Veere Di Wedding – A Review

Image result for veere di weddingShashanka Ghosh directs Kareena Kapoor Khan, Sonam Kapoor, Swara Bhaskar and Shikha Talsania in “not a chic-flick” Veere di Wedding. After the career ending critique from “The Aunty”, I was going in with abysmal expectation and maybe that or maybe the fact that I saw it with Kareena’s biggest fan in the world – I found the movie to be mildly entertaining and brimming with potential.

Kalindi played by Kareena is friends with Avni played by Sonam Kapoor, Sakshi played by Swara Bhaskar and Meera played by Shikha Talsania. Kalindi lives in Australia with her boyfriend Rishab played by Sumeet Vyaas who proposes to her and Kalindi accepts reluctantly. She returns to India and the 4 BFFs get together for their Veere’s wedding. Avni is a ball-busting family lawyer permanently harassed by her well-meaning mother played by the fantastic Neena Gupta to get married. Sakshi is a rich party girl who got married to a NRI in a rush and is now back to staying with her parents who do not really know what transpired for the marriage to break down. Meera married an American and lives in America raising her young child and probably the most “normal” of the bunch.  The four friends get back together and each of their respective storyline unravels.

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Kareena is for most parts hilarious as she goes about the Big Fat Indian (Delhi) wedding charade nervously scratching as she is made to dress up in ridiculous outfits and paraded in front of relatives who are of no consequence. Sonam Kapoor continues her trademark vapid and vacuous portrayal of any character she lays her hands on. Her dialogue delivery couldn’t be more stunted. Swara Bhaskar – as the aunty said – is playing a rich girl for the first time and it is a poor man’s idea of what a rich person does all day. Her dishevelled look with a cigarette permanently stuck in her mouth with sunglasses that serve no purpose as she peers from above is just an abhorrent performance. Nothing about her feels believable. Meera lives in America with her Caucasian husband John after having been disowned by her family for marrying “outside” the religion. She is the most believable and the most likeable. They try to give her a flaw too – excessive drinking but it feels half-baked and an after-thought. Shikha is the best thing about this movie and I cannot wait for her to headline a project all on her own where she is unencumbered by the lesser talented actresses. She has a Ugly Betty/ Jane the Virgin vibe about her that I cannot shake and I want the nouveau brave Bollywood to take a chance with her!

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The biggest problem is that director Shashanka Ghosh and writers Nidhi Mehra and Mehul Suri try to make this feature film in the vein of producer Ekta Kapoor’s multiple story arc TV-shows. There is simply too much going on and at 2 hours there is not nearly enough time to resolve even one story arc to successful completion. Take this for instance, Kalindi is reticent to get married because her parents used to fight a lot, her mother passed away and her father remarried to a socialite, she is estranged from her father, who is estranged from his gay-brother who is the only family Kalindi knows of. Then there is the whole insane plot about Kalindi’s Fiancé’s family being fraudsters. Sonam and Kareena went around town lamenting about how difficult it was to get a female-led film financed and it shows – there are awkward product placements after awkward product placements and they are not even trying to be subtle. Bikaji snacks get more screen-time than the amazing Neena Gupta and that is a crime against cinema. Also at the very end of the film some random local furniture company’s product placement literally made me lose it.

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With Sonam being the driving force behind this movie getting made it was always going to be fashion centric and for most parts the fashion is exceptional and forward looking except for that one ridiculous outfit that Kareena wears for her wedding. A 25-year old vintage Abu Jani and Sandeep Khosla outfit deserved to be better treated than that.

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The dialogues are mostly fun but when they go for crass they really go for it and the payoff is limited. The songs are mostly forgettable except Tareefan which only really plays when the credits roll.

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Lastly I am reminded of the Instagram post that Neena Gupta shared on Instagram where she simply stated “I live in Mumbai and working am a good actor looking fr good parts to play” and I couldn’t be more thrilled to finally seeing her on the big stage. She is a treasure and I do hope she gets more roles and meatier characters to play because even in the limited screen time she is allotted here she really shines through.

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It might be the Kool-aid talking but I did not hate Veere di Wedding. There was incredible potential had the writers and director taken one of the girl’s tracks and resolved that story arc and made this into an anthology the result would have been a lot more successful.

 

Prem Ratan Dhan Payo – A Review

Sooraj Barjatiya reunites with Salman Khan in Prem Ratan Dhan Payo this time wooing Sonam Kapoor. Barjatiya and Salman have had a very successful run at the box office with movies that were milestones in Bollywood with Maine Pyaar Kiya, Hum Aapke Hai Kaun and Hum Saath Saath Hai. Barjatiya movies aren’t known for their path breaking storytelling or film making – he is known for his wholesome family friendly albeit slightly cheesy song and dance filled capers.  But then again Barjatiya also made the dastardly Mein Prem Ki Deewani Hoon.

With PRDP we are introduced to the Ram Leela actor Prem Dilwale who is the epitome of the typically Sanskaari Prem that we have come to expect from the Barjatiya camp. He is besotted by Princess Maithili who he saw once when she came in a helicopter to a flood relief camp nearly blowing off all the tents that were created on the banks of a river. Yep logic is nowhere to be found in this movie but bear with – maybe the earnestness that seems to have suddenly possessed Salman may help us tide over this minor mis-giving.  Enter Princess Maithili aka Sonam Kapoor.

Sonam Kapoor is pretty as a picture all through the movie – the self-proclaimed fashion icon dons many a beautiful looks. But Sonam Kapoor’s acting skills are non-existent.  Her eyebrows seem to have a life of their own and seem to doing all the acting for her. Sonam’s face seems to be permanently stuck in a worrisome look. Her lackluster dialogue delivery compounds the problem.  Speaking of pretty faces there is the actor with three names and zero talent – Neil Nitin Mukesh. His role in the entire enterprise isn’t exactly clear. Then there is the evil scheming Armaan Kohli who plays the estate’s CEO which is as absurd as it sounds.  Anupam Kher plays the trust worthy diwan of the royal family and carries the entire burden of the old and wise that was usually shared by Him, Alok Nath and Reema Lagoo.

Sooraj Barjatiya was all about a huge ensemble cast with simple stories which would be told with a firmly grounded moral compass which often veered very close to male chauvinism but still managed to pull it off. He was never the big set pieces and opulence guy and his attempt at the same this time around seems halfhearted with no real thought being put in to the outfits for most of the male cast. It seems like Ajay Arvindbhai Khatri regurgitated all over the cast with clothes that are on the clearance rack.  What Barjatiya manages well is the music – the songs are all memorable and hummable. But their dance sequences leave a lot to be desired. While Jalte Diye is a beautiful song the song sequence which tries to marry the Mughal-e-Azam scene with the feather with the color scheme of Chand Chupa Badal mein falls flat and it doesn’t help that Sonam lacks the sensuality of either Madhubala or Aishwarya.

Salman Khan tries his hardest to infuse some fun with his role of a simple village bumpkin pretending to be a prince trying to woo a princess while working to uncover the sinister plot that put him in this predicament in the first place.  The whole climax at the sheesh mahal seems pointless and completely out of place in a Barjatiya movie. The second half of movie seems to be entirely unnecessary just as the football match before the intermission.

Memorable songs, an earnest Salman make this a slightly enjoyable time spent at the cinema but it by no means is a movie I have any inclination to revisit this movie unlike other Barjatiya capers.