Logan – A Review

Image result for loganJames Mangold reteams with Hugh Jackman for the Wolverine swansong Logan. Loosely based on the Old Man Wolverine comics this marks the end of one of the most iconic superhero portrayals ever. Patrick Stewart returns for the final time as Charles Xavier. Mangold previously directed Jackman in The Wolverine, the Japan based chronicle of the slicey superhero.

The story is set in 2029, it sees Logan driving a Limo, ferrying people between the southern border between USA and Mexico. Logan is saving up to buy a boat, the Sun-Seeker to escape with Charles who is old and suffering from some non-descript degenerative disease. An Albino mutant by the name of Kalibaan is their only other companion in a desolate, abandoned factory compound they call home. There are hints at some sort of mutant apocalyptic event which wiped out all mutants a few years ago and now no new mutants are being born. This is about as dark and gritty as any superhero movie has ever been. Things are really set in motion when Gabriella played by Elizabeth Rodriguez (Diaz from OITNB) contacts Logan asking for help to get to a place called Eden, North Dakota. Enter nefarious cyborg Pierce played by the towering Boyd Holbrook. Holbrook has a menacing presence, but is almost bond-esque in terms of villains. Suave, witty and sarcastic yet pure evil.

Related imageDafne Keen plays Laura, a mutant with powers similar to Logan’s. What follows is escape from Mexico to Los Angeles and onwards to North Dakota. As with every X-men movie the plot landscape is richly layered and varied. There is an evil doctor involved, there is a huge plot of genetically modified food which has made it impossible for any mutants to be born which kind of gets a little bit lost in all the action. In many ways this movie comes full circle, we see a kindly couple who take care of Logan on their farm in the first wolverine movie, here too there is a wonderful couple who take in Logan, Charles and Laura for the night. Logan was born in Alberta Canada and here too the young mutants are trying to escape to Canada.

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The fight sequences are fantastic and a good marriage of the dusty westerns and the mad max fury road grandness. The camera work by John Mathieson is some of the best work seen in a superhero movie outside of Nolan-verse. There are parts where it would have served the movie’s pace better had some scenes been shorter, especially the casino seizure event and the farm scene.

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Stephen Merchant as Kalibaan is very effective, he bring a sense of comic relief when he nags Wolverine like he is his wife. Dafnee Keen as Laura spends most of the movie mute but is exceptionally terrifying with her action scenes. Boyd Holbrook is amazing as Pierce and I am hoping the climax doesn’t mark the end for his character as he would an amazing addition to the X-men universe. Patrick Stewart as Charles Xavier is as effective as ever. His old man rantings are as heart-breaking as they are effective. Not only is this Logan’s swansong, it is also Charles’ and what a wonderful professor X he has been. Hugh Jackman was, is and will always be Wolverine. His physicality, his personality and everything he brought to the Adamantium infused superhero is in my opinion one of the most complete characterisation ever. This role offers Jackman a lot more in terms of sinking his teeth into the character than mere growling and ripping bad guys apart. You see him broken, tired and ready to give up.

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Superhero movies are not meant to evoke strong emotions, but that final scene as Laura lays a cross on its side to represent the X nearly made me well up. Watch this movie because it might simply be the best marvel superhero movie ever made. Watch it as a thank you to Hugh Jackman who has been most faithful to Logan and it would be impossible to imagine anyone else ever being able to fill his shoes. I saw this on a wednesday night to a full house with an actual applause at the end.

X-Men : Apocalypse – A Review

Bryan Singer directs Jennifer Lawrence, James McAvoy, Michael Fassbender and many others in the third instalment in the X-men reboot X-Men: Apocalypse. After basing the First Class in the 60s and the Days of Future Past in the 70s we are in the 80s now and the characters don’t seem to have aged a day since the fateful events of 10 years ago when Mystique/Raven played by Jennifer Lawrence changed the course of history by ending the Sentinel program of Bolivar Trask. This time around we are witness to events of 3600 BCE when En Sabah Nur ruled Egypt and is believed to be the first Mutant by Agent Moira MacTaggert of CIA. After lying entombed for several millennia he is accidentally awoken by Moira herself as she lets the rays of sun hit the PCB-Pyramid.

I have always vehemently defended the superiority of the X-men universe over their Marvel rivals The Avengers but I was massively disappointed by the almost cartoonish tone of the first half where Oscar Isaac who plays En Sabah Nur – or Apocalypse goes about recruiting a young Storm, Psylocke, Angel and Magneto. There are moments of brilliance when we are introduced to an incognito Magneto and the subsequent breakdown that is more Macbeth than Magneto but brilliant nonetheless. Michael Fassbender can do no wrong.

After what seemed like an eternity trying to establish character back stories the 2 line plot reaches its climax. Essentially it is Apocalypse trying to recruit mutants into fighting against the human race.

I love Olivia Munn and had high hopes of her being one of the four horsemen of apocalypse. But while she slayed as Sloane Sabbath in The Newsroom with quick wit and perfect timing in terms of dialogue delivery she is given no more than 2-3 lines. She does however wield the sword and the telekinetic “light sabre” and Lasso well. I believe this is not the last we have seen of her. Also disappointing is Alexandra Shipp as the young storm. Haley Berry was perfection as storm and to get that kind of iconic character so wrong is nothing short of criminal. Here’s hoping Shipp improves with future outings. I also feel a little cheated with how Wolverine was used – by teasing the fans with a glimpse of the adamantium claws in the trailer and what we end up getting is more stryker than wolverine. But stick around for the post-credit scenes and your disappointment will dissipate significantly when you see what is in store for the next instalment.

The high points are the introduction of Kodi-Smith McPhee as Nightcrawler who brings in the comic relief and Sophie Turner as Jean Grey the Telepathic Mutant played in the first three movies by the brilliant Famke Jansen. Jean Grey in my opinion is a criminally underused character so far and seems like Bryan Singer is about to set that straight. I am almost certain that the future instalments of this franchise are going to feature a more prominent role for Jean Grey. I say this because of the final words of Apocalypse. Evan Peters reprises his role as Quicksilver and is also a welcome comedic presence in an almost entirely grim outing.

For Fassbender, Turner and Smith Mchpee alone I would say that this is an easily watchable feature. Not the best in the series but certainly not the worst (that would be The Last Stand – which was effectively written off by Days of Future Past)

2014 A year in review

Aren’t you bored of the multitude of all the insipid “It’s been a great year thanks for being a part of it” video montages on Facebook already? Was 2014 really that great a year? Is it really worth looking back with nostalgia? For me, personally, it was a defining year – from getting married to moving to a different country but movie-wise it was one of the most lackluster years in history of the blog lifein70mm). When a Christopher Nolan movie doesn’t automatically make its way to the top of my year end list, then it is telling of what sort of a year it has been! But looking back does have its benefits – it can surprise even the most jaded of individuals of that glimmer of happiness that released early on in the year and still sits in a special place in your heart glowing with tiny but incessant warmth. Thanks for staying with lifein70mm and thanks for letting me know that you like my reviews more than some of the most celebrated critics who write for the leading newspapers. It makes me want to see more, and write more and that is all I can ask of you!

Top 10(ish) of 2014 (in alphabetical order)

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Boyhood: Richard Linklater defies the boundaries of imagination. Just think about the commitment it would be required to shoot each year over 12 years to document the life of a boy and to tell the simplest of stories of growing up, the dysfunctional American family, and the bonds that tie us together. A movie so unique, that it can only be classified as the space that exists between a coming-of-age tale and a documentary. I have loved Linklater Before series and it is two of my favorite writing, I was really looking forward to reviewing Boyhood and even after watching it twice I am unable to pen down my thoughts on it. To say I loved it would be a gross understatement.

Finding Vivian Maier: I love documentaries and the ones that are done well are most often better than fictional stories because you don’t need to imagine that it can happen but marvel that these things did indeed happen. A writer stumbles upon a cache of old photographs from a lot that he bought on a whim at an auction, the photographs are of such high quality and tell such a vivid story of the life in the 60s that the writer is pulled into the intrigue of the artist who took these photographs and he documents his search in this documentary. One of the most beautiful and poignant documentaries I have ever seen and images that will stay with you a lot longer than the duration of the film. Vivian Maier’s rise to posthumous fame is incredible. She even gets a mention in the opening credit of this year’s best comedy on television Selfie alongside Freda Kahlo and her self-portrait.

Gone Girl: Nobody does dirty sick and twisted quite like David Fincher. To take what was essentially airport fiction and to turn it into a catharsis of a marriage is laudable feat. This movie features the best use of voiceover I have ever had the pleasure of watching and when done in the breathy voice of the enchanting Rosamund Pike it takes creepy to a whole new level. An enormously enjoyable and infinitely rewatchable movie with one of the best soundtrack this year.

Haider: Vishal Bharadwaj, Shahid Kapur and Shakespeare’s Hamlet are a potent combination. Setting the movie in Kashmir should have been a staggering achievement in storytelling, but by wavering on taking a stand, Bharadwaj ends up with a technically beautiful and intensely acted movie which stumbles a little with its plot. This could have easily ended up as a disappointment for me had it not been for Shahid Kapur and Tabu. I accord this movie half a spot on the top 10 to be shared with a movie down the list.

Kick: I know there will be many of you who will be shaking your head in dismay at the inclusion of this movie in this list. But this was the only 100 Cr movies this year that had any modicum of entertainment value. It takes the histrionics of Salman to make nonsensical an art form. With the gorgeous Jacqueline Fernandez by his side the king khan takes us on an adrenaline rush that was unmatched this year.

Mardaani : I dislike Rani Mukherjee with a passion that is only matched by my dislike of Aamir Khan but in Pradeep Sirkar’s able hands Rani turns in what is one of the best performances of her life. A skillfully crafter thriller with a very unusual and non-stereotypical antagonist, a movie with a message which it delivers masterfully without hammering it on your head; this was the perfect example of a movie which India needs. If ever there was a need for sequels then this is a movie that richly deserves it.

Nightcrawler: The Renaissance of Jake Gyllenhaal continues unabated. After last year’s top-10 lister Prisoners Gyllenhaal returns in this dark comedy about a man with a drive to succeed and an absolute lack of moral inhibitions. Taking the world of 24-hr breaking news cycle and making a social commentary on what drives the people who blur the lines of journalistic ethics to feed the public greed for sensationalized news or perhaps even the paparazzi fueled celeb-obsessed culture of ours.

Pride: A quiet and unassuming British movie about the coming together of two opposing factions of the society to achieve a common goal. With the playbill stacked with the who’s who of the British cinema this is a complete treat to watch. Sensitively handling the subject of labor strike and the rise of the gay rights movement and the eventual pride parade, this movie has many high points and many standout stars. This reminded me of the underappreciated The Boat that Rocked/Pirate Radio or maybe that was just because Bill Nighy was in both and I love Bill Nighy!

Queen: I know at the outset I said the list was in alphabetical order just so that I don’t have to rank all the movies. But if I were to rank them I am more than certain that Queen would be my 2014 topper. I have not seen a more honest attempt at story telling than this story of a simple girl from Rajauri who gets dumped just before her wedding day and decides to go on her honeymoon by herself, on a  journey of discovery and revelations which up to this point were the tightly held domain of male dominated road-trip movies. Kangana Ranaut is spectacular as Rani – the eponymous Queen and with Amit Trivedi’s brilliant music this movie is an instant classic. I cannot wait for what Vikas Bahl has to offer next and I hope he continue to be this honest about his story telling, because the results are fantastic.

The Imitation Game: as mentioned earlier it was hard to choose between Haider and this one as both movies had their merits (stand out performances by the leads) and its pitfalls. But when a story this important is being told, it almost doesn’t matter if there are a few minor glitches. Benedict Cumberbatch as Alan Turing is incredible and does well to show the vulnerable side of his (and Turing’s) genius. In that final scene towards the end after undergoing chemical castration, Cumberbatch’s performance breaks my heart and you feel for Turing who suffered such indignation at the hands of the society he gave so much to.

X-Men : Days of Future Past:  Of all the multi-super hero universes out there ( the avengers, the justice league and the X-men) the X-men feel the most organic, they don’t feel like a money grab where you throw a wide variety of superheroes together in an all-you-can-eat style buffet. With the foundation that was laid with a very strong X-men First Class the return of Bryan Singer at the helm righted the wrong of X-men: The Last Stand by essentially rewriting the timeline and setting it up for future adventures. Having perhaps the best assemblage of young Hollywood talent in form of McAvoy, Fassbender, Lawrence, Hoult I have tremendous faith that the Superhero franchise is far from dead. Bring on the apocalypse I cannot wait!

The Bottom 3 (In alphabetical order)

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Bang Bang: to take two of the most beautiful human beings ever created and to turn them into absolutely unwatchable crap is the claim to fame for Bang Bang. An official adaptation of Knight and Day, this vapid movie should have never been made. Its stupidity was a new low for Bollywood.

Singham Returns: I stayed away from Singham despite people claiming how it was a good-masala-movie with very good acting. But being married to a Kareena-aficionado has its pitfalls. After a surprisingly good Kick my faith in the ability of 100cr movie to be bearable was renewed. But it was dealt a deathly blow with this loud brash and crass attempt at storytelling.  Rohit Shetty is the Michael Bay of Bollywood and I am staying as far away from his exploding cars as possible.

The Amazing Spider-man 2: I loved Marc Webb’s directorial debut 500 days of summer and I loved the Andrew Garfield as the amazing Spiderman. If you bring these two together and throw in Emma Stone I am bound to be excited. But alas that excitement was misplaced and I no longer look forward to any more spidey adventures.

The biggest Disappointment of 2014 was hands down Interstellar. It is not that Interstellar was a particularly bad movie; it’s just that I have come to expect a certain level of intelligence from Nolan and the choice of Matthew McConaughey thoroughly baffled me. While the science in the movie was fascinating and accessible at the same time, the stoner drawl of McConaughey and Hans Zimmer’s obnoxious soundtrack were entirely off-putting.  Hopefully, this is only law of averages and Nolan can get back to doing what he does best this will just be something he will look back and laugh while scratching his head thinking what the hell was I smoking when I offered this role to McCoughMyName.

There you have it! 2014 all wrapped up with a bow on top. Here’s to 2015 and a wonderful year at the movies. Do write to me and let me know what you think of my assessment of the year 2014 at the movies, if you agree or disagree or have a suggestion for me to watch. I will be back very early on in 2015 with a review of a much-anticipated Birdman and many more exciting movies to come. Happy New Year!

X-Men : Days of Future Past – A Reivew

Bryan Singer returns to the X-men universe to direct X-Men: Days of Future Past after having directed X-men and the X-men 2 and then handed over the reins to Brett Ratner who according to most nearly killed the franchise ( I had no such problems with The Last Stand though) . Armed the cast from the present-day X-men universe and the younger versions of the same characters introduced in Matthew Vaughn’s brilliant X-Men: First Class and with a crisp script by Simon Kinberg, Singer undoes a lot of the dead-end story arcs that Ratner took  with Last Stand.

The movie is set in the future where the mutants are under attack from an army of Mutant Machines dubbed The Sentinels invented by a man named Bolivar Trask played by the amazing Peter Dinklage. The Mutants must band together to time travel and stop the events that lead to these unbeatable machines from being made in the first place. Singer does not dwell on introducing the various mutants and their powers like Whedon does in the Avengers universe. We are thrown summarily in the midst of an ongoing battle with a Vegas-sized buffet of Mutants to choose from and are asked to go along for the ride as the mutants become familiar and their powers self-explanatory.  This is easily where Singer and Kinberg could have wasted precious minutes and possibly alienated a already super-hero-fatigued audience, instead they drop hints and several nods to those loyal to the franchise to know and get familiar with the universe. One scene in particular had me laugh out loud ( and probably be one of the first ones in the theatre I was in to react ) was that of Wolverine walking through a metal-detector.

Unlike the previous movies which focused primarily on Xavier and Magneto this one focuses more on Raven/Mystique. Jennifer Lawrence as the young Mystique is quite phenomenal; however a tad more humor on her part would have just been the most perfect thing ever.  Hugh Jackman gets the loudest reaction from the audience and deservedly so – he is the embodiment of Wolverine I cannot think of another actor playing him physically or physiologically. James McAvoy and Michael Fassbender once again prove why they are the perfect choice to take on the roles of Xavier and Magneto that Patrick Stewart and Sir Ian McKellen – the two stalwarts have made their own.

Newton Thomas Sigel mans the camera and does a fine job of transitioning between the apocalyptic future and the 70’s. the production design on these  big-budget apocalyptic movies are pretty standard but by straddling the 70’s John Myre faithfully recreates the era and actually does a better and more believable job than the X-Men : First Class. Of Particular note is John Ottman who dons two caps – those of being the editor and the music composer. As the editor Ottman does a fine job of chopping of whatever possible flab there was to deliver a concise and coherent story with a fairly consistent time-travel story arc. As the music composer he goes the route of Hans Zimmer with the big booming  sound pieces that have come to be the staple of the action/thriller genre. Not that it distracts from the action but nothing particularly original.

This is the super hero movie of the year! You cannot afford to miss it as every X-Men movie in itself is very good but this one while playing homage to all its predecessors manages to stand on its own and still chart a new path forward by undoing the ending of Last Stand. All the tenses get turned on their head as the has becomes had and the he gets becomes will he get? This is an intelligent movie which does not compromise on the entertainment aspect and still does not dumb it down for the audience.  Watch it as the Future and Past of the X-Men universe collide and result in a big bang that will rewrite where the series goes from here.

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Matthew Vaughn tries to breathe new life into a super-hero franchise which under the able direction of Bryan singer was promising to turn into one of the biggest movie franchises because of its rich and varied source material, died an almost agonizing death at the hands of Brett Ratner. There was an attempt to resuscitate it with the enigmatic Hugh Jackman and his spin-off Wolverine Origins movie but the results were less than satisfactory.

Matthew Vaughn has had somewhat of a hit track record; his previous Kick-Ass was indeed that – it kicked Major Ass! And stardust was a fun take on a fairy-tale genre. With the story credits to Bryan Singer Matthew Vaughn delivers a blockbuster worthy of its predecessors (1 and 2).

The movie is essentially a prequel to the X-Men franchise which traces back to how Xavier and Magneto came to what they were. The story traces the origins of the Mutant Vs Humans conundrum and packs a serious punch in the acting department.

The earlier ( or is it the later considering this is the prequel) X-Men movies had thespians like Patrick Stewart ( Charles Xavier ) and Sir Ian McKellan (Magneto) in its lead roles and it is only right that modern day acting protégés James McAvoy (The Last King of Scotland ) and Michael Fassbender ( Hunger) are to take over from them. Both of then doing such perfect justice to their roles that it is hard to imagine anyone else but them being suitable to essay that role.

The movie benefits from excellent casting choices. McAvoy and Fassbender are great. Kevin Bacon as Sebastian Shaw is excellent and drops a major Story-Origins spoiler which took me by surprise (cause I am not a comic book loving nerd! ) . Nicholas Hoult (About a Boy) is charming as the young Beast, January Jones (Mad Men) is sexy, seductive and scary as Emma Frost, rising star and Oscar Nominee Jennifer Lawrence (Winter’s Bone) as the young Raven/Mystique is good but not slinky enough for my liking ( I mean no one does full-blue-body-paint justice like Rebecca Romijn!!) also the host of other itsy-bitsy mutant characters are well chosen and have a ready chemistry to blend with the stellar cast.

The Screenplay is excellent, the dialogues witty and delivered with a tongue-in-cheek fashion and are a whole lot of fun (Kinky!, You know what they say about big feet)

Two thumbs up to the Very Special Guest appearance by the crowd-favorite Adamantium infused super-hero and a very very VERY special appearance by Rebecca Romijn (tell me I wasn’t the only one who noticed!). Also I am absolutely certain I saw a young storm in the cerebro sequence.

Overall an excellent movie and a fun time spent at the cinema, only wish there was a little more action and some more mutant options thrown into the already lavish buffet spread.

One parting thought though – Matthew Vaughn might have done too good a job with this movie. I mean the movie ties up the beginning to the original X-men so perfectly that it does not really leave much room to add new dimensions to take the story/franchise forward. Oh well here is to Matthew Vaughn and his KickAss-2 and to the faithful Hollywood producers who know how to milk a franchise dry – so there is hope after all!