2015 A Year in Review

Lifein70mm primarily is my journey through that delightful medium that makes us all laugh, cry, smile and frown in joyous wonderment. The blog head mast reads my views, reviews and other noises in my head and when I set out to write I had hoped to do more than just movie reviews but alas it has only been a documentation of my travels through celluloid and nothing more. But in 2015 that changed slightly because more than movies actual travelling took up more and more of my time and there are many a half written travelogues that are gathering the digital dust on the folder marked blog stuff on my trusted desktop. Hopefully in 2016 I can put together a half decent blog post on the many wonderful travels that I have undertaken and the many more I shall embark on. So for now for 2015 here is my list of top 10 films and 5 films that disappointed me the most. I hope you would enjoy reading this post and let me know what your top films and biggest disappointments were for 2015.

best

Bajirao Mastani: A Sanjay Leela Bhansali Movie is a big screen spectacle that deserves to be seen on the largest screen possible. If there is on director working in India today who makes movies that ought to compel you to part with you hard earned cash in theatre it is SLB. Everything is on an enormous scale, the grandest of sets, the most intricate of attire, the most spectacularly choreographed dance numbers and the most Epic of romances, SLB doesn’t do middle of the road mediocre. A movie that he wanted to make for 10 years finally comes to fruition at the hands of pair of actors who were unheard of 10 years ago and are now arguably the most versatile and talented of the current lot. This is the first of the Deepika Padukone Entry on my list and there is a reason why she makes an appearance 3 times – she is justifiably the queen of Bollywood today.

 

Bajrangi Bhaijan: aah yes another year and another Salman Khan Movie makes my top 10. I must not be a very discerning viewer if I find a Salman Khan movie worthy of the top 10. But kid you not – the Salman Khan renaissance is a reality. Last year with Kick and this year with Bajrangi Bhaijan Salman manages to make absurd palatable and completely enjoyable. Supported by the cutest child artist the industry has seen in ages this one is for the entire family and it is shot beautifully. Salman Khan is a lesson in the Importance of being Earnest and it works well in his favour.

 

Inside Out: Disney Pixar is known to make well-crafted animated movies that are a little to saccharine for my favour but are entertaining nonetheless. But with Inside Out they have taken a giant leap forward with the story telling. A narratively complex story about the inner workings of the human brain is boiled down to 5 primary emotions inside the heard of a little girl. Jam packed with vocal talents this one is not just for the kids, on the contrary this one is for those especially who are planning a kid, have a kid who they don’t seem to understand or ever were a kid so essentially everyone . This masterful storytelling transcends the age boundaries. Another sure fire winner in the best animated category for Pixar.

 

Into the woods: Meryl Streep doing a Steven Sondheim musical? Oh YES! And she is brilliant as are Anna Kendrick, Emily Blunt and James Cordon in this stunning musical that picks up after the fairy tales end. It is compelling in its story telling, stunning in set and costume design and delightful in its singing. If you need a single movie to convince you why the musical medium is receiving a much needed revival then this is it. Do not miss it.

 

Mad Max Fury Road: I came out of this movie with a crazy head rush. This adrenaline fuelled caper with the most arresting visuals I have ever laid my eyes on. What is even more amazing is that these visuals required very little CGI it was almost all practical effects. But it is not all about visuals, Tom Hardy, Charlize Theron and Nicolas Hoult put in impressive performances as well. But coming back to the visuals once more if there is one visual memory I will have of 2015 it will be that crazy guitarist hanging off the front of the attack truck! I am getting a head rush all over again!

 

Piku: Deepika Padukone and Amitabh Bachchan talking about constipated bowels for nearly 2 hours is not the first thought that comes to your mind when you think of compelling storytelling. But with deft direction by Soojit Sircar is what takes this dysfunctional family road trip with a port-a-potty chair such a charming tale of father-daughter bonding. Deepika once again is stunning in a role very unlike all her previous poised and poignant ones. Here she is very real, very angry and very organic. Amitabh is the embodiment of every Indian father and once again proves why he is a national treasure.

 

Steve Jobs: Aaron Sorkin is a divisive force. His critics call him a misogynist, repetitive and trying to be overly smart but devoted fans like me will find his Sorkinisms unique and enjoyable. He is a master of language and his characters seem to be infused with an electric energy that is rarely seen on screen. This is more his movie than it is Danny Boyle’s and Michael Fassbender is exceptional, and his German aloofness serves him well as Steve jobs and Kate Winslet is exceptional as well. This is my biopic of the year.

 

Tamasha: Another Deepika movie in the list – Deepika was undoubtedly the queen of 2015! And with Tamasha Ranbir captures some of the lost ground. This is one of Ranbir Kapoor’s finest performances. He embodies the struggles of the millennial that are constantly trying to balance what is your core value, your innermost desire and the societal pressure to achieve success in your job, your relationship. His schizophrenic portrayal and Deepika’s breakdown during Agar Tum Saath Ho are two of the rawest performances this year. And Imtiaz Ali does romance like no one does Romance.

 

The Martian: this is what I wanted Interstellar to be. Matt Damon is brilliant the humour is brilliant the supporting characters are brilliant. Riddley scot manages to make a space caper light and family friendly – the director of sci-fi milestone like Alien manages to make space accessible and less scary that it really is. I honestly think Matt Damon ought to be nominated for the Oscars this year.

 

The Theory of Everything: Before I saw Steve Jobs this was the biopic of the year for me. True that it released last year and won Eddie Redmayne a very well deserved Oscar for his portrayal of Stephen Hawking but this is a sweet love story that stuck with me all through the year primarily because of Felicity Jones’s strength in her portrayal. One of the most remarkable men gets a fitting tribute in this movie and this movie almost didn’t find a place on my list because I saw it so long ago but then nothing else came half as close to this so it sits here on my top 10.

 

With the good comes the bad!

worst

Bombay Velvet: Anurag Kashyap directing Ranbir Kapoor in a gangster caper that tells the story of the beginning of the Mumbai underworld and builders nexus should make for an interesting time at the cinemas right? Wrong. This is anything but that. Badly written, poorly edited and terribly acted this is a mess in every possible way.

 

50 Shades of Grey: I wouldn’t call 50 Shades a disappointment – I went in expecting it to be bad and it was bad. It’s just that it was one of the worse movies I have ever had the displeasure of watching. I want to say nothing more. Uggh!

 

Foxcatcher: the trailer promised a slow burning master piece from Bennett Miller whose last movie was Moneyball which was outstanding. Despite all the potential this movie was one of the biggest disappointments for me. The lasting memory I have of this movie is feeling like it was a few hours into the movie and I looked at my watch and it was just 15 minutes. A complete snooze fest that should have been more compelling.

 

Shaandaar: Shahid Kapur, Alia Bhatt and Vikas Bahl were 3 of my favourite things from 2014 with Haider, Highway and Queen. But Shaandaar is possibly the most pointless movies this year.

 

Spectre: A James Bond Movie is supposed to deliver one thing and one thing alone. Endless thrills and adventure. The movie opens perfectly with a stunning day of the dead celebration in Mexico but then it just goes haywire as Sam Mendes tries to infuse dysfunctional family dynamics into bond-verse. The only two things I hope for is that Sam Mendes is done with Bond and that Craig isn’t.

 

So there that was my 2015 in review – let me know what you top movies were what your biggest disappointments were and if there are any movies that I missed on this list of reviewing and what you would want to read from lifein70mm in 2016.

 

 

Steve Jobs – A Review

 Danny Boyle directs Michael Fassbender in and as Steve Jobs.  Supported by an ensemble cast of Kate Winslet, Jeff Daniels, Seth Rogen and Michael Stuhlberg in a script by Aaron Sorkin this is the definitive Steve Jobs movie that we have been waiting for. By no means is this a flattering biopic at one of the 21st century’s most fascinating figures from the world of Technology. Equal parts genius and tyrant Jobs was an enigmatic figure who many credit to having revolutionalised the personal computing world.

Michael Fassbender is fast becoming the modern day Daniel Day Lewis with his chameleon like ability to transform into any character he is given.  The physical resemblance to Steve Jobs towards the later part of his life is uncanny.  Besides the physical similarities his mannerisms lend an uneasy energy to the scene, you are permanently waiting for him to lash out at something or someone. Kate Winslet as Joanna Hoffman, Jobs’ work wife does an amazing job playing the emotional anchor of the movie. She plays the understanding yet exasperated partner to Jobs.  Winslet is assured a nomination as supporting actor and at this stage I am willing to bet that she takes home the gold. She is that good.   Jeff Daniels as John Scully the Pepsi Co CEO who joins Apple and is eventually responsible for the firing of Steve Jobs is understatedly brilliant. Seth Rogen as the lovable Steve Wozniak puts in a power packed performance as well.

But the real star of the movie is Script writer Aaron Sorkin. For anyone familiar with Sorkin’s work this movie is jam packed with Sorkinisms. To the uninitiated Sorkinisms is when a bunch of characters talk over one another in seemingly unrelated subjects yet everything seems to sound so profound. Yes many have disliked this very aspect of Sorkin’s writing but I couldn’t care less about them. I love it. It makes for an edge of seat drama where you hang on to every word being said lest you miss some pearls of wisdom. Sorkin has written this movie in 3 acts. The first one at the launch of the Macintosh in 1984 where we see Jobs ranting about how he was left off the cover of times magazine and how he fights the paternity law suit and how he does not want to acknowledge Apple 2 a machine he deems unworthy of his time and something that was a thing of the past. His relationship with Scully though has shades of a father-son dynamic where Jobs looks up to Scully.  Act 2 is after jobs has been fired from apple after the spectacular failure of the Macintosh and has set up his own company and is launching the aesthetically pleasing Cube. We see him closer to his daughter but his relationship with his wife is still strained. He still patronizes Woz while still there is that sense of friendship that goes back many years. The relationship with Scully though has changed and we see both their points of views about what happened when Scully pushed out Jobs from apple.  This is 1988.  Cut to the final act where Steve Jobs is launching the iMac. The same set of people around him, Joanna still trying to reign in Jobs, the reporter from GQ still wandering about t. Finally we see the tensions between Jobs and Woz come to a boil over Apple 2 again and this time Woz has the last word it is a scene that one would have never expected Rogen of Superbad to ever be able to deliver with a straight face. That scene is electric.Sorkin and Boyle infuse a lot of subtlety into the story telling that is usually missing from a biopic.  Trying to capture the eccentricities of Steve Jobs they masterfully weave the fact that he was vegan into the narrative when Jobs and Scully are meeting for the first time when Jobs wants Scully to come on board as CEO. The story behind the apple logo and how it may have been inspired Alan Turing is dealt with in such a matter of fact manner. And the final scene where Jobs is trying to connect with his daughter and promises her how he will put a thousand songs in her pocket someday so that she doesn’t have to carry around a brick shaped cassette player aka the genesis of the IPod. I am certain that this is a movie that will only get better with repeat viewing.

Daniel Pemberton’s understated soundtrack infuses each of the scenes with an electric energy. He deals mostly in silence and single strings but it has a profound effect on the overall viewing. There are no jarring orchestra pieces but subtle and complementary tones that never once seem to overpower the scenery. Alwin H Kuchler as the DOP brings the same sense of energy that he did to Hanna. It feels hurried and frenetic at the same time as it a chilling sense of calm. The opening shot is reminiscent of the Emmanuel Lubezki’s work on The Birdman where the camera follows jobs through the various corridors and rooms as Jobs meets with and talks to the different characters.I have read a few reviews where people are complaining how this movie does not live up to the image of Steve Jobs the Tech Messiah but rather paints a picture of a brilliant yet arrogant and a mostly flawed individual. I think that is the best way to portray a man who was exactly that. Unless of course it was Steve Jobs who was making a movie about himself then he would present that in a slick packaging with millions would be foaming at the mouth to get a piece of. This is exceptional film making and a story telling that is second to none.

Sorkin Fassbender take a bow, you have delivered one of the best biopics of all time. I cannot wait to go back and watch this again.