Woody Allen directs Cate Blanchett in Blue Jasmine a story of a rich socialite wife whose life quickly unravels after her husband is arrested by the feds for financial frauds and then kills himself.
Woody Allen for me is a dichotomy for me – he is one of the most prolific directors with over 70 movies in his 49 years of film making who writes apparently the most amazing women-centric roles that the who’s who of Hollywood vie for desperately. While accepting the Cecil b demile award for woody Diane Keaton waxed eloquent about how great woody is and even the amazing Cate Blanchett apparently waited for the call from woody. Despite all of this I cannot stand his movies. I found midnight in Paris to be an atrocious self-indulgent mess of a movie. I have never been able to enjoy a woody Allen movie and it is not because I do not enjoy neurotic, wordy, witty screenplay – I enjoy that kind the most. Take Aaron Sorkin, Scorsese or even Tarantino for that matter I enjoy all their wordy banter immensely but Allen’s not so much.
Much like most of his other movies here too the screenplay seems to want to be a lot more than it really is. With the alternating timeline story telling Allen tries to give us a sneak peek into the like of Jasmine French then and now with a wealthy socialite wife who has fallen on hard times and is Xanax popping jazz referencing ticking time bomb of a psychiatric nutjob. The movie is shot beautifully with a soft goldenish hue to every scene and it is only enhanced when the camera zooms in on the visage of Blanchett who is unraveling before our very eyes as she alternately pops vodka and pills.
Off the cast Blanchett is Fantastic as she is known to be and here in the challenging role of alternating between a vapid New York socialite and a down on her luck widow who loses everything and moves in with her sister in San Francisco. Blanchett really digs her heels in this role and it is one of her best performances. No one quite does a breakdown like Blanchett does and it takes me back to the days of the amazing “Notes on a scandal” where she facing a very public breakdown orchestrated by the equally brilliant Dame Judi Dench. Here too she is ably supported by Sally Hawkins who specializes in these sorts of roles where she plays the women without much but still making the most of her life. Alec Baldwin in a brief role as Jasmine’s husband leaves a lasting impression.
The problem I have with Allen’s stories is that they are simple tales that need to be told simply but he tends to drag out the stories a tad too long and with an unsatisfying end. However that being said Blue Jasmine is probably my favorite Woody Allen movie that I have seen and most of it is due to the beautiful and talented Miss Blanchett. Also the background score with the jazz notes is a little more satisfying this time around than most of the other times that I have heard the familiar strands being played in Allen’s movies. “Blue Moon was the song that was playing when Hal swept me off my feet…. “I love it every time Blanchett says that line with such conviction that you believe her neurosis.
Watch it for what is possibly the Oscar winning role for Cate Blanchett and what it because even with his faults Allen is still one of the most prolific director who if for nothing else is a gift to MAN-kind for continually casting beautiful women in starring roles with stories that are written around them.