Luc Besson directs Scarlet Johansson in and as Lucy – ironically named after the first woman ever ( a fact shared in the film of which there are many). Lucy is the first human to ever access more than 10% of their brain power. Morgan Freeman joins along for the ride as the a professor who specializes in similar subject matter.
Besson dreams up themes which have been part of many a spirited debate in the theoretical sciences which argue that human’s aren’t done evolving yet and that once we are able to unlock the additional capacity that our brain possesses, we shall be able to accomplish hitherto unimaginable feats. But the choices Besson makes turn this sci-fi high concept into nothing more than a high adrenaline slick action caper.
Scarlet Johansson who accomplished so much more in last year much loved sci-fi romcom Her with just her voice, channels her inner Keanu Reeves with the mandatory wooden expression. I am yet unable to understand why do sci-fi creators always feature protagonist with no ability to express emotions? If we are going to be more evolved in the future wouldn’t we be more expressive? More emotive? More human? But she packs a serious punch as she whoops ass wushi ( that’s samurai in chinese) style.
Morgan Freeman can recite the phone book at it would sound exciting as hell. Here he reprises his role as the voice over for IMAX documentaries and acts as a narrator so that the audiences can garner some semblance of what the hell is going on. Is Freeman really the go to guy for any science related stuff in Hollywood? Or perhaps he is chosen for his abilities to make the most inane of mumbo-jumbo sound legit.
Besson makes a lot of poor choices which even under the guise of sci-fi creative license are inexcusable. Like the first time lucy walks into the hospital she just suddenly develops the ability to read Mandarin? Couldn’t Besson just provide Lucy with some light reading on the taxi ride to the hospital so that it seems like she learnt Chinese? I mean even Small Wonder had more sense than Besson shows here. The action is fine and fun and at 88 minutes the movie never ones drags but at times feels like logic was sacrificed at the floors of the editing room.
Despite the minor flaws the movie is entirely entertaining and Scarlet Johansson is on the screen slowly walking up and down corridors for a good part of the 88 minute run. And just for that go see Lucy.
Louis Leterrier directed Now You See Me brings together the worlds of magic and high stakes heist. Starring Jesse Eisenberg the illusionist, Isla Fisher the escape artist, Woody Harrelson the Hypnotist and Dave Franco as the small type pick-pocket cum lock opener are summoned together by a mysterious benefactor to come together as a headlining act “The Four Horsemen”. What ensues is high voltage magic trick which has you involved from the very beginning and will have you guessing till the very last minute.
The story kicks off as the four horsemen are headlining a Las Vegas show and invite an audience member to participate in the act and teleport him to rob a bank. The way this is accomplished is spectacular and it drew an audible gasp from the audience. The foursome are chatty, witty and absolutely engrossing and that is what draws the audience in, you as an audience feel involved in the magic trick. The subsequent 2 tricks only get successively better and more unpredictable and therein lies the strongest moments of the film.
Of the cast Eisenberg is his Social-network chatty best with cocky arrogance and nerdy charm. Isla Fisher again continues to impress with her enthusiasm and eager portrayal of the magician’s assistance turned into an escapists act. Woody Harrelson is witty and funny and has some of the best lines in the movie. Dave Franco is competent and shows signs of the talent that obviously runs in the Franco family. Morgan Freeman plays Thaddeus Bradley a former magician who now debunks the magic tricks by exposing the magicians and how they performed the trick. He also plays the FBI-consultant when Mark Ruffalo and Melanie Laurent come up short trying to apprehend the magicians. Michael Caine rounds out the cast as Arthur Tresler the Insurance magnet who plays benefactor to the Four Horsemen Act.
Where the movie comes up short is when towards the end it tries to tie up loose ends and in doing so does a rush job of revealing who’s who and why so. It could have been handled so much better. Rather than the reveal of the identities happening in the conversation between 2 characters it would have best suited as a conversation that happens at the very end. Melanie Laurent is absolutely breathtakingly beautiful but is left with an unresolved character, the myth of the eye of Horus which plays such an important role in the overall story is blurted out without context and left hanging there with nothing to move it further and then just as summarily dismissed without much thought.
In hands of a better director and with perhaps a little more attention to the screenplay this could have been truly a fantastic movie instead of just ending up as a pop-corn fare. But make no mistake the time you spend watching this movie will be time spent being entertained and that is purely because of the fantastic star cast and some very witty writing.
While certainly no Prestige or Illusionist Now You See Me is a perfectly entertaining Magic-Heist movie that will not leave you bored for even one second. Watch it for the fantastic chemistry between the four lead magicians and some spectacular effects which truly bring alive the Magic and brings you in closer.