2015 A Year in Review

Lifein70mm primarily is my journey through that delightful medium that makes us all laugh, cry, smile and frown in joyous wonderment. The blog head mast reads my views, reviews and other noises in my head and when I set out to write I had hoped to do more than just movie reviews but alas it has only been a documentation of my travels through celluloid and nothing more. But in 2015 that changed slightly because more than movies actual travelling took up more and more of my time and there are many a half written travelogues that are gathering the digital dust on the folder marked blog stuff on my trusted desktop. Hopefully in 2016 I can put together a half decent blog post on the many wonderful travels that I have undertaken and the many more I shall embark on. So for now for 2015 here is my list of top 10 films and 5 films that disappointed me the most. I hope you would enjoy reading this post and let me know what your top films and biggest disappointments were for 2015.

best

Bajirao Mastani: A Sanjay Leela Bhansali Movie is a big screen spectacle that deserves to be seen on the largest screen possible. If there is on director working in India today who makes movies that ought to compel you to part with you hard earned cash in theatre it is SLB. Everything is on an enormous scale, the grandest of sets, the most intricate of attire, the most spectacularly choreographed dance numbers and the most Epic of romances, SLB doesn’t do middle of the road mediocre. A movie that he wanted to make for 10 years finally comes to fruition at the hands of pair of actors who were unheard of 10 years ago and are now arguably the most versatile and talented of the current lot. This is the first of the Deepika Padukone Entry on my list and there is a reason why she makes an appearance 3 times – she is justifiably the queen of Bollywood today.

 

Bajrangi Bhaijan: aah yes another year and another Salman Khan Movie makes my top 10. I must not be a very discerning viewer if I find a Salman Khan movie worthy of the top 10. But kid you not – the Salman Khan renaissance is a reality. Last year with Kick and this year with Bajrangi Bhaijan Salman manages to make absurd palatable and completely enjoyable. Supported by the cutest child artist the industry has seen in ages this one is for the entire family and it is shot beautifully. Salman Khan is a lesson in the Importance of being Earnest and it works well in his favour.

 

Inside Out: Disney Pixar is known to make well-crafted animated movies that are a little to saccharine for my favour but are entertaining nonetheless. But with Inside Out they have taken a giant leap forward with the story telling. A narratively complex story about the inner workings of the human brain is boiled down to 5 primary emotions inside the heard of a little girl. Jam packed with vocal talents this one is not just for the kids, on the contrary this one is for those especially who are planning a kid, have a kid who they don’t seem to understand or ever were a kid so essentially everyone . This masterful storytelling transcends the age boundaries. Another sure fire winner in the best animated category for Pixar.

 

Into the woods: Meryl Streep doing a Steven Sondheim musical? Oh YES! And she is brilliant as are Anna Kendrick, Emily Blunt and James Cordon in this stunning musical that picks up after the fairy tales end. It is compelling in its story telling, stunning in set and costume design and delightful in its singing. If you need a single movie to convince you why the musical medium is receiving a much needed revival then this is it. Do not miss it.

 

Mad Max Fury Road: I came out of this movie with a crazy head rush. This adrenaline fuelled caper with the most arresting visuals I have ever laid my eyes on. What is even more amazing is that these visuals required very little CGI it was almost all practical effects. But it is not all about visuals, Tom Hardy, Charlize Theron and Nicolas Hoult put in impressive performances as well. But coming back to the visuals once more if there is one visual memory I will have of 2015 it will be that crazy guitarist hanging off the front of the attack truck! I am getting a head rush all over again!

 

Piku: Deepika Padukone and Amitabh Bachchan talking about constipated bowels for nearly 2 hours is not the first thought that comes to your mind when you think of compelling storytelling. But with deft direction by Soojit Sircar is what takes this dysfunctional family road trip with a port-a-potty chair such a charming tale of father-daughter bonding. Deepika once again is stunning in a role very unlike all her previous poised and poignant ones. Here she is very real, very angry and very organic. Amitabh is the embodiment of every Indian father and once again proves why he is a national treasure.

 

Steve Jobs: Aaron Sorkin is a divisive force. His critics call him a misogynist, repetitive and trying to be overly smart but devoted fans like me will find his Sorkinisms unique and enjoyable. He is a master of language and his characters seem to be infused with an electric energy that is rarely seen on screen. This is more his movie than it is Danny Boyle’s and Michael Fassbender is exceptional, and his German aloofness serves him well as Steve jobs and Kate Winslet is exceptional as well. This is my biopic of the year.

 

Tamasha: Another Deepika movie in the list – Deepika was undoubtedly the queen of 2015! And with Tamasha Ranbir captures some of the lost ground. This is one of Ranbir Kapoor’s finest performances. He embodies the struggles of the millennial that are constantly trying to balance what is your core value, your innermost desire and the societal pressure to achieve success in your job, your relationship. His schizophrenic portrayal and Deepika’s breakdown during Agar Tum Saath Ho are two of the rawest performances this year. And Imtiaz Ali does romance like no one does Romance.

 

The Martian: this is what I wanted Interstellar to be. Matt Damon is brilliant the humour is brilliant the supporting characters are brilliant. Riddley scot manages to make a space caper light and family friendly – the director of sci-fi milestone like Alien manages to make space accessible and less scary that it really is. I honestly think Matt Damon ought to be nominated for the Oscars this year.

 

The Theory of Everything: Before I saw Steve Jobs this was the biopic of the year for me. True that it released last year and won Eddie Redmayne a very well deserved Oscar for his portrayal of Stephen Hawking but this is a sweet love story that stuck with me all through the year primarily because of Felicity Jones’s strength in her portrayal. One of the most remarkable men gets a fitting tribute in this movie and this movie almost didn’t find a place on my list because I saw it so long ago but then nothing else came half as close to this so it sits here on my top 10.

 

With the good comes the bad!

worst

Bombay Velvet: Anurag Kashyap directing Ranbir Kapoor in a gangster caper that tells the story of the beginning of the Mumbai underworld and builders nexus should make for an interesting time at the cinemas right? Wrong. This is anything but that. Badly written, poorly edited and terribly acted this is a mess in every possible way.

 

50 Shades of Grey: I wouldn’t call 50 Shades a disappointment – I went in expecting it to be bad and it was bad. It’s just that it was one of the worse movies I have ever had the displeasure of watching. I want to say nothing more. Uggh!

 

Foxcatcher: the trailer promised a slow burning master piece from Bennett Miller whose last movie was Moneyball which was outstanding. Despite all the potential this movie was one of the biggest disappointments for me. The lasting memory I have of this movie is feeling like it was a few hours into the movie and I looked at my watch and it was just 15 minutes. A complete snooze fest that should have been more compelling.

 

Shaandaar: Shahid Kapur, Alia Bhatt and Vikas Bahl were 3 of my favourite things from 2014 with Haider, Highway and Queen. But Shaandaar is possibly the most pointless movies this year.

 

Spectre: A James Bond Movie is supposed to deliver one thing and one thing alone. Endless thrills and adventure. The movie opens perfectly with a stunning day of the dead celebration in Mexico but then it just goes haywire as Sam Mendes tries to infuse dysfunctional family dynamics into bond-verse. The only two things I hope for is that Sam Mendes is done with Bond and that Craig isn’t.

 

So there that was my 2015 in review – let me know what you top movies were what your biggest disappointments were and if there are any movies that I missed on this list of reviewing and what you would want to read from lifein70mm in 2016.

 

 

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Tamasha – A Review

Imtiaz Ali directs Ranbir Kapoor and Deepika Padukone in Tamasha, in a love story that promises to be unlike other love stories. Bold aspirations indeed, seeing how Imtiaz has directed Ranbir in the angst filled Rockstar, Ranbir has played the rebel with a cause, the one who goes against the grain, Also Deepika has played the counterbalance to Ranbir in a fair few times. But therein lies the magic. You take ingredients that have worked on some level or the other and you refine them over the course of time and what you get is a concoctions that has the sparks of magic flying through it.

 

To dissect Tamasha into its four acts is simple but look a little deeper and you can see what each of those acts represent. Human life is divided into 4 stages or Ashrams, Bramhacharaya Ashram, Grihasta Ashram, Vanprasta Ashram and Sanyasa Ashram. Each of the Ashrams represent a central pursuit or struggle.

Teja ka Sona is Ranbir living out his Bramhacharaya Ashram – we meet the young Ranbir who admittedly is rubbish at maths but loves spending his time listening to stories from an old man who sits under a tree in Shimla. We see him grow up and meet Deepika Padukone in Corsica where they decide to not exchange identities and instead live out their days together feigning different Bollywood stereotypes while slowly falling for each other. They agree that what happens in Corsica stays in Corsica. Here Imtiaz also takes us on a Richard Linklater style Before Sunrise journey where two strangers meet but where Ethan Hawke and Judy Delpy had the power of words here a lot more is said in the moments where not a word is spoken.

A few years pass and we enter Grihasta Ashram. In Ishq Wala Love we meet a domesticated Ranbir aka Ved. Deepika and Ved meet and go through the motions of falling in love but something is missing –And in one fell swoop Imtiaz skips Before Sunset and takes us straight into Before Midnight territory where the illusion of love comes crashing down.

Andar Ki Baat is Ranbir’s Vanprastha Ashram. As he slowly self-destructs first by displaying schizophrenic behaviour in business meetings and then an outright bipolar behaviour as he finally breaks the chains that are binding him.

With Don Returns Ranbir enters Sanyas Ashram with divine realisation upon him he finds his driving force and realises his true potential.

 

Imtiaz Ali is a master of parent child conflict and he has played on this from several angles starting with Jab We Met to Rockstar and now again with Tamasha. He treads a fine line of becoming too preachy and manages to strike a balance between the pent up angst that Ranbir feels as a child, as teenager and then as a young man and the reconciliation that finally happens when he finally opens up to his father. The opening sequence featuring a Tin-man Ranbir is a masterstroke. What may appear as jarring and out of place and narratively disjointed is reminiscent of the iconic Apple ad of 1984. There is a line towards the end of the movie which is dropped in very casually “the bipolar behaviour of the modern consumer” this is how you need to view the movie – the bipolar behaviour where you internalize your true desires and externalize what is socially expected and accepted. There is a constant struggle that every individual goes through and while it is heightened in case of some individuals like in the case of Ranbir here, I am sure everyone can find something to relate to.

Deepika Padukone just keeps getting better with every movie. Here she is brilliant in more of a supporting role to Ranbir, her rambling school girl moment when she runs into Ranbir the second time is so perfect that you feel her exhilaration and embarrassment at the same time. Ranbir Kapoor is perfectly cast as Ved, his restraint when he vents his frustration. His polite and proper Ved is just as meticulous then when he unravels and spirals out you see the dual personalities coming out and you see feel his struggle as the two Veds try to overpower one another. Seeing this side of Ranbir makes me yearn for him to an outright dark role he certainly has the chops for it. Like American Psycho or something on similar lines it would be Fan-freaking-tastic.

A R Rehman’s last collaboration with Ali was pure cinematic magic with Rockstar, here the songs are not that memorable nor easily hummable except perhaps Mattargashti and Heer is Sad but they are more lyrical and aid the progress of the story. S Ravi Varman’s work behind the camera isn’t as quirky and enticing as Barfi! But he brings a dark energy to when Ranbir is going through dark times, there is a lightness when he shoots the sequences in Corsica and then the scenes which are a parallel narrative with the Rickshaw driver who sees himself as a singer, the theatre scenes they have a Gasper Noe’s Enter the Void like psychedelic energy.

I really fail to see why this movie is getting mixed review or even negative ones. This for me rights the narrative wrongs of Rockstar where the female lead was poorly written. This is brilliantly acted and meticulously directed, in times of remakes and superstar vehicles where nothing other than the names on the playbill matter this is a movie that stands strong on its brave approach to storytelling.