Kaabil – A Review

Image result for kaabilSanjay Gupta directs Hrithik Roshan and Yami Gautam in the thriller Kaabil. Sanjay Gupta is enjoying a sort of second coming with big name projects like Jazbaa and Kaabil to his credit recently. While Jazbaa suffered because it was more style over substance, how does this revenge thriller fare. Does Hrithik bounce back from the last collaborative disaster with daddy dearest – Kites?

 

Hrithik plays dubbing artist Rohan Bhatnagar and Yami Gautam plays NGO worker and part time piano player Supriya Sawant. They are both visually impaired and are set up on a “blind” date by a common well-wisher. The meet-cute is probably the weakest moment of the film as it is difficult to really take the instant connection as realistic, for a movie that is this taut in its running time I for one wouldn’t mind if the director had spent a few extra minutes setting up the two lovebirds. After a rushed romance and a quickie wedding the newlyweds slip into domestic bliss. Terror strikes when local goon who has his eye on Supriya. Amit played by Rohit Roy along with his friend Wasim break into Rohan and Supriya’s house when Surpiya is alone and home and rape her. What follows from there is a harrowing tale of powerful politicians, corrupt cops and two helpless individuals caught in a nightmare not of their making.  While it is entirely plausible to see them going through the aftermath, director Sanjay Gupta and editor Akiv Ali seem to be chop-happy and cut scenes too much and you are left as mere bystanders and without an emphatic connection with the leads.

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The second half is an all-out action fest with Hrithik exacting revenge on the perpetrators of this horror. The slick way in which the narrative and the revenge scenes are setup is brilliant. Taking inspiration from Broken, a 2014 Korean revenge flick (some of Gupta’s best work is adapted from Korean films) and Netflix’s Daredevil we see Hrithik in superhero mode. But where Gupta succeeds is by not laying out each of the details of how everything that Hrithik does that would aid him in getting even with his able-eyed opponent. Gupta assumes the audience is intelligent enough to understand why the wafers are strewn on the floor. He has seamlessly weaved in Easter eggs in the first half of the movie that work themselves into the revenge action in the second half.

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Of the supporting cast Suresh Menon phones in a performance, Girish Kulkarni as the corrupt cop Nalawade is ham personified. Narendra Jha as the morally ambiguous cop Chaube is where I am let down the most. Jha’s character could have been reflective of the audience, voyeuristic at first, helpless later and eventually an enabler or at least a cheerleader by the climax. The Roy brothers Rohit and Ronit are template Bollywood baddies and really bring nothing new nor menacing to the table. Yami Gautam is beautiful and believable but pales in comparison to the tour de force that is Hrithik Roshan. This restrained performance of his is more in the vein of Jodha Akhbar and Fiza than the over the top Krrish franchise. He truly shines, both as the lovable and uxorious husband and then later as the cold and calculating vigilante. He’s played a disabled character previously in Guzarissh but while it was frankly terrible then – here he is entirely convincing.

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I have one complaint with this movie – too many songs! Kaabil is a good song as is the Mon Amour. That is where it should have been left at. There are 2 more songs which are entirely unnecessary and the travesty that is the “Saara Zamaana Haseeno ka Dewaana” is plainly unforgivable. Urvashi Rautella – “the item girl” who dances to this seems like she is in a hurry to finish her workout. She looks like a combination of all the item girls of the past – from Shefali Jariwaala to Koena Mitra and Sunny Leonne. This item girl trend has got to stop – if nothing else at least stop butchering iconic songs which should be sacrosanct. I mean come on – we’ve gone from Amitabh in his LED suit to this.

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The light and camerawork make up for that minor misstep though. The camera work in the Madh warehouse takes you into the thick of the action. The light and shadow play in the final “kill-scene” is brilliant. One flash of lightning and you see Hrithik and the next he is gone. Gupta lays off the saturated hues and the result is a fantastically slick flick.

 

Watch it for Hrithik because he is well and truly back.  I went in expecting to be disappointed and I was plesantly surprised. There really isnt anything besides that stupid song to complain about and on the contrary a lot of positives.

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