X-Men : Apocalypse – A Review

Bryan Singer directs Jennifer Lawrence, James McAvoy, Michael Fassbender and many others in the third instalment in the X-men reboot X-Men: Apocalypse. After basing the First Class in the 60s and the Days of Future Past in the 70s we are in the 80s now and the characters don’t seem to have aged a day since the fateful events of 10 years ago when Mystique/Raven played by Jennifer Lawrence changed the course of history by ending the Sentinel program of Bolivar Trask. This time around we are witness to events of 3600 BCE when En Sabah Nur ruled Egypt and is believed to be the first Mutant by Agent Moira MacTaggert of CIA. After lying entombed for several millennia he is accidentally awoken by Moira herself as she lets the rays of sun hit the PCB-Pyramid.

I have always vehemently defended the superiority of the X-men universe over their Marvel rivals The Avengers but I was massively disappointed by the almost cartoonish tone of the first half where Oscar Isaac who plays En Sabah Nur – or Apocalypse goes about recruiting a young Storm, Psylocke, Angel and Magneto. There are moments of brilliance when we are introduced to an incognito Magneto and the subsequent breakdown that is more Macbeth than Magneto but brilliant nonetheless. Michael Fassbender can do no wrong.

After what seemed like an eternity trying to establish character back stories the 2 line plot reaches its climax. Essentially it is Apocalypse trying to recruit mutants into fighting against the human race.

I love Olivia Munn and had high hopes of her being one of the four horsemen of apocalypse. But while she slayed as Sloane Sabbath in The Newsroom with quick wit and perfect timing in terms of dialogue delivery she is given no more than 2-3 lines. She does however wield the sword and the telekinetic “light sabre” and Lasso well. I believe this is not the last we have seen of her. Also disappointing is Alexandra Shipp as the young storm. Haley Berry was perfection as storm and to get that kind of iconic character so wrong is nothing short of criminal. Here’s hoping Shipp improves with future outings. I also feel a little cheated with how Wolverine was used – by teasing the fans with a glimpse of the adamantium claws in the trailer and what we end up getting is more stryker than wolverine. But stick around for the post-credit scenes and your disappointment will dissipate significantly when you see what is in store for the next instalment.

The high points are the introduction of Kodi-Smith McPhee as Nightcrawler who brings in the comic relief and Sophie Turner as Jean Grey the Telepathic Mutant played in the first three movies by the brilliant Famke Jansen. Jean Grey in my opinion is a criminally underused character so far and seems like Bryan Singer is about to set that straight. I am almost certain that the future instalments of this franchise are going to feature a more prominent role for Jean Grey. I say this because of the final words of Apocalypse. Evan Peters reprises his role as Quicksilver and is also a welcome comedic presence in an almost entirely grim outing.

For Fassbender, Turner and Smith Mchpee alone I would say that this is an easily watchable feature. Not the best in the series but certainly not the worst (that would be The Last Stand – which was effectively written off by Days of Future Past)

Oscar 2015 Predictions

Scoff all you want at the irrelevance of the Oscars or any number of award ceremonies the fact remains that the Oscars are a big deal – studios spend millions of their hard earned money on “for your consideration” adverts in trade magazine in hopes that one of theirs will win the coveted golden man and they will get to use “academy award winner actor/director” in their playbill for all eternity. An “academy award winner/nominee” tag breeds instant credibility and lends weight to how interested a casual viewer would be in deciding on which movie to spend their money on.

Oscars often is an incredible platform for the culmination of a long career being honoured with a standing ovation or the start of a great one when an ingénue stumbles her way up the stairs to collect the gold piping the veterans to the finishing line. It is also one big party with plenty of pageantry and for all these reasons and more I for one always eagerly anticipate the Oscars each year even in the year that was less than spectacular movie-wise.

Last year I had an incredible 21/22 prediction of the Oscar race which would have made me a rich man if I was the betting sorts. But this year I am not so sure of putting my money because the list of nominees is a strange one and I have a feeling that a number of the deserving winners are going to be passed up I favour of those that are more closely aligned with the overall taste of the general academy members demographic  Old-White-Male.

Supporting Actress

Patricia Arquette in “Boyhood”

Laura Dern in “Wild”

Keira Knightley in “The Imitation Game”

Emma Stone in “Birdman or (The Unexpected Virtue of Ignorance)”

Meryl Streep in “Into the Woods”

Who should/Will win: This one is a vice-like lock – it is Patricia Arquette in Boyhood. It takes an incredible amount of commitment to be associated to a project for 12 years with no real payoff in sight. Patricia Arquette as the mother in this family drama about growing up is incredible in her strength, her vulnerability and her normalness. She is every mother everywhere going through everyday struggles. It takes special talent to portray a real everyday woman on screen and she does it better than anyone else. Her not winning would be a real shame because dedicated as I am to worshiping Meryl Streep (and she was incredible in Into the Woods) I want Arquette to win over Streep.

Supporting Actor

Robert Duvall in “The Judge”

Ethan Hawke in “Boyhood”

Edward Norton in “Birdman or (The Unexpected Virtue of Ignorance)”

Mark Ruffalo in “Foxcatcher”

J.K. Simmons in “Whiplash”

Who should/Will win: J.K. Simmons as the jazz teacher from hell in the incredibly taut Whiplash is a clear winner here. You will shudder at the thought of the atrocities he makes the young Milles Teller go through. The only possible upset could be in the form of Robert Duvall who the academy might want to pay their dues to before it is too late. But my money is on Simmons.

Animated Feature

“Big Hero 6” Don Hall, Chris Williams and Roy Conli

“The Boxtrolls” Anthony Stacchi, Graham Annable and Travis Knight

“How to Train Your Dragon 2” Dean DeBlois and Bonnie Arnold

“Song of the Sea” Tomm Moore and Paul Young

“The Tale of the Princess Kaguya” Isao Takahata and Yoshiaki Nishimura

This is a strange one – generally there is a strong Pixar presence and despite the presence of Big Hero 6 I find it hard to believe it could realistically win the award. I loved HTTYD the first one and that was robbed of an award that went to Toy Story 3 the second one while solid didn’t have the heart that the first one did. And when Pixar and DreamWorks cannot be picked a clear winner it is usually one of the foreign studios who sneaks a win. I would still like to see HTTYD2 win as a consolation for the first feature snub.

Cinematography

“Birdman or (The Unexpected Virtue of Ignorance)” Emmanuel Lubezki

“The Grand Budapest Hotel” Robert Yeoman

“Ida” Lukasz Zal and Ryszard Lenczewski

“Mr. Turner” Dick Pope

“Unbroken” Roger Deakins

It is a crying shame that Hoyte Van Hoytema who manned the camera for Nolan’s Interstellar does not find a mention here. For all its faults Interstellar was visually the most incredible movie this year and he deserved not only a nomination but also a win for the incredible visuals.

Who should win: Robert Yeoman – for the incredible whimsy and energy he infused on screen to complement the story by Wes Anderson in The Grand Budapest Hotel. He has shot each of the Anderson movie with the exception of Fantastic Mr Fox and their partnership has been incredible.

Who Will Win: Emmanuel Lubezki for Birdman for those beautifully crafted shots that intertwined the different spaces back and front of the stage in the claustrophobic space of the theatre. Lubezki managed to fill the screen with dynamic visuals without ever crowding the space. And with the love that the academy seems to be having for Birdman I am pretty sure Lubezki will be going for Gold number 2 a year after he won for Gravity.

 

 

Visual Effects

“Captain America: The Winter Soldier” Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick

“Dawn of the Planet of the Apes” Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist

“Guardians of the Galaxy” Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould

“Interstellar” Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher

“X-Men: Days of Future Past” Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer

Who Should/Will Win: Interstellar – there shouldn’t even be any discussion about this. To take what is essentially a life’s work in theoretical physics based on the concepts of worm hole, time travel and singularity among other scientific concepts and to turn it into petabytes of data based on 4-whiteboard-long equations and to turn that into stunning visuals is an incredible achievement that cannot be ignored.

Documentary Feature

“CitizenFour” Laura Poitras, Mathilde Bonnefoy and Dirk Wilutzky

“Finding Vivian Maier” John Maloof and Charlie Siskel

“Last Days in Vietnam” Rory Kennedy and Keven McAlester

“The Salt of the Earth” Wim Wenders, Juliano Ribeiro Salgado and David Rosier

“Virunga” Orlando von Einsiedel and Joanna Natasegara

Who Should/Will Win: I loved Finding Vivian Maier and found it to be incredibly moving but in CitizenFour we have something incredible – one man’s courageous/traitorous action to expose a nation’s overreach in the name of national security and the an incredible tale showing the importance of the fourth estate of democracy – that of Journalism. CitizenFour should in all likelihood but who knows if the bureaucracy can strong arm a notoriously spineless academy.

Foreign Language Film

“Ida” Poland

“Leviathan” Russia

“Tangerines” Estonia

“Timbuktu” Mauritania

“Wild Tales” Argentina

With many acts of anti-Semitism happening around the world and the fact that it also got nominated for best cinematography bodes really well for Ida – a story of a young nun about to take her vows who discovers a terrible family secret. But I have also heard fantastic things about Leviathan as well. But seeing as how America feels politically about Russia I am willing to bet that Ida from Poland will take home the gold.

 

 

Sound Editing

“American Sniper” Alan Robert Murray and Bub Asman

“Birdman or (The Unexpected Virtue of Ignorance)” Martín Hernández and Aaron Glascock

“The Hobbit: The Battle of the Five Armies” Brent Burge and Jason Canovas

“Interstellar” Richard King

“Unbroken” Becky Sullivan and Andrew DeCristofaro

Sound Mixing

“American Sniper” John Reitz, Gregg Rudloff and Walt Martin

“Birdman or (The Unexpected Virtue of Ignorance)” Jon Taylor, Frank A. Montaño and Thomas Varga

“Interstellar” Gary A. Rizzo, Gregg Landaker and Mark Weingarten

“Unbroken” Jon Taylor, Frank A. Montaño and David Lee

“Whiplash” Craig Mann, Ben Wilkins and Thomas Curley

Now up until this year these categories used to baffle me – what the hell is the difference – then upon doing some basic research I found an apt analogy sound editing is analogous to picking the right ingredients for the dish while sound mixing is the actual cooking bit. It is particularly important with most movies being released in multiple formats including IMAX where the immersive sound requirement need the cooking to be done at a different pressure. So with that being clarified what we are looking for is the movie that had the best sonic ingredients and the one that presented the best dish.

Sound Editing: Interstellar should but American Sniper most like will.

Sound Mixing: Whiplash should but Birdman most likely will.

 Original Score

“The Grand Budapest Hotel” Alexandre Desplat

“The Imitation Game” Alexandre Desplat

“Interstellar” Hans Zimmer

“Mr. Turner” Gary Yershon

“The Theory of Everything” Jóhann Jóhannsson

Of all the times that Zimmer should have won he wasn’t even nominated and to think that he got nominated for Interstellar is some sort of an internal academy joke. His background score for the inter-galactic adventure was the second worst thing about the movie only to be topped by Matthew McConaughey.

Who Should Win: Johann Johannsson for Theory of everything.

Who Will Win: Alexandre Desplat probably for The Imitation Game.

Original Song

“Everything Is Awesome” from “The Lego Movie”

Music and Lyric by Shawn Patterson

“Glory” from “Selma”

Music and Lyric by John Stephens and Lonnie Lynn

“Grateful” from “Beyond the Lights”

Music and Lyric by Diane Warren

“I’m Not Gonna Miss You” from “Glen Campbell…I’ll Be Me”

Music and Lyric by Glen Campbell and Julian Raymond

“Lost Stars” from “Begin Again”

Music and Lyric by Gregg Alexander and Danielle Brisebois

After Happy and Let it go from last year this year is an abysmal showing of songs that are not necessarily that memorable. Academy might want to pay homage to a fading music legend in the form Glen Campbell or probably recognize the civil rights drama Selma which has been shut out from so many other major categories.

Film Editing

“American Sniper” Joel Cox and Gary D. Roach

“Boyhood” Sandra Adair

“The Grand Budapest Hotel” Barney Pilling

“The Imitation Game” William Goldenberg

“Whiplash” Tom Cross

I would be happy for either Whiplash or Boyhood to win this – one for a tautly edited movie that does not relent the pace until the very last minute and delivers one hell of story and the other for seamlessly editing 12 years’ worth of footage without the need for subtitling which year we are in. my money though is on Boyhood.

Adapted Screenplay

“American Sniper” Written by Jason Hall

“The Imitation Game” Written by Graham Moore

“Inherent Vice” Written for the screen by Paul Thomas Anderson

“The Theory of Everything” Screenplay by Anthony McCarten

“Whiplash” Written by Damien Chazelle

After being shut out the best director category it is only justified that Damien Chazelle should win for Whiplash. Or even Anthony McCarten for the brilliantly uplifting The Theory of Everything.  But I have a Feeling Graham Moore’s sub-par adaptation will take home the little shiny man.

Original Screenplay

“Birdman or (The Unexpected Virtue of Ignorance)” Written by Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo

“Boyhood” Written by Richard Linklater

“Foxcatcher” Written by E. Max Frye and Dan Futterman

“The Grand Budapest Hotel” Screenplay by Wes Anderson; Story by Wes Anderson & Hugo Guinness

“Nightcrawler” Written by Dan Gilroy

With the exception of Foxcatcher we have 4 exceptionally original and entertaining screenplays 2 of which are my absolute favourites. It would be a true crowning for Richard Linklater who has given us such modern masterpieces as The Before Trilogy and the most recent Boyhood. To take everyday existence and to elevate to the level of art is what cinematic excellence should be about. Dan Gilroy’s Nightcrawler is also absolutely brilliant in its intensity and the honesty with which the characters are written. There is no redeeming quality to be found in Gilroy’s Lou Bloom and I would love an upset win for Nightcrawler but it is unlikely to happen. More likely that Iñárritu and his team will pip Linklater to the post.

Now the playbill-worthy awards

Director

“Birdman or (The Unexpected Virtue of Ignorance)” Alejandro G. Iñárritu

“Boyhood” Richard Linklater

“Foxcatcher” Bennett Miller

“The Grand Budapest Hotel” Wes Anderson

“The Imitation Game” Morten Tyldum

I love Miller’s previous works but swap him out for Theory of Everything’s Marsh or Whiplash’s Chazelle and I would be a happier man. But life isn’t fair and Linklater will probably not win but Iñárritu will. Linklater’s achievement cannot find any parallels – for a director to invest 12 years of his life and to get the same commitment from his actors to tell a simple tale of a boy coming of age is courageous to say the least. In comparison Inarritu’s masterful telling of a struggle of an actor trying to silence the demons in his head and master his craft while not entirely original is still a glorious triumph. I would like Linklater to win for all the times that he wasn’t even nominated for his Before series but I wouldn’t be too upset if Iñárritu won. But I do miss Fincher not being nominated for Gone Girl.

Actor

Steve Carell in “Foxcatcher”

Bradley Cooper in “American Sniper”

Benedict Cumberbatch in “The Imitation Game”

Michael Keaton in “Birdman or (The Unexpected Virtue of Ignorance)”

Eddie Redmayne in “The Theory of Everything”

For me it is a two-horse race between the Academy favourite Michael Keaton who fits the bill of Old-White-Male perfectly but what Eddie Redmayne achieves in Theory of Everything is incredible. Portraying living legend Stephen Hawking Redmayne manages to infuse the humour that is trademark Hawking – he does not just act like hawking he becomes hawking , gait, humour and the shrinking body and everything.

Actress

Marion Cotillard in “Two Days, One Night”

Felicity Jones in “The Theory of Everything”

Julianne Moore in “Still Alice”

Rosamund Pike in “Gone Girl”

Reese Witherspoon in “Wild”

In what is possibly the weakest assemblage of performances by a lead this category inspires very little confidence. Felicity Jones was brilliant as Hawking’s long-suffering wife but in a way her performance isn’t showy enough – it is subtle and it is perfect but Academy generally does not go for that sort of thing. Rosamund Pike in Gone Girl was brilliant but I don’t think it is meaty enough for her to score a win. I think this one will go to Julianne Moore as she plays an academician going through Alzheimer’s. Moore is always brilliant in everything she does and here backed with an emotional story it is a sure fire lock for the best actress nod.

Best Picture

“American Sniper” Clint Eastwood, Robert Lorenz, Andrew Lazar, Bradley Cooper and Peter Morgan,Producers

“Birdman or (The Unexpected Virtue of Ignorance)” Alejandro G. Iñárritu, John Lesher and James W. Skotchdopole, Producers

“Boyhood” Richard Linklater and Cathleen Sutherland, Producers

“The Grand Budapest Hotel” Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson, Producers

“The Imitation Game” Nora Grossman, Ido Ostrowsky and Teddy Schwarzman, Producers

“Selma” Christian Colson, Oprah Winfrey, Dede Gardner and Jeremy Kleiner, Producers

“The Theory of Everything” Tim Bevan, Eric Fellner, Lisa Bruce and Anthony McCarten, Producers

“Whiplash” Jason Blum, Helen Estabrook and David Lancaster, Producers

It is again a two horse race for me – both quality pictures just different in their scope. Inarritu’s birdman is the more Academy friendly of the two subjects as it deals with the world of blockbuster movies, actors, theatre and the pursuit of honing their craft and with a tight screenplay and cracking performances it is a worthy contender. Then there is the crowning achievement of Richard Linklater which is the critics and fan darling and the one everyone wants to win but who knows how the academy decides. There are reports that there are voices within the academy that fails to see art in what boyhood achieves as it is very realistic and very normal – the fact that it took 12 years to make and it flips the concept of epic and generational film on its head it art enough. It would be a very brave move from the academy and a validation of its relevance if Boyhood does indeed win. There is an outside chance that Harvey Weinstein sneaks in surprise with The Imitation Games which is not a bad movie by any regards but not worthy of a win. Come 22nd February and we will see.

Category Should Win Will Win
Best Picture Boyhood Birdman
Best Director Richard Linklater Alejandro Iñárritu
Best Actor Eddie Redmayne Michael Keaton
Best Actress Felicity Jones Julianne Moore
Best Supporting Actor J K Simmons J K Simmons
Best Supporting Actress Patricia Arquette Patricia Arquette
Best Writing – Original Screenplay Richard Linklater – Boyhood
Dan Gilroy – Nightcrawler
Iñárritu – Birdman
Best Writing – Adapted Screenplay Damian Chazelle -Whiplash Graham Moore – The Imitation Game
Best Animated Feature Film How to train your dragon – 2 How to train your dragon – 2
Best Foreign Language Film Leviathan Ida
Best Documentary – Feature CitizenFour CitizenFour
Best Documentary – Short Subject Joanna Joanna
Best Live Action Short Film Parvaneh Parvaneh
Best Animated Short Film The Feast The Feast
Best Original Score Johann Johansson Johann Johansson
Best Original Song Glory – Selma Glory – Selma
Best Sound Editing Interstellar American Sniper
Best Sound Mixing Whiplash Birdman
Best Production Design The Grand Budapest Hotel The Grand Budapest Hotel
Best Cinematography Hoyte Van Hoytema ( not nominated)
Robert Yeoman
Emanuel Lubezki
Best Makeup and Hairstyling The Grand Budapest Hotel The Grand Budapest Hotel
Best Costume Design The Grand Budapest Hotel The Grand Budapest Hotel
Best Film Editing Sandra Adair – Boyhood Sandra Adair – Boyhood
Best Visual Effects Interstellar Interstellar

Let me know what you think about my picks and if you agree or disagree and what are your predictions for Film industries big night! Bring on the Oscars 2015!!!

2014 A year in review

Aren’t you bored of the multitude of all the insipid “It’s been a great year thanks for being a part of it” video montages on Facebook already? Was 2014 really that great a year? Is it really worth looking back with nostalgia? For me, personally, it was a defining year – from getting married to moving to a different country but movie-wise it was one of the most lackluster years in history of the blog lifein70mm). When a Christopher Nolan movie doesn’t automatically make its way to the top of my year end list, then it is telling of what sort of a year it has been! But looking back does have its benefits – it can surprise even the most jaded of individuals of that glimmer of happiness that released early on in the year and still sits in a special place in your heart glowing with tiny but incessant warmth. Thanks for staying with lifein70mm and thanks for letting me know that you like my reviews more than some of the most celebrated critics who write for the leading newspapers. It makes me want to see more, and write more and that is all I can ask of you!

Top 10(ish) of 2014 (in alphabetical order)

lifein70mm2014

Boyhood: Richard Linklater defies the boundaries of imagination. Just think about the commitment it would be required to shoot each year over 12 years to document the life of a boy and to tell the simplest of stories of growing up, the dysfunctional American family, and the bonds that tie us together. A movie so unique, that it can only be classified as the space that exists between a coming-of-age tale and a documentary. I have loved Linklater Before series and it is two of my favorite writing, I was really looking forward to reviewing Boyhood and even after watching it twice I am unable to pen down my thoughts on it. To say I loved it would be a gross understatement.

Finding Vivian Maier: I love documentaries and the ones that are done well are most often better than fictional stories because you don’t need to imagine that it can happen but marvel that these things did indeed happen. A writer stumbles upon a cache of old photographs from a lot that he bought on a whim at an auction, the photographs are of such high quality and tell such a vivid story of the life in the 60s that the writer is pulled into the intrigue of the artist who took these photographs and he documents his search in this documentary. One of the most beautiful and poignant documentaries I have ever seen and images that will stay with you a lot longer than the duration of the film. Vivian Maier’s rise to posthumous fame is incredible. She even gets a mention in the opening credit of this year’s best comedy on television Selfie alongside Freda Kahlo and her self-portrait.

Gone Girl: Nobody does dirty sick and twisted quite like David Fincher. To take what was essentially airport fiction and to turn it into a catharsis of a marriage is laudable feat. This movie features the best use of voiceover I have ever had the pleasure of watching and when done in the breathy voice of the enchanting Rosamund Pike it takes creepy to a whole new level. An enormously enjoyable and infinitely rewatchable movie with one of the best soundtrack this year.

Haider: Vishal Bharadwaj, Shahid Kapur and Shakespeare’s Hamlet are a potent combination. Setting the movie in Kashmir should have been a staggering achievement in storytelling, but by wavering on taking a stand, Bharadwaj ends up with a technically beautiful and intensely acted movie which stumbles a little with its plot. This could have easily ended up as a disappointment for me had it not been for Shahid Kapur and Tabu. I accord this movie half a spot on the top 10 to be shared with a movie down the list.

Kick: I know there will be many of you who will be shaking your head in dismay at the inclusion of this movie in this list. But this was the only 100 Cr movies this year that had any modicum of entertainment value. It takes the histrionics of Salman to make nonsensical an art form. With the gorgeous Jacqueline Fernandez by his side the king khan takes us on an adrenaline rush that was unmatched this year.

Mardaani : I dislike Rani Mukherjee with a passion that is only matched by my dislike of Aamir Khan but in Pradeep Sirkar’s able hands Rani turns in what is one of the best performances of her life. A skillfully crafter thriller with a very unusual and non-stereotypical antagonist, a movie with a message which it delivers masterfully without hammering it on your head; this was the perfect example of a movie which India needs. If ever there was a need for sequels then this is a movie that richly deserves it.

Nightcrawler: The Renaissance of Jake Gyllenhaal continues unabated. After last year’s top-10 lister Prisoners Gyllenhaal returns in this dark comedy about a man with a drive to succeed and an absolute lack of moral inhibitions. Taking the world of 24-hr breaking news cycle and making a social commentary on what drives the people who blur the lines of journalistic ethics to feed the public greed for sensationalized news or perhaps even the paparazzi fueled celeb-obsessed culture of ours.

Pride: A quiet and unassuming British movie about the coming together of two opposing factions of the society to achieve a common goal. With the playbill stacked with the who’s who of the British cinema this is a complete treat to watch. Sensitively handling the subject of labor strike and the rise of the gay rights movement and the eventual pride parade, this movie has many high points and many standout stars. This reminded me of the underappreciated The Boat that Rocked/Pirate Radio or maybe that was just because Bill Nighy was in both and I love Bill Nighy!

Queen: I know at the outset I said the list was in alphabetical order just so that I don’t have to rank all the movies. But if I were to rank them I am more than certain that Queen would be my 2014 topper. I have not seen a more honest attempt at story telling than this story of a simple girl from Rajauri who gets dumped just before her wedding day and decides to go on her honeymoon by herself, on a  journey of discovery and revelations which up to this point were the tightly held domain of male dominated road-trip movies. Kangana Ranaut is spectacular as Rani – the eponymous Queen and with Amit Trivedi’s brilliant music this movie is an instant classic. I cannot wait for what Vikas Bahl has to offer next and I hope he continue to be this honest about his story telling, because the results are fantastic.

The Imitation Game: as mentioned earlier it was hard to choose between Haider and this one as both movies had their merits (stand out performances by the leads) and its pitfalls. But when a story this important is being told, it almost doesn’t matter if there are a few minor glitches. Benedict Cumberbatch as Alan Turing is incredible and does well to show the vulnerable side of his (and Turing’s) genius. In that final scene towards the end after undergoing chemical castration, Cumberbatch’s performance breaks my heart and you feel for Turing who suffered such indignation at the hands of the society he gave so much to.

X-Men : Days of Future Past:  Of all the multi-super hero universes out there ( the avengers, the justice league and the X-men) the X-men feel the most organic, they don’t feel like a money grab where you throw a wide variety of superheroes together in an all-you-can-eat style buffet. With the foundation that was laid with a very strong X-men First Class the return of Bryan Singer at the helm righted the wrong of X-men: The Last Stand by essentially rewriting the timeline and setting it up for future adventures. Having perhaps the best assemblage of young Hollywood talent in form of McAvoy, Fassbender, Lawrence, Hoult I have tremendous faith that the Superhero franchise is far from dead. Bring on the apocalypse I cannot wait!

The Bottom 3 (In alphabetical order)

lifein70mm20141

Bang Bang: to take two of the most beautiful human beings ever created and to turn them into absolutely unwatchable crap is the claim to fame for Bang Bang. An official adaptation of Knight and Day, this vapid movie should have never been made. Its stupidity was a new low for Bollywood.

Singham Returns: I stayed away from Singham despite people claiming how it was a good-masala-movie with very good acting. But being married to a Kareena-aficionado has its pitfalls. After a surprisingly good Kick my faith in the ability of 100cr movie to be bearable was renewed. But it was dealt a deathly blow with this loud brash and crass attempt at storytelling.  Rohit Shetty is the Michael Bay of Bollywood and I am staying as far away from his exploding cars as possible.

The Amazing Spider-man 2: I loved Marc Webb’s directorial debut 500 days of summer and I loved the Andrew Garfield as the amazing Spiderman. If you bring these two together and throw in Emma Stone I am bound to be excited. But alas that excitement was misplaced and I no longer look forward to any more spidey adventures.

The biggest Disappointment of 2014 was hands down Interstellar. It is not that Interstellar was a particularly bad movie; it’s just that I have come to expect a certain level of intelligence from Nolan and the choice of Matthew McConaughey thoroughly baffled me. While the science in the movie was fascinating and accessible at the same time, the stoner drawl of McConaughey and Hans Zimmer’s obnoxious soundtrack were entirely off-putting.  Hopefully, this is only law of averages and Nolan can get back to doing what he does best this will just be something he will look back and laugh while scratching his head thinking what the hell was I smoking when I offered this role to McCoughMyName.

There you have it! 2014 all wrapped up with a bow on top. Here’s to 2015 and a wonderful year at the movies. Do write to me and let me know what you think of my assessment of the year 2014 at the movies, if you agree or disagree or have a suggestion for me to watch. I will be back very early on in 2015 with a review of a much-anticipated Birdman and many more exciting movies to come. Happy New Year!

Nightcrawler- A Review

Dan Gilroy directs Jake Gyllenhaal in the creepy crime drama Nightcrawler based on the life of a desperate and unemployed man who uses his resourcefulness to bring breaking news stories to crime obsessed news networks.

The story begins with Lou Bloom played by the brilliantly creepy Jake Gyllenhaal is stopped mid-heist while he is trying to make away with the wire-fence, using his strangely engaging way of talking (think Aaron Sorkin style dialogue but delivered by someone on valium in slow dulcet tones) he comes near and then overpowers the security guard and makes away with his watch.  When trying to make a sale to a building construction manager he tries to sweet talk him into a job but when he is called a thief he just smiles and walks away. This is Lou Bloom a perfectly nice guy but you get the sense that something isn’t quite right with him.

A chance encounter with a freelance videographer sets Lou on a path which drives the rest of the movie. When trying to make the sale of his first video of a gruesome gun shooting he meets Nina played ably by Rene Russo. Nina is the ratings hungry morally corrupt news producer of what Lou calls as the Vampire shift of the lowest ranking LA news channel.  But Nina soon realizes that Lou could be the ratings golden goose she has been looking for.jake gyllenhaal rene russo nightcrawler

At under 2 hours the movie is crisply written and directed. It takes us on a journey as we learn more about Lou and his ambitions and get increasingly creeped out by the silly grin permanently plastered on his face. During the course of the movie we see Lou talking like an audiobook on management, a self-help book, A Hallmark Card (Friends are the gift we give ourselves) and a performance management cheat sheet that every manager will be familiar with.

Lou is assisted in his twisted venture by Rick played by Riz Ahmed, a homeless guy who answers an Ad by Lou and ends up being his police-code-decrypter and GPS-navigator as Lou races through downtown LA to get to the scene of the crime. Rick plays a moral compass of sorts to Lou but is easily distracted by the prospect of making more money.

As Lou gets better at his job, you start seeing that this strange push-over of a man is no pushover infact. The scene at the Mexican restaurant while laugh-inducing is also particularly creepy as you start seeing what a dangerous man he really is.

Robert Elswit does a most fantastic job of cinematography as the director of photography. He shoots the breakneck pace at which Lou drives with a steady and unwavering precision. The masterful use of the Sodium filled yellow street lights to give the entire landscape a ghoulish glow and flashing red and blue of the police cars to reflect the dancing madness in the eyes of Lou is masterful indeed. In the hands of a lesser director, cinematographer combo  this could have ended up being a hand-held camera shot, nausea inducing chase-fest. But by taking us along for the ride Elswit puts us squarely in the middle of the action and the results are exceptional. At one point I was holding both hands on my head as Lou drives along a police car chase.  The music by James Newton Howard is subtle and understated and does the job perfectly of capturing the still of the night punctured by the crime scenes, those who perpetrated the crimes and those who work tirelessly to enforce the law.

Nightcrawler is an easy entertaining thriller with excellent acting and stunning visuals. But it is also a character study into what drives the people who blur the lines of journalistic ethics to feed the public greed for sensationalized news or perhaps even the paparazzi fueled celeb-obsessed culture of ours. This is a sensational movie for all the above mentioned reasons, which makes no compromises in its characters, its story or its execution.  Do not miss this one because with a relatively weak best actor field this one could be Jake Gyllenhaal’s ticket to the big ball.