Shubh Mangal Saavadhan – A Review

Image result for shubh mangal saavdhan posterS. Prasanna directs Ayushmann Khurrana and Bhumi Pednekar in Shubh Mangal Saavdhan. For a first time director R. S. Prasanna sure is ambitious to take on a subject like Erectile Dysfunction. Read on to find out if Prasanna manages to deliver a “hard” hitting and entertaining caper or turns in a “limp” biscuit of a movie.

 

Mudit played by Ayushmann Khurrana has been besotted by Sugandha played by Bhumi Pednekar. Unable to muster courage to ask her out he sends her an online marriage proposal. Sugandha who has been dreaming of the romanticised notion of a Bollywood love story reluctantly agrees to allow Mudit to court her. The first time they get frisky while Sugandha’s parents are out of town, Mudit ends up having performance anxiety and shares his “problem” with Sugandha and forever ruins biscuits for everyone everywhere.

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Bhumi Pedneker who I have been mightily impressed in her previous two outings is surprisingly one note here. I blame it on the writing and direction more than her abilities. Because in the one scene where she tries to entice Mudit by reciting cheesy lines from a porno is testament to her talent. She is hilarious and vulnerable at the same time. Ayushmann who first burst onto the screen in Vicky Donor a movie based on similarly taboo subject (although diametrically opposite in terms of the subject itself) delivers a very confused performance. It isn’t clear if he is a shy romantic type or the Casanova who didn’t have this “problem” with his ex.

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The supporting cast is what really brings the whole enterprise to a crashing halt. Both fathers are contemptible, Sughanda’s uncle a leftover from the 80’s doordarshan era acting, the mothers simpering messes. Seema Pahwa still manages to shine despite the laborious proceedings. The friends of Mudit unwatchable in the extreme. The movie seems to want to be many things at the same time.

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One moment it is a budding romance movie, the next it is trying to take on a taboo subject, the very next it turns into a priyadarshan farce and the next it is a dysfunctional family dynamics dramedy The first half plods along with some carefully placed puns which elicit genuine laughs but the second half was just pure cringe fest. There seems to be no sense of continuity or any attempt at coherence. Take for instance the scene where Mudit – the groom ends up cooking the food for the wedding party, another scene is where Mudit’s father tells him if he pursues sughandha he cannot come back home or expect any money from him – Mudit all proud and indignant throws his wallet at his father and the final scene is of Mudit and Sugandha performing puja at his father’s house which they live in. the scene when Mudit and Sugandha are getting “busy” while the entire wedding contingent is waiting outside the bedroom and taking bets made me want to walk out of the theatre. The dialogues especially with a subject as sensitive as ED can quickly devolve into school yard heckling in the hands of incompetent writers and they range from juvenile to abhorrent.

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Also seriously lacking is the female perspective towards sexuality. Sugandha never once seems to take into consideration her “needs”. sobbing she declares “Sex hi sab kuch nahi hota hai na” in a crowded market of all places and Mudit sends her packing in an Autorickshaw. At under 2 hours this movie isnt long by any stretch of imagination so there was sufficient reel time available to flesh out Sugandha’s character to something a little more than just a doormat.

Unresolved direction and underwhelming performances cannot save the movie from the grave its story and screenplay writers have dug for it. Stay far away from this and rewatch Vicky Donor instead.

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Badrinath Ki Dulhaniya – A Review

Image result for badrinath ki dulhaniya posterShashank Khaitan teams up with Varun Dhawan and Alia Bhatt in Badrinath ki Dulhaniya, the follow up to Humpty Sharma ki Dulhaniya. After successfully parodying and at the same time paying homage to DDLJ, Khaitan Dhawan and Bhatt take on the runaway bride trope.

 

Tackling the social evils of dowry, gender discrimination and overbearing patriarchy the movie never once feels heavy or preachy. The movie hits every right note from the word go. We are introduced to Varun Dhawan as Badrinath Bansal, the second son of Ambarnath Bansal. Badri works as the loan collector for his money lender father. He runs into Vaidehi, played by Alia Bhatt at a wedding where he has gone to collect the money from one of his father’s debtors. What ensues is Badri’s earnest attempt at wooing Vaidehi who playfully and then forcefully rebuffs his advances.

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Alia Bhatt is fantastic and lights up the screen every time she is on the screen. She exhibits the full range of emotion from the playful and taunting to vulnerable and emotional, from the stubborn to acquiescent. With every movie she grows more assured and keeps surprising with the effortlessness with which she essays each role. To me the reign of Deepika Padukone is over and it is now the era of Alia and long may she reign!

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As much as I love Alia in everything she does this movie belongs to Varun Dhawan. It’s his energy which lifts this from being a run of the mill romance. His Badri is a perfect buffoon but with a heart of gold. Torn between an unrequited romance and an overbearing father Varun excels in every scene he is in. It is his innate sense of childlike innocence that makes the funny scenes funnier and the emotional ones more heart-breaking. Varun is ably supported by Sahil Vaid as Somdev his best friend. TV actor Shweta Prasad is superbly cast as Urmila Bansal the wife of Badri’s elder brother Alok Bansal also wonderfully played by Yash Sinha. Swandan Kirkire the lyricist plays Vaidehi’s hapless father and Rituraj Singh plays Badri’s father with suitable rage.

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The traditional Bollywood tropes which were mostly cheesily executed when Karan Johar was directing are now masterfully deployed with him in the producer capacity and Shashank Khaitan as the director. And surprisingly they even make a remixed Tamma Tamma work without losing the 90’s charm and updating it with the mannequin challenge for the millennials. The only trick they missed was having Madhuri Dixit make a cameo in the song itself. That would have made this old Madhuri fan jump up with joy.

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This is a fun movie that is immensely entertaining to watch. It has a serious message at its heart but it never once gets sermonise-y, it does not take itself seriously and yet manages to make the point it never set out to make. Fast paced, beautifully shot and exquisitely acted this one is not to be missed. Cannot wait for the next outing of Varun and his Dulhaniya in a new avatar.