head in dismay at the inclusion of this movie in this list. But this was the only 100 Cr movies this year that had any modicum of entertainment value. It takes the histrionics of Salman to make nonsensical an art form. With the gorgeous Jacqueline Fernandez by his side the king khan takes us on an adrenaline rush that was unmatched this year.

Mardaani : I dislike Rani Mukherjee with a passion that is only matched by my dislike of Aamir Khan but in Pradeep Sirkar’s able hands Rani turns in what is one of the best performances of her life. A skillfully crafter thriller with a very unusual and non-stereotypical antagonist, a movie with a message which it delivers masterfully without hammering it on your head; this was the perfect example of a movie which India needs. If ever there was a need for sequels then this is a movie that richly deserves it.

Nightcrawler: The Renaissance of Jake Gyllenhaal continues unabated. After last year’s top-10 lister Prisoners Gyllenhaal returns in this dark comedy about a man with a drive to succeed and an absolute lack of moral inhibitions. Taking the world of 24-hr breaking news cycle and making a social commentary on what drives the people who blur the lines of journalistic ethics to feed the public greed for sensationalized news or perhaps even the paparazzi fueled celeb-obsessed culture of ours.

Pride: A quiet and unassuming British movie about the coming together of two opposing factions of the society to achieve a common goal. With the playbill stacked with the who’s who of the British cinema this is a complete treat to watch. Sensitively handling the subject of labor strike and the rise of the gay rights movement and the eventual pride parade, this movie has many high points and many standout stars. This reminded me of the underappreciated The Boat that Rocked/Pirate Radio or maybe that was just because Bill Nighy was in both and I love Bill Nighy!

Queen: I know at the outset I said the list was in alphabetical order just so that I don’t have to rank all the movies. But if I were to rank them I am more than certain that Queen would be my 2014 topper. I have not seen a more honest attempt at story telling than this story of a simple girl from Rajauri who gets dumped just before her wedding day and decides to go on her honeymoon by herself, on a  journey of discovery and revelations which up to this point were the tightly held domain of male dominated road-trip movies. Kangana Ranaut is spectacular as Rani – the eponymous Queen and with Amit Trivedi’s brilliant music this movie is an instant classic. I cannot wait for what Vikas Bahl has to offer next and I hope he continue to be this honest about his story telling, because the results are fantastic.

The Imitation Game: as mentioned earlier it was hard to choose between Haider and this one as both movies had their merits (stand out performances by the leads) and its pitfalls. But when a story this important is being told, it almost doesn’t matter if there are a few minor glitches. Benedict Cumberbatch as Alan Turing is incredible and does well to show the vulnerable side of his (and Turing’s) genius. In that final scene towards the end after undergoing chemical castration, Cumberbatch’s performance breaks my heart and you feel for Turing who suffered such indignation at the hands of the society he gave so much to.

X-Men : Days of Future Past:  Of all the multi-super hero universes out there ( the avengers, the justice league and the X-men) the X-men feel the most organic, they don’t feel like a money grab where you throw a wide variety of superheroes together in an all-you-can-eat style buffet. With the foundation that was laid with a very strong X-men First Class the return of Bryan Singer at the helm righted the wrong of X-men: The Last Stand by essentially rewriting the timeline and setting it up for future adventures. Having perhaps the best assemblage of young Hollywood talent in form of McAvoy, Fassbender, Lawrence, Hoult I have tremendous faith that the Superhero franchise is far from dead. Bring on the apocalypse I cannot wait!

The Bottom 3 (In alphabetical order)

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Bang Bang: to take two of the most beautiful human beings ever created and to turn them into absolutely unwatchable crap is the claim to fame for Bang Bang. An official adaptation of Knight and Day, this vapid movie should have never been made. Its stupidity was a new low for Bollywood.

Singham Returns: I stayed away from Singham despite people claiming how it was a good-masala-movie with very good acting. But being married to a Kareena-aficionado has its pitfalls. After a surprisingly good Kick my faith in the ability of 100cr movie to be bearable was renewed. But it was dealt a deathly blow with this loud brash and crass attempt at storytelling.  Rohit Shetty is the Michael Bay of Bollywood and I am staying as far away from his exploding cars as possible.

The Amazing Spider-man 2: I loved Marc Webb’s directorial debut 500 days of summer and I loved the Andrew Garfield as the amazing Spiderman. If you bring these two together and throw in Emma Stone I am bound to be excited. But alas that excitement was misplaced and I no longer look forward to any more spidey adventures.

The biggest Disappointment of 2014 was hands down Interstellar. It is not that Interstellar was a particularly bad movie; it’s just that I have come to expect a certain level of intelligence from Nolan and the choice of Matthew McConaughey thoroughly baffled me. While the science in the movie was fascinating and accessible at the same time, the stoner drawl of McConaughey and Hans Zimmer’s obnoxious soundtrack were entirely off-putting.  Hopefully, this is only law of averages and Nolan can get back to doing what he does best this will just be something he will look back and laugh while scratching his head thinking what the hell was I smoking when I offered this role to McCoughMyName.

There you have it! 2014 all wrapped up with a bow on top. Here’s to 2015 and a wonderful year at the movies. Do write to me and let me know what you think of my assessment of the year 2014 at the movies, if you agree or disagree or have a suggestion for me to watch. I will be back very early on in 2015 with a review of a much-anticipated Birdman and many more exciting movies to come. Happy New Year!

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Kick – A Review

 Sajid Nadiadwala the producer with the Midas touch dons the director’s hat for the very first time and directs Salman Khan, Jacqueline Fernandez, Randeep Hooda and Nawazuddin Siddiqui in Kick.

A Salman Khan movie defies explanation here is a fully grown man nearing 50s and he still acts like a precocious child and still runs circles around the young bloods of Bollywood when it comes to action sequences.  He has insane (not in a good way) dance moves and facial expressions which are more ham than a quarter pound hamburger. But still Salman is arguably the most loved of the three khans in Bollywood today. And with kick he firmly establishes his creds as the king khan of Bollywood.

Salman Khan Movie Kick Review and Release date

Nadiadwala, Rajat Arora and Keith Gomes adapt a 2009 Telugu hit of the same name and kick the adrenaline levels up a few notches.  Salman plays Devi Lal Singh a genius of extraordinary proportions who cannot keep a job because he needs a constant ‘kick’ to justify his existence. He finds this in helping friends to elope with their girlfriends, by being the Good Samaritan and protecting the women folk from the evil eyes of pumped up goons. He meets and falls in love with Shaina played by the surprisingly beautiful Jacqueline Fernandez.  Through curious circumstances Shaina meets Ace Cop Himanshu played by Randeep Hooda who is on the trail of a masked vigilante. What follows is a game of cat and mouse with enough wisecracks and witty one-liners to fill an entire season of Comedy nights with Kapil.

The action is fast paced and the exhilarating. The chase through the narrow lanes of Delhi and the stark streets of Warsaw is gripping to say the least. There are many visual influences from Hollywood action capers and blockbusters which are very apparent to the trained eye – like the underground police headquarters is curiously similar to the one in skyfall after the MI6 is blown up, the scene with the slo-mo pigeons is textbook john wu, Nawazuddin’s Shiv Gajra is clearly heath ledger’s joker inspired. But the inspirations here do not distract and are rather used masterfully to augment the adrenaline factor. Ayananaka Bose’s work behind the camera is exceptional it is soft and romantic in the Hangover song and it is gripping and thrilling in the action sequences, the tracking shots, the slo-mo action shots are all done exceptionally well. Himesh Reshamiya’s music also plays a good supporting role to the entire movie and the songs don’t seem to appear without a rhyme or a reason. The only real sore spot in the entire movie is Nargis Fakhri’s item number – the girl as pretty as she is cannot dance.  But I am happy to overlook that because what we get in that less than a minute of Jacqueline’s Latin routine in the Jumme ki Raat had me picking my jaw up from the floor.

Like I said in the beginning – A Salman Khan movie defies explanation any reason and cannot be critiqued but all said and done the acting is good, the action is great and Jacqueline is a revelation. Dhoom 3 be damned – this has to be the highest grossing Indian movie of all time – because Kick is infinitely better than the Amir Khan caper.

Watch it for a full “Paisa Vasool” entertainment that does not really need you to keep your brain at home – it does not insult your senses (except for a London bus in warsaw) and still manages to be funny, sexy, slick and thrilling at the same time.